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Author Topic: Brand Leader?
Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted January 14, 2004 09:56 AM      Profile for Kevin Faulkner         Edit/Delete Post 
If you look at the post "My First Post - introdution" Tony Milman said " It is a bit of an Elmo forum but I do have a Sankyo!"
Now does this show that maybe Elmo were the brand leaders where it came to the supply of Super 8 projectors?
I wonder if the brands went something like this:

1 Elmo
2 Eumig
3 Sanykyo
4 Noris
etc etc.

Does anyone else have a view on this. Was Elmo the brand leader and did they make the best machines? [Smile]

Yes I know I'm a bit of an Elmo freak but then I grew up and then worked with them. [Wink]

Kev.

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GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Mike Peckham
Phenomenal Film Handler

Posts: 1461
From: West Sussex, UK.
Registered: Jun 2003


 - posted January 14, 2004 11:31 AM      Profile for Mike Peckham   Email Mike Peckham   Send New Private Message       Edit/Delete Post 
Now you see, I think it might be more likely;

Elmo
Sankyo
Eumig
Noris
etc...

But perhaps that's because I'm a bit biassed towards Sankyos. [Cool]

Mike [Wink]

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Auntie Em must have stopped wondering where I am by now...

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Trevor Adams
Jedi Master Film Handler

Posts: 763
From: Auckland,New Zealand
Registered: Jun 2003


 - posted January 14, 2004 12:49 PM      Profile for Trevor Adams   Author's Homepage     Send New Private Message       Edit/Delete Post 
I would have thought that at the height of 8mms popularity there would have been more Eumigs per square mile than any other brand.
Back in the "silent" days I know that ,in Australasia,Bell & Howell was a far bigger name than any Japanese brand.Trev

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Trevor

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Brad Kimball
Phenomenal Film Handler

Posts: 1171
From: Highland Mills, NY USA
Registered: Jun 2003


 - posted January 14, 2004 02:38 PM      Profile for Brad Kimball   Email Brad Kimball   Send New Private Message       Edit/Delete Post 
Where do CHINONs rate? I've had two that were nice machines. I heard EUMIG sound heads go rater quickly? T/F?

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted January 14, 2004 03:38 PM      Profile for Kevin Faulkner         Edit/Delete Post 
Ok Point made Mike.
Trev maybe you are right but I'm thinking of world wide. I thought Eumigs were more common in Europe and certain other markets. You certainly used to see them sold in normal Chemist shops here in the UK. But what about the US etc. Brad the Chinons sold here in the UK were only sold by one photgraphic chain (Dixons) so I think much lower numbers were sold compared to the likes of Elmo and Eumig etc. Also there were many Independent dealers selling cine gear back in the hey day of super 8. [Smile] Kev.

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GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Tim Christian
Expert Film Handler

Posts: 219
From: Norfolk, UK
Registered: Jun 2003


 - posted January 14, 2004 04:49 PM      Profile for Tim Christian   Author's Homepage     Send New Private Message       Edit/Delete Post 
Don't know about brand leader, but you guys seem to have more trouble with your Elmos than I do with my Eumigs and Chinons. [Wink]

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Tim

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted January 14, 2004 04:51 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
If you look thru back issues of ACW or Movie Maker, the thing that really stands out is the very heavy advertising of Eumig projectors, and not much Elmo. Eumig were the first Company in the world to offer an economical 8mm sound projector, with Halogen lighting and auto threading -they were'nt called "The Wizard's of Vienna" by Ivan Watson for nothing. They also had a winning 8mm silent projector (the P8) which revolutionized projector design at the time, in terms of low voltage lighting, reel arm position, and compactness. So I think you could conclude that Eumig pretty well dominated the UK and European markets (and most deservedly so!). It is also clear from this side of the pond, that they also had good penetration into North American markets, particularly Canada. It is interesting that nearly all of the very late Eumig designs such as the 938 and 940 that are being sold on EbAY are by Canadian sources, so maybe these particular models were never imported into the USA.

