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Author Topic: "Film Renew"
Jean-Marc Toussaint
Film God

Posts: 2392
From: France
Registered: Oct 2004


 - posted October 30, 2004 07:04 PM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
This is tempting. I'm going to give ArmorAll a try. Not sure if I can find it here but since I'll be in the US next week...
And... We reached 50 posts, Gentlemen. [Big Grin]

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Ian John
Junior
Posts: 20
From: United Kingdom
Registered: Jun 2003


 - posted October 30, 2004 09:28 PM      Profile for Ian John   Email Ian John   Send New Private Message       Edit/Delete Post 
I'm using "SurfaSet" film cleaner. A friend of mine in London used it when he run a film library, and after he changed over to video/DVD's he gave me a couple of gallons of the stuff.... I've not tried it on my 8mm yet, but have been using it for a couple of years on 16mm without any problems, but dunit stink!!

Ian. UK.

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Keeping 16mm Christian Films Alive.

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Michael De Angelis
Phenomenal Film Handler

Posts: 1261
From: USA
Registered: Jul 2003


 - posted October 31, 2004 12:32 AM      Profile for Michael De Angelis   Email Michael De Angelis   Send New Private Message       Edit/Delete Post 
The Armor All sounds interesting, but I'm wondering if coating the film will prevent it from breathing? I believe that acetate films 'breathe' or gas out?

What's in Armor All? If its mostly water, then water is not good for film.

I guess its worth asking for a MSDS sheet for this product.

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Isn't it great that we can all communicate about this great
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Jean-Marc Toussaint
Film God

Posts: 2392
From: France
Registered: Oct 2004


 - posted October 31, 2004 05:07 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
Apparently, ArmorAll is distributed in the UK .
So, one of our British members could have a look.

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted October 31, 2004 08:58 AM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Information about ArmorAll can be found at:
www.armorall.com or phone 1-800-222-7784
I have emailed them the following question:

I use Armorall all the time for my car. It is a wonderful product and has kept my auto interior looking like new for over 10 years.
But I have found another use for your product. I am a film collector, and have found that the ArmorAll Protectant wipes are great for cleaning and lubricating reels of polyester and cellulose acetate based motion picture film. However one concern is whether the product contains materials which might have a long term effect on degrading the dyes used in color films, and also whether the product contains water which is not so good for film. I know that Armorall is patented but what is in it? Can you answer my concerns about suitability for film cleaning and lubrication. And can you email me an MSDS sheet.
Thank you , and thanks for a great product!

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
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Jean-Marc Toussaint
Film God

Posts: 2392
From: France
Registered: Oct 2004


 - posted October 31, 2004 09:38 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
Nice move, Paul.
Let's hope they don't answer using the mandatory corporate tone ("Thank you for choosing ArmorAll. ArmorAll is a car care product and should be use for car care only, blah-blah-blah...")
Then again, the MSDS sheet should help.

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Tony Milman
Phenomenal Film Handler

Posts: 1336
From: United Kingdom
Registered: Jun 2003


 - posted October 31, 2004 09:54 AM      Profile for Tony Milman   Author's Homepage   Email Tony Milman   Send New Private Message       Edit/Delete Post 
Paul,

Is it the Dashboard one you buy- can you take a look at the UK site and let us know?

Interesting that their head office is in Hounslow- right next door to Perry's. There was me thinking Ian's "glow" was all natural from selling all those films but now we know differently!

--------------------
Tony

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted October 31, 2004 12:35 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Hi Tony,
Yes I think the ArmorAll protectant wipes that I am experimenting with are marketed in the UK as the Dashboard wipes. The canister is the same yellow color. I have not tried any of the other products such as the leather cleaner, or orange cleaner, they are probably different formulations. Try it on an old piece of film and let us know if you see any improvement.

