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Author Topic: Yelco 3600/ Fujicascope SD25
Jason Smith
Master Film Handler

Posts: 358
From: Tohoku, Japan
Registered: Oct 2015


 - posted February 16, 2017 07:36 AM      Profile for Jason Smith     Send New Private Message       Edit/Delete Post 
I wanted to share some observations about my Fujicascope SD25.

The first observation that really surprised me was the fact that that I didn't see any belts that I would have to replace inside the machine.

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Second, while it is old it seems that the computer still works. When I use the quartz lock, the projector stays locked at 24fps. I guess I will not know for sure until I try recording.

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Third, The back of the machine only has 100V written on the back. However after looking at the transformer, it has settings for 100,110,117,125,200,220, and 240.

I'm guessing that the black cable stays in the same spot and the red cable would be moved to the appropriate voltage depending on the country. Can anyone confirm that?

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I noticed that there is a 2.5mm jack for a tape remote. I'm guessing that most people who use this to record or sync nowadays just hit the record buttons on the machine and external audio source at the same time. Am I right?

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If anyone uses this machine to crystal sync or record audio, I would like to hear your workflow. I have seen many video editor sync /DVD player sync workflows for the GS-1200 on this forum. I'm curious what would be the best workflow for syncing and recording sound for a print that has no missing frames and matches the DVD frame for frame.

I am also looking for a English manual for a Yelco 3600 or Fujicascope SD25. If anyone could scan their manual for me or let me borrow their manual to scan, I can make it worth your while.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 16, 2017 08:14 AM      Profile for Andrew Woodcock         Edit/Delete Post 
Looking at your top photograph there Jason, though not crystal clear by any means due to size of the photograph,..it appears as though the shaft where the worm drive is mounted, is the shaft which appears to have a belt fitted to it and then links it via a pulley (concealed) to the motor above which can be seen with the fan impeller on the end of it.
Your machine then from the worm gear drive and resulting spur gears, does what my SH 30 does, and utilizes chains to drive through to the spindle arms.

As for the Quartz lock down system built into these, having never even seeing one of these in the flesh before, i wouldn't know without seeing the manual, whether or not the machine can only be locked down to anything other than 24fps, maybe 18fps also or whether or not there are selectable facilities that allow it to be locked down to other useful frame rates such as 25fps etc etc.

I have yet to find any kind of manual for these in either it's original Fujicascope guise or indeed a Yelco one.
In fact Yelco are not even listed as a search option in the drop down list of manufacturers of photographic equipment on Oldtimers cameras very sadly.

If it can only be locked to 24fps, it would mean converting any DVD soundtrack you wish to synchronize into a similar 24fps frame rate, which I do myself before recording the sound using a Bauer T610 set at only 24fps. I use "Any Video Converter" free software to do this with but there are many others also,no doubt now.

Finally looking at your photograph of the transformer tappings on these, it would appear that you can use these anywhere in the world, straight out of the box so to speak, by moving the "live" red spade connector across to the desired voltage tap.Presumably the black spade connector lug (concealed again here), has the ident 0 on it or beneath it somewhere?

[ February 16, 2017, 05:09 PM: Message edited by: Andrew Woodcock ]

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"C'mon Baggy..Get with the beat"

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Maurice Leakey
Film God

Posts: 5895
From: Bristol. United Kingdom
Registered: Oct 2007


 - posted February 16, 2017 10:11 AM      Profile for Maurice Leakey   Email Maurice Leakey   Send New Private Message       Edit/Delete Post 
Looking at Movie Maker magazine in 1982 home movies were becoming home videos. Their review of new equipment now included video cameras. The annual Ten Best competition was accepting video tapes. Bill Davison's Armchair Cinema was reviewing pre-recorded tapes. The Rank Film Library was hiring out tapes. Derann had become Derann Video and were also offering Philips Laser Vision.

It seems that most dealers at that time were very anxious to clear out their huge stocks of Super 8 cameras and projectors so that they could jump on the video bandwagon.

This included Lee's Cameras who had the last page selling off four different models of Yelco Super 8 projectors. MP350 @ £49.95 (was £74.95). Sound710 @ £84.95 (was £138.95). DS810MT @ £179.95 (was £239.95.)

