Posts: 110
From: Dover, Ohio USA
Registered: Jan 2011
posted July 12, 2013 09:36 PM
I read online about people placing gels in front of their projectors to correct reddish reels. I gave it a try and purchased a pale yellow and a pale blue.
The gels arrived yesterday and I tried them out on a red print of The Sound of Music I have and found that both gels together made the color look better. My question is- should I just buy a pale green gel to achieve the same correction?
I noticed that two gels darken the picture just a bit, my logic is that one would do the same thing and allow more light thru.
Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003
posted July 12, 2013 10:57 PM
It sounds like a compromise: the filter works by blocking the light you don't want, but that light contributed to the brightness of the image, but if you change the filter to allow more brighness, you get less color correction.
Short of a brighter lamp and a faster lens, you'll need to fish around and find some compromise of brightness and color correction you can be happy with.
You can't have it all! (-at least not all at once!)
-------------------- All I ask is a wide screen and a projector to light her by...
Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012
posted July 13, 2013 06:56 AM
Hi Chad, I've found that a blue takes the fire out of the print,and the yellow adds tone, especially to flesh and green (foliage) colours.
Posts: 3468
From: Sunnyvale, CA USA
Registered: Sep 2011
posted July 13, 2013 11:17 AM
I have a set of 3 filters and a holder that fits over the lens I bought from a guy on eBay. They are all shades of blue that I use in different combination depending on the film I'm projecting. Where are you getting the gel material? I'd like to try using yellow to see the effect.
-------------------- Janice
"I'm having a very good day!" Richard Dreyfuss - Let It Ride (1989).
Posts: 139
From: Santa Clarita, CA, USA
Registered: May 2013
posted July 14, 2013 12:51 AM
I too purchased these filters off of eBay. They came from a guy named Rick from back in North Carolina I think. I've been in touch with him and he also offers yellow and peach filters too. I've asked him for pricing details. By the way I got my hands on some yellow cellophane today and tried that but it wasn't transparent enough and just made the image blurry.
UPDATE - $20.96 for a set of the yellow filters and the peach filters... Ill report back once I get them.
Whilst they are obviously for cameras there seems no reason why they could not used for projectors. I just checked the f1.2 lens on my Bell & Howell 644 and it has a screw thread which seems to measure 52mm. Perhaps such threads are standard?
Posts: 3468
From: Sunnyvale, CA USA
Registered: Sep 2011
posted July 14, 2013 12:40 PM
Maurice, I think this filter topic spans across both 8mm and 16mm formats. I have plenty of 8mm films that have turned reddish. The lens I'm using in my 16mm projector is a 25mm 1.5in lens (probably from a 8mm projector) with an adapter to fit in my Elmo 16CL.
-------------------- Janice
"I'm having a very good day!" Richard Dreyfuss - Let It Ride (1989).
Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012
posted July 14, 2013 01:03 PM
Hi Jan, I checked, and mine were made by Roscoe and supplied by Stage Electrics. There are a number of companies that supply them inc. terralec.co.uk & LEE Filters. On ebay uk now, just type in coloured lighting gels, and there are collections you can buy for a few pounds. They are in sheets and not expensive.
Posts: 5895
From: Bristol. United Kingdom
Registered: Oct 2007
posted July 14, 2013 02:52 PM
Janice You must have very different weather from where I live in England. I don't think any of my super 8 colour films have actually turned, although some have a slight fade.
Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012
posted July 14, 2013 03:20 PM
That's true Maurice, living in a temperate climate sometimes has it's advantages, but I often buy a faded print of a favoured film, so a bit of correction does help.
Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004
posted July 14, 2013 08:11 PM
Maurice - you're VERY lucky and I'd imagine that your collection can't have much in the way of Universal 8 and pre-80s prints from certain other distributors. I have considerably more fader Super 8 films than 16mm.
Posts: 5895
From: Bristol. United Kingdom
Registered: Oct 2007
posted July 15, 2013 02:39 AM
Adrian
Perhaps I am lucky, as I said, some of my Super 8 have slight colour fade, but nothing like a few of my 16mm prints.
If you want to buy sheets of stage lighting gels in the UK here is a link. Don't forget they are for stage use and may not be entirely suitable for film projection.