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Author Topic: New Super 8 Film by Kodak
Barry Fritz
Phenomenal Film Handler

Posts: 1061
From: Burnsville, MN, USA
Registered: Dec 2009


 - posted April 15, 2010 12:27 PM      Profile for Barry Fritz   Email Barry Fritz   Send New Private Message       Edit/Delete Post 
If someone has already posted this, I apologize. Thought someone here might be interested in this.
http://motion.kodak.com/US/en/motion/about/news/2010/Apr06_1.htm

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Adrian Winchester
Film God

Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004


 - posted April 15, 2010 01:07 PM      Profile for Adrian Winchester     Send New Private Message       Edit/Delete Post 
It has been mentioned in Juergen's thread, but it's interesting to see the Kodak site page.

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Adrian Winchester

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Alan Rik
Film God

Posts: 2211
From: New York City, NY, USA
Registered: Jun 2003


 - posted April 15, 2010 01:15 PM      Profile for Alan Rik   Email Alan Rik   Send New Private Message       Edit/Delete Post 
Now that is GREAT news!
[Smile]

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Bill Brandenstein
Phenomenal Film Handler

Posts: 1632
From: California
Registered: Aug 2007


 - posted April 20, 2010 07:05 PM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
Doesn't it go without saying, then, that we should watch for the discontinuance of the current 64T product? Or has that been announced and I've missed it? Wow, 100D = 40T.

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Bart Smith
Expert Film Handler

Posts: 228
From: Hackney, London
Registered: Feb 2007


 - posted April 21, 2010 12:10 AM      Profile for Bart Smith   Author's Homepage   Email Bart Smith   Send New Private Message       Edit/Delete Post 
Wow, 100D = 40T.

Hi Bill, I'm afraid to say that 100D = 25T...

An 80a has a filter factor of 2 stops, as opposed to an 85/85a which only loses 1.5 stops.

Kodak are discontinuing 64T, and also discontinuing Plus-X.

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www.bluecinetech.co.uk

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Robert Lewis
Film Handler

Posts: 58
From: United Kingdom
Registered: Feb 2009


 - posted April 21, 2010 05:15 AM      Profile for Robert Lewis   Email Robert Lewis   Send New Private Message       Edit/Delete Post 
Bart.

Is not the filter factor for the 85 filter 2/3rds of a stop, rather than 1.5 stops? That is what I use and it seems to be correct. Please understand that I am not trying to be clever, but perhaps you could confirm which factor is correct. Of course, this will be irrelevant once 64T has gone.

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Bart Smith
Expert Film Handler

Posts: 228
From: Hackney, London
Registered: Feb 2007


 - posted April 21, 2010 05:22 AM      Profile for Bart Smith   Author's Homepage   Email Bart Smith   Send New Private Message       Edit/Delete Post 
Hello Robert,

You are of course correct, I must have misprunted it!

Or at least not been very awake....

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www.bluecinetech.co.uk

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Bill Brandenstein
Phenomenal Film Handler

Posts: 1632
From: California
Registered: Aug 2007


 - posted April 21, 2010 03:05 PM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
Plus-X! The sharpest BW film there is! Great. Guess I'd better get back to shooting once in awhile while there are still some choices.

So I think we agree: Tungsten film with daylight filtering loses 2/3 stop, and Daylight film with Tungsten filtering loses 1 1/3 stops.

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Adrian Winchester
Film God

Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004


 - posted April 21, 2010 07:02 PM      Profile for Adrian Winchester     Send New Private Message       Edit/Delete Post 
Does anyone know how the 100D will compare with the 64T, with regard to the cameras it is compatible with and the cameras needing manual exposure adjustment?

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Adrian Winchester

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Bart Smith
Expert Film Handler

Posts: 228
From: Hackney, London
Registered: Feb 2007


 - posted April 22, 2010 12:02 AM      Profile for Bart Smith   Author's Homepage   Email Bart Smith   Send New Private Message       Edit/Delete Post 
So I think we agree: Tungsten film with daylight filtering loses 2/3 stop, and Daylight film with Tungsten filtering loses 1 1/3 stops.

Hi Bill,

An 80a filter (Tungsten lighting with Daylight film) loses 2 stops, hence 100D will be 25ASA in these conditions.

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www.bluecinetech.co.uk

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Simon McConway
Phenomenal Film Handler

Posts: 1085
From: Doncaster, UK
Registered: Jun 2004


 - posted April 23, 2010 09:51 AM      Profile for Simon McConway     Send New Private Message       Edit/Delete Post 
According to Kodak's video (on their site), the film will work with all cameras, except that the indoor/outdoor switch must be in indoor position at all times, no matter what the lighting is.

FAR MORE IMPORTANT...where/when can we buy it?

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Bill Brandenstein
Phenomenal Film Handler

Posts: 1632
From: California
Registered: Aug 2007


 - posted April 23, 2010 10:45 AM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
For the technically uninitiated: the "always indoor" no-in-camera-filter setting is necessary since the film is balanced for outdoor light, and thus has greater sensitivity in the red end of the spectrum -- you don't want a tungsten filter to ever be seen by this film unless you want the orangiest sunset ever, or some such thing! Conversely, using this film in tungsten light will be a pain in the neck. A blue filter and TONS of light would be necessary.

We have now witnessed the strangulation of indoor "home movies."

I haven't tried to buy any of this yet but stock should be arriving at normal retailers. Simon, wherever you've bought 64T should be stocking this straightaway.

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