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Topic: Derann is asking...What would you like to see in 8mm?
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Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
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posted October 29, 2007 10:14 AM
That's exactly what Stanley Kubrik was going for on "Clockwork" and apparantly, he suceeded with you.
Sadly, I always have the odd choice of what I would like to see on Super 8 as a feature, but my main pick, (still is, that is, besides "Curse of Were-rabbit") is "Dark City", talk about a film that would look absolutely stunning on Super 8mm!
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
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Maurizio Di Cintio
Jedi Master Film Handler
Posts: 977
From: Ortona, Italy
Registered: Jan 2004
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posted October 29, 2007 01:18 PM
Hi there!. Didn't notice this thread a year ago... Personally my list would be rather vast and sometimes consistent with other memebers' (Nuovo cinema Paradiso is a good example). But I prefer to stick to Paul Adsett's opinion: we do need a title that should be full-length, stereo & scope and with live action. Maybe not too old. When I say "we need" I mean this is the best way to show (off) what S/8 is capable of: CGI animated films are perfect for modern LCD and plasma displays, in fact I seldom see them on stores showing a film with live actors. Reproduction of all the colours and nuances present in real life is a task modern digital equipment hasn't accomplished yet.
I'd love a print of A Few Good Men (great photography -Scope, great drama, great performances by both Nicholson and Cruise), Blade Runner (I love P.K. Dick's world), M. Antonioni's Blow Up (very 'metalinguistic' and indeed timeless), Coppola's The Conversation and of course, Kubrick's 2001: A Space Odissey Just my tuppence
-------------------- Maurizio
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Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
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posted October 30, 2007 02:43 PM
Larry,
Actually, the "cinevision" prints of the late 70's early 80's were done in this way, with black borders on the left and right sides.
However, these were problematic as well, as splicing from the original editing of the film would show up. i noticed this a lot on "Rooster Cogburn and the lady" (John Wayne, K hepburn) this was more so in the dark scenes, (the massacre at the indian reservation, near the beginning of the reel, you keep on getting these bright "flashes" at the very top at every cut from shot to shot). A nice scope release, to be sure, but it does show some of the problems with "cinevision".
I usually will just move the frame adjustment a little higher so i don't get "heads' being cut off.
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
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