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Topic: Diamonds are a girl's best friend
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Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
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posted January 02, 2014 01:06 PM
As requested by Doug, here is my review of this "Cinemascope" title ....
I thought that I would so a separate review of this little rarity, as it does have it's curiosity.
The digest begins with the early era classic "This is a Cinemascope" beginning, with the full FOX fanfare. We then go into the whole dance (or most if it) sequence before Marilyn sings her song.
She then begins it being tempted and doing her "No No NO's!" to then bring in the full song, from beginning to end.
The digest ends at the end of the song with a THE END title which gives away the source of this scope reel. It's from a Marilyn Monroe documentary in scope that was released to theaters and nararated by Rock Hudson.
OK, the question is, is this really a scope release?
The reason why I bring this up is that I remembered having this reel years ago, (this is the same one, with the slightly murky image, on LPP film stock)
... and I also remember reading, on this very forum, that, though this was released in the old school aspect ratio (before scope) used in Hollywood, they did do a test filming, in scope, of this sequence.
Sadly, I must announce, that this little reel, was NOT originally in scope.
The studios, once scope came out, went through they're catalog of films and if they wanted to re-release a classic, they would re-format the ratio of the film to fit into the scope world, (one example is "Gone With The Wind"), but that would mean taking that perfectly square image and cutting off an enormous amount of image info from the top or bottom of the original image.
This is what was done with 'Diamonds". There are numerous times where Marilyn is almost left out of the screen (except for her head) as, in the original filming of it, Marilyn moves up and down through the image, which worked fine with the old ratio, but not with scope, as it is apparent that they simply placed the anamorphic lense in from of the original print, and didn't move it about. I have carefully compared each shot, shot by shot, and it was taken from the original ratio square image, there is not a single difference in the shot, (angles and such)
So, folks, I must say that this specific print, while in scope, is not really in scope, it's just resized from an old academy ratio print. If I were you, I would stick with the FOX digest of this film, if you want the "Diamonds" number.
However, I would love to find this in true cinemascope, if it was ever released on super 8! Long Live Super 8!!!
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
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