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Posted by Craig Hamilton (Member # 258) on March 22, 2006, 08:18 AM:
 
Hi, I have just fallen in love with Standard 8 films but need some advise on what is the best projection speed. Is it 18fps or 24 fps.

I watched Chaplin’s Shanghaied last night a nice little two reeler at both speeds and they both looked fine. At 18fps film ran for 26 mins & at 24fps it ran for 17 mins. The original full release of this film was 30 mins.

Can anyone please enlighten me as to what speed you use!

Craig
 
Posted by Tim Christian (Member # 48) on March 22, 2006, 11:22 AM:
 
In silent days, film were shot at a nominal 16 fps, but this was usually a hand-cranked estimate.

Projection speed could be anything from 16 fps upwards. In fact, projectionists might get a note with the film to speed up certain passages, like chases, to make them more exciting!

In practice, 18 fps is a good compromise for showing old silents.
 
Posted by Craig Hamilton (Member # 258) on March 22, 2006, 12:35 PM:
 
Thanks Tim, so in theory a 4 x 400ft feature will run for nearly two hours. I have Chaplin's the Gold Rush mounted on 4 x 400ft reels, it came as a eight reeler. At 18fps it will run for nearly two hours, the original UK release has a running time of 96 mins.

Craig
 
Posted by Rob Koeling (Member # 35) on March 23, 2006, 08:01 AM:
 
Craig,

Silent films and projection speed is an incredible can of worms.
People disagree on this a lot, but seem to agree on one thing and
that is the fact that there isn't a single answer to that question.

The topic is raised every year or so on the silent film usenet
group alt.movies.silent. See this thread that summarises the
points that are mostly made:
[url= http://groups.google.co.uk/group/alt.movies.silent/browse_frm/thread/869acef17a5a1804/3f2eaa33d16f34b1?q=%22projection+speed%22&rnum=1#3f2eaa33d16f34b1]a.m.s.[/url]

As a general rule of thumb:

For early silents use 18fps, for late silents use 24fps. If you
have a Eumig to run your R8 on, adjust the speed until you're
happy with what you see.

If you watch late silents like Buster Keaton's 'The General' or
Murnau's 'Sunrise' (both 1927), there is absolutely no doubt
about that they should be run at 24fps. I would run 'The Gold
Rush' at 24fps (it is also a late silent (1925).

Chaplin's 'Shanghaied' is quite a bit earlier (1917), but still I
would run it slightly faster than 18fps. I'm sure 24fps would not
look natural. It was probably shot at 18fps, but also (probably)
intended to be projected slightly faster.

One last thing: don't trust the running times in the IMDB. These
are often given by people who look it up on the back of their
video copy. That is not particularly accurate. If you look at the
technical specs in the IMDB, you see the length listed in meters.
That is mostly more accurate. The running time than just depends
on how fast you run it.

At the film society I used to run, we once showed a Russian
silent sci-fi film: 'Aelita' (1924). The pianist refused to play
for it at 18fps, he was afraid that the film would drag. He was
absolutely right. It was slightly too fast at 24fps, but people
would have fallen asleep at 18fps.

- Rob
 
Posted by David Michael Leugers (Member # 166) on March 24, 2006, 12:29 AM:
 
I agree with Rob. As the silent era was drawing to a close, the median film speed was 22fps, at least that is what I read once. It certainly seems to hold out that the later silent films, especially by major stars/studios, were filmed pretty close to 24fps. Earlier silent films, notably those by D.W. Griffith and cowboy stars like William S. Hart and Tom Mix were definitely filmed around 16fps. A general rule might be to show comedies at 24fps and dramas at 16fps unless the action is noticeably too slow. This issue is the reason a good variable speed projector is almost a must for properly showing films from the silent era.

David M. Leugers
 
Posted by Tim Christian (Member # 48) on March 25, 2006, 04:14 AM:
 
There is some useful information on this subject
here
 
Posted by Jan Bister (Member # 332) on March 25, 2006, 11:55 AM:
 
I watched my super-8 silent print of Intolerance at 18fps and it was just right throughout the entire film... it definitely would've looked a bit silly at 24fps. (Not to mention a movie that plays in less than 3 hours just doesn't qualify as an epic to me.) [Wink]

Chip Gelmini has a sound print of it, though, and I wonder if Blackhawk recorded the sound to be played back at 18fps or 24fps... well, only Chip can answer that.
 
Posted by Barry Johnson (Member # 84) on March 25, 2006, 02:30 PM:
 
I trundle my Std8 films through at about 20fps.This looks right to me and definately not 16fps.At ths speed they become so pedestrian I get bored!
 


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