However, Martin Lee's most priciest was the Yelco 3600 Quarz @ £394.95 (was £494.95.)

Whilst Oldtimer Cameras have a vast source of instruction books their collection does have quite a few makes and models not included.

It may not help members without an instruction book for the Yelco/Fujicascope but I am now quoting specifications from the ad which may be of interest:-

15-30mm f1.3 zoom lens (f1.0 14-28mm available @ £69)
15 volt 150 watt halogen lamp with dichroic mirror
Super 8 and Single 8 sound and silent films
Fully automatic film loading
18 and 24 fps with + or - 1fps
Five speed adjustments
Forward and reverse slow film transport
1200ft spool capacity
Forward, reverse and still projection
Magnetic two-track stereo recording/playback
Optical playback
Pulse sync. projection possible
15 watt channel output (up to 30 watt/channel with 4 ohm speakers)
Tone control
Auto or manual recording level control
Alternate erase system
Multi-input mixing capabilities
Sound-on-sound recording
Automatic sound overlap system
Multi-input mixing capabilities
Sound-on-sound recording
Automatic sound 'overlap' system
Programmed recording
3-mode counter display
Public address facility
14.7" x 12.4" x 7.9"
Weight 25.3 lbs

Sounds like a projector to die for !!

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Maurice

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 16, 2017 10:30 AM      Profile for Andrew Woodcock         Edit/Delete Post 
Well as it has Pulse Sync capabilities as well as the internal Quartz Crystal Sync lock down mechanism, no doubt the machine would be able to run pulse synced externally at 25fps even if this isn't possible internally from the afore mentioned 5 speed settings???

The basic spec of 18fps / 24fps +/- 1fps is the same as the Fujicascope SH 30, also with a similar though somewhat less sophisticated D.C. electronically controlled drive.

No doubting it, these machines would beat even the GS 1200 at its own game for facilities and recording possibilities.
Very powerful internal amplifier also looking at the spec.
Far more powerful than that fitted to a GS anyhow!

A real dream machine in its day, no doubting that.
I still much prefer the look of the SD 25 in its sleek classy silver and black bodywork.

One of the criticisms I remember reading about first time around in the hobby, was the distinct lack of support for the Yelco models. Not just this one, all of them.
Hardly any after sales support and very little by the way of spare parts to be had when things weren't quite as they should be.

Also the flagship model featured here and along with the SD 25, had a controlling chipset fitted to it that has long since become very obsolete, I believe.
Similar to the Motorola arrangement driving the Eumig S940.

Once these ever pack in, it's game over I'm afraid!

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"C'mon Baggy..Get with the beat"

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Paul Browning
Phenomenal Film Handler

Posts: 1006
From: West Midlands United Kingdom
Registered: Aug 2011


 - posted February 16, 2017 11:28 AM      Profile for Paul Browning   Email Paul Browning   Send New Private Message       Edit/Delete Post 
Given the amount of GS 1200'S around I know which one I would have, and its not the Fuji. The Elmo sales figure's would give you all the evidence you need plus all the spares, I do like the led meters though, would look great on the GS. You would look long and hard to find another one, unless you live in Japan.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 16, 2017 12:52 PM      Profile for Andrew Woodcock         Edit/Delete Post 
Yes, the reason the Elmo GS 1200 was so very very popular was partly due to the level of support the company offered its customers in the 70's and 80's.

The LED meters and the LED display used here, offered a much more modern design to the traditional appearance of a Super 8mm front fascia and reflects the era these were made in just as the SD Auto does likewise.

This model seen here, only made the badge of Yelco because Fuji decided just shortly after they created the beast that was the SD 25, that movie projector sales were over.

They had masses of units and parts to sell, Yelco took on the beast while Fuji pulled away from the production of Super 8mm projectors and Single 8mm cameras altogether.

I remember the days when Derann had boat loads of these high spec cameras for sale at basement prices.
I think they bought a job lot from somewhere and at the time, they were still supplying Single 8mm film to the market, silent and sound.

They were forever advertised for sale in their catalogues and flyers at that time and the top model really was a fine looking camera with some very nice features.