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Tony Milman
Phenomenal Film Handler

Posts: 1336
From: United Kingdom
Registered: Jun 2003


 - posted October 31, 2004 01:21 PM      Profile for Tony Milman   Author's Homepage   Email Tony Milman   Send New Private Message       Edit/Delete Post 
Paul Thanks

Actually chaps I am a tad concerned that we are getting all worked up over a bit of film cleaning [Big Grin]

Oh dear, now where did I put my anorak..... [Eek!] .

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Tony

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Craig Hamilton
Jedi Master Film Handler

Posts: 501
From: Luton
Registered: Sep 2004


 - posted October 31, 2004 01:44 PM      Profile for Craig Hamilton     Send New Private Message       Edit/Delete Post 
Tony, you left it in my WD40 research lab. [Big Grin]

Craig

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I dream of becoming a dealer!!!!!!
Is Perry's Movies for Sale.

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Brad Miller
Administrator

Posts: 525
From: Dallas, TX, USA
Registered: Jun 2003


 - posted October 31, 2004 02:50 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
quote:
However one concern is whether the product contains materials which might have a long term effect on degrading the dyes used in color films, and also whether the product contains water which is not so good for film. I know that Armorall is patented but what is in it? Can you answer my concerns about suitability for film cleaning and lubrication.
Paul, I shouldn't have to point this out, but do remember that the people at Armorall are not film people, and know nothing about film. As such they are wholly unqualified to answer whether that product will cause long term damage or not. I'm afraid you're on your own in regards to testing.

Everyone please remember that just because something looks great right now, does not mean that you won't unbox a reel you cleaned with something a few years back to find out it is unplayable anymore. Long term testing is absolutely mandatory. Just look at the old Eastman film stocks. They had no idea the colors would naturally turn red over time...and that was coming from Kodak!

FilmGuard has been in testing for about 15 years now with no long term problems. I think FilmRenew has been around for a similar amount of time. Plus there are more options than just those two film cleaners which have stood the test of time you can use, so I am in no way trying to push one particular product here. Just remember, 5 years down the road the films you clean today with some random chemical you find at the hardware store or under the kitchen sink may be unplayable...and unreplaceable! [Eek!] It's at that point you have to ask yourself if it is worth the gamble of trying to save a couple bucks on a substitute product to clean your films with vs. potentially damaging your prints in the long term.

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted October 31, 2004 04:36 PM      Profile for Kevin Faulkner         Edit/Delete Post 
Brad, your not just talking a few bucks. The product you sell (FilmGuard) is very expensive over here. It works out at about £48 GBP a 900ml bottle which I think makes it the most expensive on the market. Obviously our distributor has to also make a profit. In terms of long term use with say WD40 I know that Keith Wilton has used it over the years so it will be worth me asking him to check films that he has used the stuff on and see how it has faired up. What started me on this track was not cost but the fact that WD has the same strange smell as Filmrenew which makes me think that the 2 items are related in terms of the oil thats in it. WD is obviously a lot cheaper and far more readily available which is a real plus point. The tests go on and we will see how it goes. I like the fact that the film after a week still has a nice even coating on it where as so many other products seem to go patchy. The pinch roller in my GS doesnt seem to be any worse after using this product than any other product I have tried.

Kev.

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GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Brad Miller
Administrator

Posts: 525
From: Dallas, TX, USA
Registered: Jun 2003


 - posted October 31, 2004 11:54 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Is there no film cleaner product available in the UK that has a long track record of testing that is reasonably priced? Obviously once US manufactured items leave the country, it starts to get real expensive.

My only concern that I just wanted to make clear to the readers was that random chemicals which were not formulated for film cleaning such as WD40, or Armorall, or Raid bug spray, or whatever has not had long term testing on film and users could unbeknownst to them be destroying their films. I know Kodak has specifically named the product WD40 as a no-no because it leeches the dyes from the film over time.

