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Topic: What Films did you show last night?
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David Pannell
Phenomenal Film Handler
Posts: 1072
From: Horsham, West Sussex, UK
Registered: Nov 2004
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posted January 27, 2009 07:24 AM
Paul,
Small world! We used to live at Basingstoke in the mid '70s, up at Kempshott Down, and we know the area quite well, though we weren't aware that some shots were taken at Cliddesden and Basingstoke stations themselves.
Last night I ran "Fort Algiers". 1953. Again on Standard 8, monochrome, sound, with Raymond Burr - before the days of Perry Mason and Ironside. The pre-amble and build-up to the final battle is quite cleverly portrayed; and the sequence with Yvonne De Carlo hiding the bug, and then listening in to the battle plot on the receiver in her boudoir, then getting caught by Burr, adds quite convincingly to the tension.
78 enthralling minutes of this Edward L. Alperton production.
-------------------- Dave.
Valves and celluloid - a great combination! Early technology rules OK!
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Panayotis A. Carayannis
Jedi Master Film Handler
Posts: 969
From: Athens,Greece
Registered: Jul 2008
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posted January 27, 2009 04:14 PM
Friday night,the 23th we watched LOVE ME TENDER on 16 mm,with Richard Egan,Debra Paget and Elvis Presley (he's quite good actually). Saturday,it was raining,so I showed ONE RAINY AFTERNOON (1936) with Francis Lederer and Ida Lupino and A RAINY DAY with Barney Bear,both on super 8. Monday,I did an all silent "forgotten comedians" show,a mixture of std and super,which included: Gale Henry and Billy Franey in WHO DONE IT?,Bobby Dunn in THE FAST MAILMAN,Billy Ritchie in A DAY AT THE FORCE,Charlie Joy (who?) in WHEN JEKYLL DID HYDE, Mark Jones and Sunshine Hart in FAMILY LIFE and THREE WISE GOOFS with The Tone of Fun (Fatty Voss,Fatty Carr and Fatty Alexander).
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Chip Gelmini
Phenomenal Film Handler
Posts: 1733
From: Brooksville, FL
Registered: Jun 2003
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posted February 03, 2009 09:07 AM
Hi Jean - Marc
No, I did not show the shorts. When I play the DVD's on my big screen I run feature only. One of these days I'll start running super 8 shorts before the DVD feature. That should be fun. I actually did a test trial (the changeover was abit tricky) and liked how it was done, but I need more practice. Imagine me saying that after 30 years of changeovers in the same booth!
I also have issues with full frame coming from the DVD. It runs off the top and bottom of the screen because I push the limits on throw distance. The projector is rated at 21 feet and I am running at 25.50 feet. Seriously folks, anything from the Panny in 4 x 3 mode (1.33:1) does not fit my screen. And yes, this is a problem.
Likewise I am limited to 16 x 9 and/or 1:85 standard letterboxing for flat or scope. Now this option even pushing the limits works just dandy.
Last night, and as with all scope DVD; the image was 4 feet tall and about 11 feet wide. There were 8 inches of unused vertical screen on each far side left and right. Partly due because my screen is cut for super 8 scope which comes in at 2.66:1.
I suppose at some point I could just watch the shorts on the old fashioned TV. But even that would break the tradition.
And it really isn't feasible for me to relocate the Panny projector, as shown on screening room pictures on page 8 or 9, the Panny is somewhat permanently mounted. The way I have it hooked up and configured requires that it stays in the booth.
I am starting to consider a second video projector in the next few months, maybe by August. And this one could be more portable and could be set outside the booth to run the standard full frame flat movies.
Right now I am focused (no pun intended) on a wonderful Florida vacation coming up March 20. I do not return until May 6th. So right now for the next few weeks I'm enjoying some films before I leave.
And thank goodness I will be able to visit Paul in Orlando. At least; it helps keep the withdrawal syndrome at a minimum
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