8mm Forum


Post New Topic  Post A Reply
my profile | my password | register | search | faq | register | forum home
  next oldest topic   next newest topic
» 8mm Forum   » 8mm Forum   » Optical sound Supers 8, where they came from. The facts

 - UBBFriend: Email this page to someone!    
Author Topic: Optical sound Supers 8, where they came from. The facts
Tom Photiou
Film God

Posts: 3625
From: Plymouth U.K
Registered: Dec 2003


 - posted November 11, 2017 02:08 PM      Profile for Tom Photiou   Email Tom Photiou   Send New Private Message       Edit/Delete Post 
Now this is the article that sprang to life 19 years ago, (i cannot believe where the time has gone). I wrote to Derek Simmons to ask a few questions and one of them was, Where did super 8 optical prints actually come from, how did they originate,
Here, from an early FFTC magazine in 1998 is the answer, and it is a very good & interesting read.
I Hope you can read them as obviously i had to reduce them to put it up.
The optical item starts on page 1, (obviously) Row 3
If you cant read it and would like it emailed full size let me know but hopefully there will be a way you can see it.

SEE BELOW (Read down the thread to get the article, thank you Doug)

[ November 12, 2017, 12:17 PM: Message edited by: Tom Photiou ]

 |  IP: Logged

Douglas Meltzer
Moderator

Posts: 4108
From: New York, NY, USA
Registered: Jun 2003


 - posted November 12, 2017 11:51 AM      Profile for Douglas Meltzer   Email Douglas Meltzer   Send New Private Message       Edit/Delete Post 
I resized Tom's article to make it more legible.

 -
 -
 -
 -
 -

The next part continues from "At any one time there were twenty projectors running, checking...."

 -

--------------------
I think there's room for just one more film.....

 |  IP: Logged

Tom Photiou
Film God

Posts: 3625
From: Plymouth U.K
Registered: Dec 2003


 - posted November 12, 2017 12:16 PM      Profile for Tom Photiou   Email Tom Photiou   Send New Private Message       Edit/Delete Post 
Thanks Doug, thats better. [Wink]

 |  IP: Logged

Graham Ritchie
Film God

Posts: 3200
From: New Zealand
Registered: Feb 2006


 - posted November 12, 2017 12:21 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
Excellent article...very interesting.

 |  IP: Logged

Tom Photiou
Film God

Posts: 3625
From: Plymouth U.K
Registered: Dec 2003


 - posted November 13, 2017 01:55 PM      Profile for Tom Photiou   Email Tom Photiou   Send New Private Message       Edit/Delete Post 
Thank you Graham, i think so to, to think of all those titles that had to be destroyed. Just about every film must have had an 8mm print back then as the airlines would have had all the up to date movies for their passengers. (just like they do now on the cheapy format, and the headphones are still hopeless today as they were then) [Big Grin] [Wink]

 |  IP: Logged

Dominique De Bast
Film God

Posts: 3517
From: Brussels, Belgium
Registered: Jun 2013


 - posted November 13, 2017 02:33 PM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
Interesting article, indeed. To complete the informations provided, not all optical films were printed for airlines companies. Les Grands Films Classiques (in France of course) released several classical features (in black and white) for individuals.

[ November 14, 2017, 08:34 AM: Message edited by: Dominique De Bast ]

--------------------
Dominique

 |  IP: Logged

Tom Photiou
Film God

Posts: 3625
From: Plymouth U.K
Registered: Dec 2003


 - posted November 14, 2017 06:33 AM      Profile for Tom Photiou   Email Tom Photiou   Send New Private Message       Edit/Delete Post 
I never knew that,

 |  IP: Logged

Kenneth DePriest Jr
Film Handler

Posts: 58
From: severn MD
Registered: Aug 2012


 - posted November 14, 2017 08:30 AM      Profile for Kenneth DePriest Jr   Email Kenneth DePriest Jr   Send New Private Message       Edit/Delete Post 
anybody know where you can find a Pic of the projectors the airline used?

 |  IP: Logged

Osi Osgood
Film God

Posts: 8983
From: #399R K.O.A. Mountian Home, ID. 83647
Registered: Jul 2005


 - posted November 14, 2017 11:35 AM      Profile for Osi Osgood   Author's Homepage   Email Osi Osgood   Send New Private Message       Edit/Delete Post 
... and, there were quite a few super 8 optical sound feature prints made exclusively for "libraries" where you could check them out for home use. This occured specifically (from my research), in South Africa, which is where I secured my "Charlie Brown" features as well as other optical sound prints. One of the very wonderful things about these prints from South Africa is that they were printed and distributed along with extras. For instance, there were original 1940's and 50's B/W MGM short subjects that were released and on the front of current (at that time) 70's MGM releases). They;re are/were many feature releases in optical sound that were there in South Africa which, to my knowledge, were not anywhere else.

--------------------
"All these moments will be lost in time, just like ... tears, in the rain. "

 |  IP: Logged

Brian Fretwell
Phenomenal Film Handler

Posts: 1169
From: London, UK
Registered: Jun 2014


 - posted November 15, 2017 02:20 AM      Profile for Brian Fretwell   Email Brian Fretwell   Send New Private Message       Edit/Delete Post 
Another article states where the shorts for Derann and PM Films were printed Derann's were by Technicolor but at their Italian labs, PM (I think) were done by Buck Labs.
I'll look up the article in Film for the Collector after Blackpool.

 |  IP: Logged

Allan Broadfield
Master Film Handler

Posts: 340
From: Bromley, Kent
Registered: Nov 2010


 - posted November 15, 2017 03:37 AM      Profile for Allan Broadfield   Author's Homepage   Email Allan Broadfield   Send New Private Message       Edit/Delete Post 
Re. Uncoated super8 optical tracks;
Before the introduction of cyan optical tracks on 35mm, that could be read with red readers on projectors, the track would be coated with a bead of 'applicator' which would redevelop the sound to give a hard black image that would respond well when using the old photo electric cell reader. The reason for the change to cyan was that the applicator fluid was deemed unsafe to be drained into the sewers, though this had been the practice for many years.
Kodak apparently had no plans for this with 16mm, and at Soho lab we had to devise a printing technique to make up for the loss of the applicated image.
That's a long winded way of going back to the british super8 optical tracks not being coated, therefore lacking in volume etc.
If that was the case with british super8 I'm surprised that the quality was as good as sometimes reported.

[ November 15, 2017, 05:56 AM: Message edited by: Allan Broadfield ]

 |  IP: Logged



All times are Central  
Post New Topic  Post A Reply Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:

Visit www.film-tech.com for free equipment manual downloads. Copyright 2003-2010 Film-Tech Cinema Systems LLC

Powered by Infopop Corporation
UBB.classicTM 6.3.1.2