I'm sure you can understand where I am coming from. Take for example a reader skimmes through this post and gets out of it that they can throw any ol' chemical on their films...but what if they turn around a few years later and find out that their films have been damaged by it??? Obviously it's a gamble each person has to weigh and make their own decision on.

Let's just please word the posts carefully so it is made clear that items like these have not had long term testing and using them are "at your own risk", then of course feel free to report your findings on it thus far. [Cool]

EDIT - I decided to do a quick search over on the Film-Tech Forums since I knew this had been discussed before over there. I suggest everyone click on this link and read about using WD-40 straight from John Pytlak (the Kodak man). His post is about 2/3 down the page.

[ November 01, 2004, 12:16 AM: Message edited by: Brad Miller ]

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted November 01, 2004 08:15 AM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Thank you Brad. Your words of caution make a lot of sense, and everyone needs to heed them.
I certainly do not want to recommend that everyone go off and apply ArmorAll to their entire film collection- and I certainly hope that they do not. As you say so well, you dont know what will happen 5 or 10 years from now. But here is my experience, for what it is worth:
About a year ago I aquired 3 black and white features off ebay. These were acetate based prints, very nice quality, but were scratched and almost unprojectable because they were so dry and shrunk, chattering and jumping up and down on the screen. I thoughI had nothing to lose by trying something, and seeing and reading the ArmorAll directions while cleaning my car one day, I thought I might just try it on one roll of these films. Using the protectant wipes, I saw an immediate improvement in ease of projection, much quieter and much more steady. So I repeated the cleaning operations a few more times over a period of a couple of weeks, by which time the print had eventually settled down to a normal level of noise and steadiness in the projector. I also noticed that the film scratches were less noticeable, and the quality of the mag track sound was much better. In fact the first few rewinds thru the wipes produced lots of loose oxide crud on the cloth. I have concluded that the stripe gets cleaned and polished during this operation, thus the better sound. I also think that maybe the Armorall penetrates the film base, producing slight swelling, which offsets some of the shrinkage. It also seems to make the film a little more flexible and shiny after several applications.
So far, as I have said, I have not seen any adverse effects after 12 months. But so far, I have only used this product to "Rescue" prints which were otherwise very unsteady and chattery ,due to shrinkage or drying out. (None of the prints which I have owned myself are like that). I am sure that Filmguard or Filmrenew would provide similar beneficial effects on the film, but I do not like the exposure to the volatiles in these products.
I have not used this product(ArmorAll) on every film that I posess, and will only use it if necssary to rescue a print from the trash can.

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Jean-Marc Toussaint
Film God

Posts: 2392
From: France
Registered: Oct 2004


 - posted November 01, 2004 08:40 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
Lads, another input from France:
I juste received an email from Mr Antoine Orsero, a very respected collector over here. He skimmed through this thread but, not being too confident with writing in English, he asked me to relay the following information to you:
Mr Orsero has been using, for the past 7 years, a silicone-based car care product from the brand "Abel Auto", apparently very similar to ArmorAll, with great success, without any glitch. However, he only uses it with extreme precaution on acetate prints that need to be saved from shrinkage.

I suppose that these products could be used wisely and lightly for cleaning/lubricating the projector's film path...

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The Grindcave Cinema Website

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted November 01, 2004 04:13 PM      Profile for Kevin Faulkner         Edit/Delete Post 
Points noted Brad. The only two cleaners/lubes available here in the UK are Derann's Liquid Film Cleaner and CHC's Cresclean. I think Cresclean has changed in makeup recently as it now smells paraffin based and certainly doesnt work as well as it used unless it's used as a wet gate cleaner/lube. The Derann liquid seems to be mainly isoprop with a little silicon which really doesnt have enough silicon in it to hide scratches on older prints. It also evapourates very quickly in use.
There are some supplies of the old thermofilm film product but as far as I now its not being made now along with 2.22 which I think has all gone.
I have some Filmrenew which is very good and some Filmguard but as I said earlier they are expensive and film renew has to be bought direct from the US and I think, in rather large containers?
Thanks for the warnings though and they have been noted.

