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Topic: Paul Adsett and Dan Lail inside smallformat 5/2007
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Juergen Lossau
Expert Film Handler
Posts: 159
From: Hamburg, Germany
Registered: Mar 2005
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posted November 08, 2007 03:20 PM
Here are the topics of smallformat 5/2007. The new issue will be shipped in two weeks:
clapper AN EXPENSIVE HOBBY? Jürgen Lossau reveals the cheapest film stocks in Single-8, Super 8 and 16mm
viewer NINE OF NINETY-NINE The International NOMOS Super 8 Award 2007 was presented in Berlin, Australian film festivals and news about film stocks and processing - especially about the new designed Super 8 cartridge of GK-Film
screening TUSCHINSKI’S TREASURE Jürgen Lossau investigates Amsterdam’s renowned film palace and its founder
screening SIXTY FEATURES ON SHOW Dan Lail from Georgia (USA) presents his home cinema
screening EUMIG OUTCLASSES ELMO says Paul Adsett from Orlando, Florida, as he shows us his private cinema
timelapse ONLY ON PAPER Claus Krönke explores the patent offices in search of interesting cine gear that never made it into production
screening OUT OF THE BOX - part 8 - John Clancy and Keith Wilton examine the enigma of Ken Films (USA)
portrait EYE CANDY Jürgen Lossau reveals that wedding couples wish to see themselves on “real film”
portrait “I HATE WEDDING VIDEOS” declares wedding filmmaker Damo Cross from Great Britain
portrait “I WANTED MY OWN WEDDING ON SUPER 8” A talk with Paul Corver, founder of “Fifty Foot Films,” USA
portrait “FILM REMINDS YOU OF THE MOMENT” Interview with Kristen* from Bliss* Video Productions, USA
test TRIPPING THE LIGHT FANTASTIC Jürgen Lossau evaluates a new LED ring light for shooting stop frame animation
test CARDIAC PACEMAKER Claus Krönke tries out DS-8 Ektachrome 100D – a film stock supplied by Wittner Cinetec
tak’s talk SHOOTING 8MM ABROAD Japanese filmmaker Tak Kohyama meets Frenchman Aimé Jardon, who lived and filmed in Japan from 1953 onwards
interview SUPER 8 PORTER Canadian John Porter discusses his artful filmmaking
forum LETTERS TO THE EDITOR from Bosnia-Herzegovina, United Kingdom, the USA and Germany
The world of small format film has become more international in recent years, especially since not everyone lives near others who enjoy this fantastic hobby. A respected technical magazine read by film enthusiasts worldwide is more important than ever. smallformat is that magazine. Explore it for yourself!
We would like to make you an unbeatable offer: Subscribe to smallformat now and receive a free Kodak Ektachrome 64T Super 8 film cartridge.
PM with your address is fine - or have a look at www.smallformat.de
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Paul Adsett
Film God
Posts: 5003
From: USA
Registered: Jun 2003
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posted November 11, 2007 03:55 PM
Well john, of course they are both wonderful machines, and each machine has its own particular strong points. Really the GS1200 is the machine of choice for large hall presentations, but in a smaller environment I feel the Eumig can more than hold its own. Here, as I see it, are the strong points of each machine:
Elmo GS1200 Stereo
PLUSES Sync-pulse capability 1200 ft reels 200 watt lighting Optical track playback Long lasting magnetic sound heads
MINUSES Complex electro-mechanical control system reduces reliability Very heavy 35lbs plus Can be unkind to film (scratches)without diligent attention/modification
Eumig 938 Stereo
PLUSES Very quiet running The best film transport mechanism - very very kind to film Absolutely rock steady pictures Superb stereo recording and play back quality Beautiful outboard recording/mixing console- so easy to use. 800ft reel capacity 150 watt lighting Lightweight 20 lbs Sound heads are not subject to wear when projecting silent films
MINUSES Sound head wear Comes with a mediocre lens, but superb picture quality with f1.0 lenses.
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
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Paul Adsett
Film God
Posts: 5003
From: USA
Registered: Jun 2003
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posted November 12, 2007 02:08 PM
I totally agree with the comments about the ruggedness and durability of the GS1200 - one reason I run it a lot more than the Eumig 938. But whenever I do run the 938 I am really impressed by what a sweet running, and totally fuss-free, and great performing projector it is, particularly on film steadiness and sound quality.
Kev, I run both the 938 and the GS thru an external stereo system. The sound from the GS is very good, but I have to say, at least on the particular projectors that I have, that the 938 sound is noticeably superior. Better base, cleaner highs, and zero WOW. Just a joy to listen to when you have a re-recorded film.
John, the Eumig 926 is a single sprocket machine with 600ft capacity and a 100 watt lamp, and as you say, has the coaxial reels which are a real pain. The 938 is a 2 sprocket machine with traditional in-line film path, 800ft capacity, and a 150watt lamp. A much better machine all round than the 926, but still keeping the 926's superb sound mixing console and stereo amplifier design.
Lee, the lamp house brackets in the Elmig were changed from plastic to titanium metal early on in the production run. Bozanium was probably not used because it is radioactive!
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
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