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"C'mon Baggy..Get with the beat"

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Jason Smith
Master Film Handler

Posts: 358
From: Tohoku, Japan
Registered: Oct 2015


 - posted February 16, 2017 07:23 PM      Profile for Jason Smith     Send New Private Message       Edit/Delete Post 
Andrew, I did find the belt in the place you described. I didn`t look close enough the first time. My Fujicascope SM1(1965) also has the same type of chain drive as this machine. It seems like something that is more robust than a rubber belt.

When I engage the quartz lock, the machine stays locked at 24 FPS. IF I turn off the quartz lock, then I can vary the frames per second by tenths of a frame(24.2, 24.3, 24.4) but the frames per second does not stay locked. I believe in the Movie Maker review, the reviewer described only being able to quartz lock it at 24FPS. From the information that Maurice posted, it says that the machine has "18 and 24 fps with + or - 1fps".
Using the dial that also controls the crystal sync, on my machine I could turn the dial and change the frame rate from a 1/10 of a frame. (24.2, 24.3, 24.4, 24.5 etc.)

Andrew, I`m curious what you would use to able to run the projector pulse synced externally at 25fps. Would you use the Fujica Pulse Generator?

Here are a few more observations about my machine.
My Fujicascope SD25 even though it was released in Japan doesn`t have the same silver/black design as most Fujicascope SD25 that I have seen pictures of on the Internet. It has the same black design as the Yelco 3600. Fujicascope SD25 pictures that I have seen on the internet usually have Japanese labeled controls but mine are in English. I will have to try and find some date codes on parts if there are any.

Andrew, I will try your idea of converting a movie file to 24fps from DVD and crystal syncing it with the projector.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 16, 2017 07:32 PM      Profile for Andrew Woodcock         Edit/Delete Post 
With regard to your question regarding the Fujica Pulse Sync Generator, almost certainly Jason. you would benefit from one of these having looked through my own brief yet inspiring SH 30 manual. I am certain it could control your PJ's at precisely 25fps.
It has to be said however, if all is working well, I doubt you would even need it given the + or - 1fps option/capability and the options you have to quartz lock.

Try it with a matching DVD starting at exactly the same time as your PJ once you have mastered the art of locking the machine precisely at 25fps using the variable speed controller. you don't need to record anything, just watch both images side by side in the manner Alan Rik and myself do when carrying out these tasks.
I'm positive it would keep precise time given the advancement in technology demonstrated here with these machines from the early 80's.

At worst, we would need you to find two Fujica Sync Controlling units Jason, at best, highly likely, only one!

Do all of this before converting video files as you may very well be wasting your time in my own experiences of the accuracy frequently demonstrated by DC electronic motor controlled drives, this is without having the Quartz lock down facilities you have. [Wink]

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This is what I would expect any SD 25 to look like btw, cosmetically.

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and indeed my own SH 30..not dissimilar in colour scheme!

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"C'mon Baggy..Get with the beat"

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Jason Smith
Master Film Handler

Posts: 358
From: Tohoku, Japan
Registered: Oct 2015


 - posted February 16, 2017 10:30 PM      Profile for Jason Smith     Send New Private Message       Edit/Delete Post 
Andrew,

In my case, I would be trying to sync at 24 FPS instead of 25 FPS since I am in a NTSC country correct?

My SD-25 looks different cosmetically than other SD-25. It looks like a Yelco 3600. UNlike the Fujicascope SD-25, all of the controls are labeled in English. Perhaps this is a later model unit of the SD-25s. Here is a slightly blurry picture. I will try and post some better pictures in the future.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 03:03 AM      Profile for Andrew Woodcock         Edit/Delete Post 
Ah yes of course Jason, 24fps it is then.

Yes, yours there must be one of the later ones released by Fuji by the looks of things Jason.
Already changed the chassis colour entirely to black and buttons from red / white to red/ yellow.
Already, if it had no badge, you would say this was a 3600.

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"C'mon Baggy..Get with the beat"

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Brian Fretwell
Phenomenal Film Handler

Posts: 1785
From: London, UK
Registered: Jun 2014


 - posted February 17, 2017 03:08 AM      Profile for Brian Fretwell   Email Brian Fretwell   Send New Private Message       Edit/Delete Post 
I would say that you could sync with a Blu Ray disc easier as they run films at the proper 24 fps.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 03:10 AM      Profile for Andrew Woodcock         Edit/Delete Post 
Good point Brian. I've never tried ripping the soundtracks from Blu Ray discs so far.