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Joe Taffis
Phenomenal Film Handler

Posts: 1592
From: United States
Registered: Jun 2003


 - posted January 14, 2004 05:46 PM      Profile for Joe Taffis   Email Joe Taffis   Send New Private Message       Edit/Delete Post 
Kodak and Bell&Howell were the most common machines in my area of northeast Pa. in the 1960's thru mid '70's. The first super 8 sound projectors available locally here in the early 1970's were the Kodak Ektasound sync system(one local camera store eagerly gave elaborate, info-mercial style demonstrations hoping to make sales of this awkward and, in my opinion, poor quality system) and then later, the B&H magnetic sound Filmosonic in 1975. The only other brands I remember in the local camera stores were generic models and Chinons in the late '70's(I still have my good old Chinon 7500). Other than in the pages of Super8Filmaker magazine, which, like Paul stated about the other mags, had a lot of Eumig adverts along with Elmo and all the others; I had my first upclose look at an Elmo ST1200 in 1978 at Ron(Red Fox Films)Knorr's house when I went there to buy films. It was set up to run a film and was a VERY impressive sight!, as it was the first time I saw 1200'super8 reels. I thought, this must be the top of the line machine that dealers prefer...definitely a "brand leader" [Smile]

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Joe Taffis

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted January 15, 2004 02:41 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Yes Joe,
I imagine that Bell&Howell and Kodak had most of the US market for 8mm projectors, but I have never been very enthusiastic about either of these companies super 8mm equipment. Certainly, prior to about 1960, Bell and Howell 8mm equipment was superb, with beautifully designed and manufactured standard 8mm projectors such as the 606H/Regent and Filmo's. But around about the advent of Super 8, they started turning out very poorly designed plastic projectors, and I don't think they ever made a good super 8 sound projector (with the exception of the re-labelled Sankyo's). So most of my memories of Bell and Howell equipment is of poor performance and scratches!
Similarly Kodak had a superb S8mm sound projector based on the 16mm Pageant design (I had one of these and it was very good, with 150 watt lighting and 1600ft spool capacity- I kept the superb F1.0 fixed focus Ektar lens off one of these for use on my Eumigs), but soon reverted to cheap plastic projectors such as the horrible Ektasound and Moviedeck designs, and their clunky Ektasound camera.
These of course appealed to the masses, and no doubt thousands were sold at Kmart, Sears, and Mongomery Ward. But if you really wanted quality equipment you had no choice but to buy European (Eumig, Bolex, Beaulieu)or Japanese( Elmo, Sankyo, Chinon) equipment. Too bad, because prior to 1960 B&H and Kodak had world class projectors - among the best equipment you could buy.

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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John Clancy
Phenomenal Film Handler

Posts: 1954
From: Cornwall
Registered: Jun 2003


 - posted January 16, 2004 02:12 AM      Profile for John Clancy   Author's Homepage     Send New Private Message       Edit/Delete Post 
Although the Bell and Howell DCR and DCT's were very good machines. My brother has had a DCR machine since they were first produced and it's still good.

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British Film Collectors Convention home page www.bfcc.biz. The site is for the whole of the film collecting hobby and not just the BFCC.

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted January 16, 2004 07:53 AM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
In defense of the Moviedeck: my parents bought me a brand new one about 25 years ago and I have been using it steadily ever since. It has to have one of the best autothread mechanisms ever built, I doubt it's failed to thread 5 times since I got it. It is also very gentle on the film. It is also extremely easy to set up: you take it out of the case, you plug it in, and you're basically there. It is always my first choice when I want to very quickly see something silent.

Gripes?, well it is limited to 400 feet and the optics aren't as sharp as my Eumig and Elmo sound projectors, but based on the advantages it offers, I'm more than happy to have it.

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All I ask is a wide screen and a projector to light her by...

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Alan Rik
Film God

Posts: 2211
From: New York City, NY, USA
Registered: Jun 2003


 - posted January 18, 2004 09:03 PM      Profile for Alan Rik   Email Alan Rik   Send New Private Message       Edit/Delete Post 
I have a Sears catalog from 1981 I think and they were selling a lot of Bell and Howells, one Elmo, one Eumig (the horrible 926 stereo), and a few Chinons. My first projector was a Chinon. Hated the 50 watt bulb and it chewed almost everyone of my films up!
Then I bought a GS1200 used for $400 in mint condition. Ah...love at first sight...

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Chris Quinn
Master Film Handler

Posts: 372
From: England, Bedfordshire.
Registered: Nov 2003


 - posted January 19, 2004 03:03 AM      Profile for Chris Quinn   Email Chris Quinn   Send New Private Message       Edit/Delete Post 
To the defence of Chinons. I had two some years ago now, and they were both good little projectors, never caused any problems, Ok now i have Elmos, but the little Chinons from Dixons, i beleive, ran well.

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The other half thinks i'm up to something. Shes right of course.

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