Kev.

--------------------
GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Michael De Angelis
Phenomenal Film Handler

Posts: 1261
From: USA
Registered: Jul 2003


 - posted November 01, 2004 06:37 PM      Profile for Michael De Angelis   Email Michael De Angelis   Send New Private Message       Edit/Delete Post 
Years ago, I tried a product which was sold by Derann called Renofilm.
It cleaned and lubricated. A little drop went along way.
Most notably, it smelled like moth balls or camphor.
At first, I thought this was strange, until a long time collector friend of mine
told me that very old ancient film prints did have that smell, especially
when they were stored in a can, which had a small sponge inside which was a placed as a wick to keep the films moist for long storage. I guess a similar concept to what is found in the Bonum spools boxes.

Nevertheless, the films treated with Renofilm went through the projector gate as if their was not any film passing through the machine.
Had anyone ever tried this product?
This is something which I used prior to understanding MSDS fact sheets.

Best,
Michael

P.S. Kev, I have to date about 500 posts to catch up to you! Hopefully I will be as lucky, if I don't drop from exhaustion. How do you do it? Cheers!

--------------------
Isn't it great that we can all communicate about this great
hobby that we love!

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John Clancy
Phenomenal Film Handler

Posts: 1954
From: Cornwall
Registered: Jun 2003


 - posted November 02, 2004 07:57 AM      Profile for John Clancy   Author's Homepage     Send New Private Message       Edit/Delete Post 
I tried RenoFilm about 10 years ago when I couldn't get hold of Thermofilm. Because the container was rather large I poured some into a plastic holder. The plastic melted so God knows what damage it will do to a film over time.

The remaining RenoFilm went in File 13 i.e. the bin!

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British Film Collectors Convention home page www.bfcc.biz. The site is for the whole of the film collecting hobby and not just the BFCC.

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted November 03, 2004 09:44 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Well guy's, it's time for your's truly to eat humble pie. I got the following response from the ArmorAll Company:

Dear Mr. Adsett:

Thank you for contacting The Armor All Products Company.

The ARMOR ALL Protectant Wipes are water based silicone specifically
designed to protect and beautify polymeric materials such as rubber,
plastics, vinyl and automotive-grade finished leather. This product is
not recommended for lubricating film reel.

We will be happy to provide the material safety data sheet(s) you
requested. We will be sending this material by regular mail, so please
allow 7 to 10 working days. At this time, we send material safety data
sheets by regular mail only. I hope this information is helpful.

Again, thank you for contacting us.

David N. Mills
Product Specialist

004368166A

I guess Brad know's what he's talking about.

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Jean-Marc Toussaint
Film God

Posts: 2392
From: France
Registered: Oct 2004


 - posted November 04, 2004 03:34 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
Paul,
Thank you for your initiative and help. Question answered. I need a bunch of stuff from Wittner, I guess I'll add a can of Film Renew to my order.

--------------------
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Tony Milman
Phenomenal Film Handler

Posts: 1336
From: United Kingdom
Registered: Jun 2003


 - posted November 04, 2004 05:22 PM      Profile for Tony Milman   Author's Homepage   Email Tony Milman   Send New Private Message       Edit/Delete Post 
Paul

I assume the slight swelling is the water. As and when the film dries does this mean the lines will return?

Is there any long term implications for the water being put on the films?

--------------------
Tony

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Michael De Angelis
Phenomenal Film Handler

Posts: 1261
From: USA
Registered: Jul 2003


 - posted November 04, 2004 09:49 PM      Profile for Michael De Angelis   Email Michael De Angelis   Send New Private Message       Edit/Delete Post 
Tony,

I do not intend to interfere, but I have found water to be very damaging to film.