The first of the SD 25's were available in 1979 in black / silver finish btw,
The first of the 3600's were available from 1981.

So I would say this model you have Jason was very much, a later one with Fujicascope badge on it. Perhaps even one of the last before selling out of the market.

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"C'mon Baggy..Get with the beat"

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Kevin Clark
Jedi Master Film Handler

Posts: 978
From: Bapchild, Kent, UK
Registered: May 2004


 - posted February 17, 2017 04:53 AM      Profile for Kevin Clark     Send New Private Message       Edit/Delete Post 
I had one of these (the Yelco 3600) many years ago and liked it both for its price (cost me £120 at the time) and features. I never used it for recording as I also had Elmo GS1200 projectors but it was certainly capable of putting on a good show. Mine had the standard issue F1.3 lens and there was the F1.0 upgrade lens and F1.2 long throw lens available too.

Regarding its design and release history my understanding is the Yelco 3600 and Fujicascope SD25 were all made by Yamawa in Japan then re-badged / re-liveried depending on whether Yelco or Fuji were selling them.

I sold mine on Ebay I think to a current forum member who then sold it on to someone else and yes I did have the original user manual which went with it. As said by many the lack of service and circuit information / spare parts is the killer with these machines but they will run and run if used regularly. They use the same main drive motor (Mitsubishi) as the Elmo GS1200 and the higher end Goko editors.

Kevin

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 04:55 AM      Profile for Andrew Woodcock         Edit/Delete Post 
But the Fujicascope model was available first Kevin??

Same company of manufacture, well yes, but surely badged under the Fuji name first in Silver & Black?

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"C'mon Baggy..Get with the beat"

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Kevin Clark
Jedi Master Film Handler

Posts: 978
From: Bapchild, Kent, UK
Registered: May 2004


 - posted February 17, 2017 05:05 AM      Profile for Kevin Clark     Send New Private Message       Edit/Delete Post 
Certainly Andrew they all came from the huge Yamawa factory as did I believe all the Fujicascope projectors, then they were re-badged as either Fujicascope, Yelco, Porst or even Noris in the case of the later models. At the end of the day it doesn't matter really they are still high quality and high spec. but sadly poorly supported cine kit service wise.

Kevin

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 05:07 AM      Profile for Andrew Woodcock         Edit/Delete Post 
Indeed Kevin. [Wink]

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"C'mon Baggy..Get with the beat"

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Paul Browning
Phenomenal Film Handler

Posts: 1006
From: West Midlands United Kingdom
Registered: Aug 2011


 - posted February 17, 2017 07:55 AM      Profile for Paul Browning   Email Paul Browning   Send New Private Message       Edit/Delete Post 
As I said earlier get the Elmo.......

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 09:05 AM      Profile for Andrew Woodcock         Edit/Delete Post 
The words "been there" and "T Shirt" spring to mind Paul. [Wink]

Wanda never looked better! [Big Grin] [Wink]

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"C'mon Baggy..Get with the beat"

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Paul Browning
Phenomenal Film Handler

Posts: 1006
From: West Midlands United Kingdom
Registered: Aug 2011


 - posted February 17, 2017 09:10 AM      Profile for Paul Browning   Email Paul Browning   Send New Private Message       Edit/Delete Post 
Elmo GS 1200, got 3 and happy with them all, spares a plenty.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 09:13 AM      Profile for Andrew Woodcock         Edit/Delete Post 
Good on you Paul.
You're a far more tolerant and patient man than I am mate. [Wink]

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"C'mon Baggy..Get with the beat"

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Paul Browning
Phenomenal Film Handler

Posts: 1006
From: West Midlands United Kingdom
Registered: Aug 2011


 - posted February 17, 2017 02:16 PM      Profile for Paul Browning   Email Paul Browning   Send New Private Message       Edit/Delete Post 
Rather the devil you know and the spares to match.

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Andrew Woodcock
Film God

Posts: 7477
From: Manchester Uk
Registered: Aug 2012


 - posted February 17, 2017 02:27 PM      Profile for Andrew Woodcock         Edit/Delete Post 
I completely agree with you there Paul! [Wink]

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"C'mon Baggy..Get with the beat"

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