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Author Topic: GS1200 Has Passed The Test
Graham Ritchie
Film God

Posts: 4001
From: New Zealand
Registered: Feb 2006


 - posted February 25, 2008 02:15 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
Well it has been just over 5 months since the projector was converted to a two bladed shutter and the ELC Osram Xenophot 250 watt with an external power supply, the coversions have really worked out very well, a huge improvement to how things were a year ago, also with fine tuning of the apature plate, lens holder alinement "minimum pressure on the film" changing the recording capacitor top guide replacements fixing the rewind/take up motors and the auto thread, the projector is now running like a swiss watch, [Big Grin] the GS1200 is a very capable machine upgrading with excellent results, as long as those motor brushes and commutator's don't wear out to quickly the projector should have quite a few more years left in it.

Graham. [Smile]

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted February 25, 2008 05:30 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Hi Graham,
Glad your GS is performing so well. Could you please explain in more detail exacty what your " minimum pressure' and aperture adjustments were, and how you carried them out.

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Graham Ritchie
Film God

Posts: 4001
From: New Zealand
Registered: Feb 2006


 - posted February 25, 2008 09:56 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
Paul

Regarding the fixed apeture plate which is held in place with the four screws I found that with very slight re-positioning in relation to the claw and using some white leader in the gate as a test "lens holder open" and a strong magnifying glass I checked and adjusted for the exact edge clearance of the claw to the films perforations ie. how the claw engages the film at the top until it retracts at the bottom this is shown in the Service Manual, machine frame section Fig 8 and 9 because the claw works in a arc, any contact between the claw and the edge of the perforation will not only damage the sprocket hole but will cause side movement, my thinking was, that the claw must only ever make contact with the bottom of the perforation during its travel although there are other adjustments one can make as well eg the vertical post "2 screws" but that adjustment also effects the position of the film "on screen "in the apeture and the edge spring pressure on the film.

I also found in relation with lens holder and the spring pressure Fig 14 that by adjusting the lens holder assy "2 screws" away from apeture plate and then re-adjusting the stop screw this in turn reduced the spring pressure on the pressure plate, as long as there is enough pressure to keep the film flat but also giving it the least resistance as it moves through the gate, what I found after all this [Roll Eyes] is that the film now runs through the gate without any strain and as smoothly as possible with both the focus and picture looking good.

The problem with the GS1200 is that many of the screw holes are larger than the diameter of the screws themselves which means things might not be as aligned as they should be. I think once the projector is properly set up thats it for life {hopefully}

Graham. [Smile]

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted February 26, 2008 08:54 AM      Profile for Kevin Faulkner         Edit/Delete Post 
Adjustments in this area should only really be done with std SMPTE test film where the exact dimensions are guaranteed.

Yes you can use leader but make sure it is dead on 8mm and the perfs are in the correct position otherwise if you now play a film which is under or over width you may have problems.

The procedure you used is not really the correct one for claw position etc. This should be carried out by adjusting the claw mechanism in the rear of the machine.

I wouldn't recommend this as a general procedure for others to take on.

Kev.

--------------------
GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Mark Todd
Film God

Posts: 3846
From: UK
Registered: Aug 2003


 - posted February 26, 2008 09:35 AM      Profile for Mark Todd     Send New Private Message       Edit/Delete Post 
Hi Kev, can you check your ditch box as I think I`m in there.I`ll try again.
Best Mark.

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Graham Ritchie
Film God

Posts: 4001
From: New Zealand
Registered: Feb 2006


 - posted February 26, 2008 01:53 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
Hi Kev
Thanks I did not realize there was an adjustment that could move the claw left or right, had a close look at the manual and there it is {15}2 in Fig 7-C. [Roll Eyes] I thought at the time that there was no adjustment due to the claw itself being held in the cam, thanks again Kev so folks dont do what I did.

Graham. [Smile]

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted February 26, 2008 04:45 PM      Profile for Kevin Faulkner         Edit/Delete Post 
As long as all is running ok I think you can say you got away with it. [Smile] If however you get steadiness probs on some films it could be for the reasons stated earlier with over or under size film.

Kev.

--------------------
GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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