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Author Topic: The Master (2012)
Guy Taylor, Jr.
Jedi Master Film Handler

Posts: 606
From: Galveston, Texas, U.S.A.
Registered: Mar 2007


 - posted November 26, 2014 10:06 AM      Profile for Guy Taylor, Jr.     Send New Private Message       Edit/Delete Post 
70mm prints of "The Master"(2012) with Philip Seymour Hoffman were released to selected theatres that still have the 35mm/70mm projectors. This was probably the first 70mm movie to be released since "Titanic". Never really heard any chatter about this at the time. It was filmed in a process called Panavision System 65; it is suppose to be an improved version of Super Panavision 70.

I haven't seen the movie yet but according to the IMDB only some scenes were filmed on 65mm negative. The listed aspect ratio is the standard 1.85 to 1.

Well that's all. Go about your business.

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Guy Taylor

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Pasquale DAlessio
Film God

Posts: 3523
From: Bristol,RI, USA
Registered: May 2010


 - posted November 26, 2014 10:13 AM      Profile for Pasquale DAlessio     Send New Private Message       Edit/Delete Post 
The new James Bond film will be shot on film. This is a surprise as Skyfall was the 1st to be shot digitally.

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Guy Taylor, Jr.
Jedi Master Film Handler

Posts: 606
From: Galveston, Texas, U.S.A.
Registered: Mar 2007


 - posted November 26, 2014 11:21 AM      Profile for Guy Taylor, Jr.     Send New Private Message       Edit/Delete Post 
There is still a lot shot on film. What is surprising is that shooting big budget movies on 16mm negative is not uncommon. Usually Super 16 which exposes a wider portion of the film.

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Guy Taylor

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Larry Arpin
Jedi Master Film Handler

Posts: 953
From: Sunland, CA, USA
Registered: Dec 2006


 - posted November 26, 2014 11:45 PM      Profile for Larry Arpin   Author's Homepage   Email Larry Arpin   Send New Private Message       Edit/Delete Post 
Found this:

"The Master" was shot with a Panaflex System 65 Studio Camera. It was framed for 1.85:1. 80% of the finished film is in 65mm. The remaining 20% is shot in standard 35mm. The reason for using both film formats was a creative choice.

I saw it at the Arclight in Hollywood and it looked beautiful. Great theater too.

BTW-Titanic was released in 70mm but shot super 35mm.

I wish Nolan would shoot his films on 65mm, not Imax. I saw Intersteller and it looked fabulous but I felt it needed to be wider, especially for the subject matter. QT is shooting The Hateful 8 entirely in 65mm.

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted November 27, 2014 06:51 AM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
In the current edition of American Cinematograher Kodak have a lavish 10 page color insert extolling the virtue of film, so they are far from giving up to digital.

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
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Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted November 27, 2014 09:03 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
I am happy to hear that there are still real cinemas in the US.

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Dominique

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Steven J Kirk
Jedi Master Film Handler

Posts: 873
From: Southern England
Registered: Apr 2008


 - posted December 02, 2014 11:47 PM      Profile for Steven J Kirk   Email Steven J Kirk   Send New Private Message       Edit/Delete Post 
The documentary feature SIDE BY SIDE will be interesting to all members of the forum.
http://www.imdb.com/title/tt2014338/?ref_=fn_tt_tt_1

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VistaVision
Motion Picture High-Fidelity

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Bill Brandenstein
Phenomenal Film Handler

Posts: 1632
From: California
Registered: Aug 2007


 - posted December 06, 2014 01:01 PM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
Dominique, not really. Only Interstellar is currently showing in film, and you'll be hard pressed to find any theater with film otherwise. And even that didn't go so well in many of the advertized film venues because of incompetent projectionists or formerly abandoned equipment damaging the prints or breaking down.

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