posted November 09, 2005 10:07 PM
Anybody remember the leasing deal with the Chaplin feature films like 'Modern Times' and 'the Great Dictator'? I remember seeing this being offered in the Blackhawk catalogues back in the 1980's. The deal was that you paid up front for the full price of the film, which gave you the right to own the film for about 7 years, after which you promised to return the film. You had to sign a formal lease agreement. Strange but true. Anybody else remeber this, and I wonder if anybody actually sent the films back when the lease expired! Somehow I doubt it!
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Posts: 763
From: Auckland,New Zealand
Registered: Jun 2003
posted November 10, 2005 03:56 AM
I remember it well! I was a longtime customer of BH -still couldn't get them to send me leasehold films Paul!Members can read about this arrangement in Gerald McKee's book,Film Collecting.
posted November 10, 2005 05:54 AM
I read in an old german ATLAS-Catalogue (1979), that - Modern Times - Goldrush - The Great Dictator and City Lights were offered for leasing. Ending 31. August 1986
But in 1980 Piccolo Film offered these complete features without leasing agreement.
Posts: 193
From: San Antonio, TX
Registered: Aug 2005
posted November 10, 2005 08:58 AM
Yes, I remember it was due to an arrangement with Chaplin's estate. He kept a tight grip on all of his work throughout his life, and even afterwards his heirs maintained control. That's why that had that bizarre "lease" rather than an outright purchase.
Posts: 1171
From: Highland Mills, NY USA
Registered: Jun 2003
posted November 10, 2005 11:01 PM
What I'm wondering is if anyone ever got a summons from RBC to actually send back their prints. I sincerely doubt it. If they had and leasees did NOT send back their goods, the cost in litigation to attempt to seize all the prints out there would have sunk them financially.
Posts: 4554
From: New York, NY, USA
Registered: Jun 2003
posted November 10, 2005 11:17 PM
Here's a closer look at the agreement. This lease was good till 8/91. At that point you either had to return the print or present a notarized certificate that you've destroyed(!) the film.
Doug
-------------------- I think there's room for just one more film.....
posted November 11, 2005 08:47 AM
I think it is interesting that you never see these Chaplin titles on any used film lists or ebay. I wonder what happened to them all. Are collectors still hoarding them or were they all in fact returned to Blackhawk at the end of the lease period? I kind of doubt the latter, unless Blackhawk threatened legal action to get them back. As for destroying the films in front of a notary public, that is the funniest thing I have heard this week! Almost like a Bob Newhart routine-" Good Morning Are you a certified Notary Public. Good. Well I wonder If I could come down to your office and set fire to some movies............."
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
posted November 11, 2005 07:25 PM
Question is, is Paul Foster's copy the 1925 version or the 1942 one... I know the 1925 version (with piano soundtrack) sold twice on eBay, and I was the winner on one of the two auctions. Yet the print listed on the lease form is the 1942 version...
-------------------- Call me Phoenix. *dusts off the ashes*
I recall going into Willoughby/Peerless Camera store in Manhattan, and viewing all of those rare RBC Chaplin products.
By the time that the lease agreement was due, the company was out of business for many years. I am sure that not one print was ever returned.
Dimitrios, I own City Lights and the quality is comparible to what is viewed. Keep in mind that it is always more enjoyable as a motion picture, then as a frame grab.
Otherwise, the 16mm RBC rental library prints were similar.
I recall renting Modern Times from an exclusive RBC rental catalog around 1977. The timing/(grading) on the Derann 8mm prints manufactured today - surpass the lab work supervised under Chaplins estate during the '70's.
After Chaplin had garnered his honorary Oscar, these features were later released during the '70's in 35mm in the USA.
Michael
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