Last summer, I received a film which was delievered to me with a very stong mildew smell. Instead of using a Film Cleaner to remove the mildew odor, I aired the film out on my open air screened porch for several weeks. Selecting only days which were low in humidity, and making sure that the film was not in the direct path of sunlight, where it would bake and turn vinegar.

I worked this for several weeks, and the film was practically free of the odor. One night I did not realize that it was going to rain, and as I turned in to go to sleep, I hear a misting and blowing of the wind, and realized that the film was getting wet.

I rushed out, snapped up the film and began to pat the moiture off of the film with a dry cloth, rotating the cloth to absorb the wet areas.
Then slowly I unspooled the film between rewinds, and noticed that the film was beginning to stick together. Carefully, I would dry the film with a dry cloth tissue, and waited for each area to not feel sticky and to wind to the next area that was wet until the sticky areas were dry.

The areas that became wet did swell somewhat.
After intensive work of 800' of 16mm film, I believed that I saved the film, and I did not get to sleep until 1:45am during a work week. - What we will do for film!

I am curious if Paul's film will reveal scratches in the future.

Last but not least, never use a hair dryer to dry off films, Because the heat can turn the film vinegar, and vinegar syndrome can affect an entire collection to turn vinegar and useless.

Best,
Michael

--------------------
Isn't it great that we can all communicate about this great
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Tony Milman
Phenomenal Film Handler

Posts: 1336
From: United Kingdom
Registered: Jun 2003


 - posted November 05, 2004 12:34 AM      Profile for Tony Milman   Author's Homepage   Email Tony Milman   Send New Private Message       Edit/Delete Post 
Michael,

Please Please Interfere all you can, that (in my opinion) is exactly what this forum should be about. I don't really mean interfere I mean contribute.

Not only is your story interesting (it brought a tear to my eye [Wink] ) but I did not know about hair dryers.

Just wish some of the other "observers" of this forum would contribute more so that we newbies (yes OK verbose newbies given the number of posts [Big Grin] ) keep on learning!

--------------------
Tony

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John Clancy
Phenomenal Film Handler

Posts: 1954
From: Cornwall
Registered: Jun 2003


 - posted November 05, 2004 03:09 AM      Profile for John Clancy   Author's Homepage     Send New Private Message       Edit/Delete Post 
There's nothing better than water to get rid of emulsion scratches. It won't get rid of thick green lines but light scratches usually disappear. A damp cloth and let the film run off; don't let the emulsion sides touch or they'll stick together. Hang it up to dry naturally.

For Michael, this process should also repair any damage done to your film caused by it being left out in the rain. I had to carry out the process on a 400ft reel that had water spashed all over it whilst it was still wound on the reel. You could hear it coming unstuck when projecting it and see all the black marks on the picture resulting from the emulsion sticking together. Treatment with a damp cloth cleared all the damage.

I generally finish the process off with a Thermofilm treatment just to ensure any dust and remaining muck is cleaned off.

--------------------
British Film Collectors Convention home page www.bfcc.biz. The site is for the whole of the film collecting hobby and not just the BFCC.

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted November 05, 2004 08:35 AM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Well we now know that ArmorAll is a water based silicone product, and that water is reportedly bad for film. Obviously it is the silicone which provides the lubricating effect and the water swells the film very slightly, offsetting any shrinkage, and diminishing some of the scratches.
Maybe the key here is how much water may be detrimental to the film. A situation where a film has water settling on it for a long period of time is probably totally different from what you get with the ArmorAll wipe applied during a high speed rewind, where the amount of fluid which gets on the film is pretty small.
I am not advocating that everybody go off and ArmorAll all their films. But I would be interested to see if anybody else feels that high speed rewinding thru ArmorAll wipes is beneficial to film handling during projection and reduction of scratches. So somebody else, give it a try, and let us know what you find.
As far as I am concerned, as I said, I have not seen any problems after about 1 year of useage, and I will continue to use this product on troublesome films which would otherwise be unprojectable.

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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