8mm Forum


  
my profile | my password | search | faq | register | forum home
  next oldest topic   next newest topic
» 8mm Forum   » 8mm equipment for sale/trade   » For Sale: Rare 8mm Cinemascope Anamorphic "Baby Hypergonar"

 - UBBFriend: Email this page to someone!    
Author Topic: For Sale: Rare 8mm Cinemascope Anamorphic "Baby Hypergonar"
Frederick Jenkins
Junior
Posts: 1
From: Berlin, Germany
Registered: Apr 2012


 - posted April 30, 2012 04:01 AM      Profile for Frederick Jenkins   Email Frederick Jenkins   Send New Private Message       Edit/Delete Post 
Hello,
I'm selling a rare and ultra-lightweight 8mm Berthiot S.T.O.P. "Baby Hypergonar" anamorphic lens, designed by the Henri Chrétien, inventor of the Hypergonar and anamorphic lenses himself, in excellent condition.
The lens is on ebay Germany now:

http://www.ebay.de/itm/8mm-Berthiot-Anamorphic-Cinemascope-Baby-Hypergonar-Lens-excellent-condition-/110870906709?pt=DE_Foto_Camcorder_Objektive&hash=item19d06bc755#ht_635wt_1189

I'm selling one, simply as I got two of them.
You can check vimeo to learn more.

Best,
Frederick

 |  IP: Logged

Pasquale DAlessio
Film God

Posts: 3523
From: Bristol,RI, USA
Registered: May 2010


 - posted April 30, 2012 06:34 AM      Profile for Pasquale DAlessio     Send New Private Message       Edit/Delete Post 
I'm in. I bid on it. Looks like a great lens. [Eek!]

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 01, 2012 03:43 AM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
This is the exact same lens that Joe sold to Akshay some weeks
ago that wasn't even treated seriously on this forum.

 |  IP: Logged

Akshay Nanjangud
Jedi Master Film Handler

Posts: 637
From: Dallas, TX
Registered: Nov 2011


 - posted May 01, 2012 04:07 AM      Profile for Akshay Nanjangud   Email Akshay Nanjangud   Send New Private Message       Edit/Delete Post 
Yes, Hugh. Pity is: I don't have any scope features! [Frown]

 |  IP: Logged

Martin Jones
Phenomenal Film Handler

Posts: 1269
From: Thetford , Norfolk,England
Registered: May 2008


 - posted May 01, 2012 05:43 AM      Profile for Martin Jones     Send New Private Message       Edit/Delete Post 
The real point of the 1.75:1 ratio is related to the change in CinemaScope ratios soon after its inception. Early CinemaScope was filmed with 2:1 ratio giving a 2.66:1 Ratio from a standard 4:3 Academy frame. Subsequently, the ratio was reduced to 2.35:1,which needed a 1.75:1 (actually 1.76)compression to fit the standard frame.
However, Super 8 Commercial prints were made with a 2:1 compression, which accounts for the black masking at the frame sides on Super 8 to achieve the correct ration on screen.
I have a beautiful Magnarama 1.75X Anamorphic which I used to use for filming: this gave me the correct ratio. In addition to being focusable for filming it has large front and rear elements.
The attachment I use for projection of Super 8 Commercial prints is my Home Made one which is now over 55 years old!

--------------------
Retired TV Service Engineer
Ongoing interest in Telecine....

 |  IP: Logged

Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted May 01, 2012 06:53 AM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
Martin thanks.

There is so many technical info both in the Ebay description and in this forum about this lens where as a novice I need only one aswer.

Is this lens (with 1.75 compression) good to show majority scope films released on super 8mm?

Thanks

--------------------
Winbert

 |  IP: Logged

Martin Jones
Phenomenal Film Handler

Posts: 1269
From: Thetford , Norfolk,England
Registered: May 2008


 - posted May 01, 2012 08:23 AM      Profile for Martin Jones     Send New Private Message       Edit/Delete Post 
No, Commercial prints are made with a 2:1 "squeeze", so for projection of such prints you MUST use one of the many 2X Anamorphic attachments.
This lens is intended to be used with 8 mm (and Super 8) cameras and projectors for making YOUR OWN "CinemaScope" films in the correct modern CinemaScope ratio.
Martin

--------------------
Retired TV Service Engineer
Ongoing interest in Telecine....

 |  IP: Logged

Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted May 01, 2012 09:34 AM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
Thanks Martin,

I would then stick with 2x anamorphic lens.

--------------------
Winbert

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 01, 2012 10:09 AM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
Actually the lens is perfect for the screening of commercial film,
because a 2x compressoin actually makes the amateur screen
just slightly too wide,because the professionals used up that
little bit of their film for additional soundtracks.The correct aspect
ratio being 2.33.1 whereas ours is 2.66.1.Therefore the little
Hypergonar is perfect,as you'd expect from it's creator.

 |  IP: Logged

Martin Jones
Phenomenal Film Handler

Posts: 1269
From: Thetford , Norfolk,England
Registered: May 2008


 - posted May 01, 2012 10:19 AM      Profile for Martin Jones     Send New Private Message       Edit/Delete Post 
Hugh,
I think you are confusing "Screen width" with "People width".
If the print has been MADE with a 2x, it should be PROJECTED with a 2X, otherwise people with appear thinner on screen. Not a lot, but nevertheless thinner. A sort of compulsory diet?
That's why, as I mentioned before, the width of the image on the film is actually LESS than the frame width (Black masking)giving you a 2.35 picture with a 2X anamorphic.
Martin

--------------------
Retired TV Service Engineer
Ongoing interest in Telecine....

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 01, 2012 11:36 AM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
With respect Martin.it's us the amateurs that are in fact overstretching the image by projecting at 266.1 whereas the
professionals use 2.35.1.The only "true" 'scope prints are the ANIMEX prints that gave the full aspect ratio to avoid cut off
and also cure the over stretching by the black bands either side
of the screen.

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 01, 2012 02:11 PM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
On reflection Martin,you're absolutely right and I'm wrong,of
course if it's shot in 2x and shown 2x it's got to be "normal"
my apologies.

 |  IP: Logged

Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted May 01, 2012 02:24 PM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
So.....? [Razz]

First I thought I have understood.... now I got confused again.

Again my question in laymen way.

You know all Derann scope prints, CHC prints, Red Fox prints, Cienavision prints, etc, etc

Supposed I have them all, do I need this lens or 2x lens?

--------------------
Winbert

 |  IP: Logged

Mal Brake
Jedi Master Film Handler

Posts: 591
From: Neath, South Wales, UK
Registered: Jun 2003


 - posted May 01, 2012 04:08 PM      Profile for Mal Brake     Send New Private Message       Edit/Delete Post 
Winbert,
For watching super 8 commercial releases you need a 2X anamorphic lens.

--------------------
I'm gonna live forever or die trying

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 02, 2012 11:06 AM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
Akshay,haven't you any 'scope film at all to show?

 |  IP: Logged

Akshay Nanjangud
Jedi Master Film Handler

Posts: 637
From: Dallas, TX
Registered: Nov 2011


 - posted May 02, 2012 12:46 PM      Profile for Akshay Nanjangud   Email Akshay Nanjangud   Send New Private Message       Edit/Delete Post 
Just three trailers, Hugh. [Frown]

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 02, 2012 01:18 PM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
Got a nice little reel here Akshay entitled"This is 'Scope" in col/snd
all I require is your address and it's yours my ol' flower.

 |  IP: Logged

Akshay Nanjangud
Jedi Master Film Handler

Posts: 637
From: Dallas, TX
Registered: Nov 2011


 - posted May 02, 2012 02:27 PM      Profile for Akshay Nanjangud   Email Akshay Nanjangud   Send New Private Message       Edit/Delete Post 
Thanks, Hugh. Sent you a PM.

 |  IP: Logged

Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted May 16, 2012 04:08 AM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
Glad you got your film okay Akshay,tried to reply to your e-mail
but your box is full.

 |  IP: Logged

Akshay Nanjangud
Jedi Master Film Handler

Posts: 637
From: Dallas, TX
Registered: Nov 2011


 - posted May 16, 2012 10:29 AM      Profile for Akshay Nanjangud   Email Akshay Nanjangud   Send New Private Message       Edit/Delete Post 
Thanks again, Hugh. I also emptied my inbox.

 |  IP: Logged



All times are Central  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:

Visit www.film-tech.com for free equipment manual downloads. Copyright 2003-2019 Film-Tech Cinema Systems LLC

Powered by Infopop Corporation
UBB.classicTM 6.3.1.2