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Topic: Derann's Midland Convention Cancelled
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Ian John
Film Handler
Posts: 54
From: South Wales United Kingdom
Registered: Dec 2005
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posted February 23, 2006 10:20 AM
I have to speak streight, and as I see it as a punter. Lack of suport for any type of convention be it film collector based or any other, is not always down to the film collectors lack of suport, it could also be down to sellers refusing to pay £40 upward for a small table.
Some firms who organize such events, do so becuase they are a buisness, and are there to make money, but sometimes it's THEIR greed for money that, in the end, drives sellers & buyers away.
I was talking to a seller last year (I will not devulge what convention it was) and he told me he was being charged £40 for a small table, and had sold hardly anything, why? because the number of buyers was down. Some of the punters I spoke to the year before last had said to me "why should I spend money in transportation to a convention, and then when I get there I have to pay £4+ per head entrance fee just for the privalege of spending money inside on the tables".
If organizers of these conventions started to see sence, and reduce the charge of tables for sellers, they would see a few more sellers turning up, and if the entry charge was reduced, they would see more suport from more buyers turning up.
Yes, Ebay is as you have said, is very succesful, why? becuase it atracts both sellers and buyers at cheap rates, and buyers know they could get a bargin with minimum lay-out to themselves.
It is a double standard to say that Ebay is resposable partly or wholy for the lack of suport for Collector Conventions when I have seen Covention organizers themselves selling and buying to resell the item they have won on ebay.
I also know the other side of the argument, "it cost money to hire a venue". Yes, that is also a fact. If the argument is that the charges made to both sellers and punters entrance fees are high, so as to cover the cost of the hire of the venue or room, then it is time to find different venues with lower rents such as church or village halls, then both the price of tables and entry fees can be reduced, and more people will suport these events.
As far as organizers are concerned, there are other ways of raising funds inside the venue which will help toward the cost of hiring the venue.
In closing, a lot of work, time and effort is put in by organizers of large conventions, why waste it all by over-charging.
Thats my 2 pence worth.
Ian.
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Rob Koeling
Master Film Handler
Posts: 399
From: Brighton, UK
Registered: Jun 2003
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posted February 24, 2006 06:56 AM
Absolutely Rob, the conventions are great fun! I do buy a lot from the web, but I have to admit that I prefer to have the print in my hands before buying it. Most of the time I know what I'm looking for, and don't buy something because it might be ok. There is so much stuff available online, that you can almost always find something that you realy want. That is not always the case at conventions. But having said that, I think that every single time I visited Ealing I found something that I was really pleased with. Last year I had a table (with Mike). Selling some stuff to make some space (and to justify new acquisitions) is only part of the fun. I never talked to so many people as that time. I am definitely up for that again. For me the biggest problem of having a table is that you have to be so organised in the weeks running up to the convention (sorting out stuff and pricing it; and then decide that you don't really want to part with it....).
I understand John's frustration very well. I was involved with organising a film society for some 10 years. I easily put in 10 hours a week. I spent money on many things when there wasn't any money any more to buy the most essential things. You do it because, well, I suppose because you're mad... Or to put a more positive spin to it, because you're mad about something (film in this case) and you want to enjoy it, share it, create a platform for it and support it. I always thought it was very enjoyable most of the time. And it is very necessary to get feedback from people who appreciate your efforts every now and then. But, it also often seemed to be the case that the voices of the complainers were louder than from the people who appreciate it. That is often very tiring and sometimes very discouraging. During those 10 years I had a few moments that I thought 'why do I bother', but then a bit of support from people who apppreciate it (plus a few good films and a lot of booze with these people), a good night of sleep and a few cups of strong coffee to battle the hangover, normally took care of any urge to wrap it all up. And as a matter of fact, I've been looking around lately, to see if I could start something similar around here. I mis it now!
I always thought that feedback (positive AND negative) is important. But _please_ in a constructive way. People have to understand that you can't make everybody happy ALL of the time. When you organise something big like that, you try to make most of the people happy most of the time. As far as Ealing goes, I've never been disappointed. I would love to go to other conventions too, but time constraints make it a bit difficult at the moment. But I'm sure they are just as much fun!
Please help the organisers to make the conventions even better by giving them good constructive feedback and suggestions. No whining please, that doesn't do any good for anyone.
Keep up the good work John (and all the other organisers of Ealing and all other conventions). Your work is very much appreciated by so many of us. I'm looking forward to May!
- Rob
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Adrian Winchester
Film God
Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004
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posted February 25, 2006 10:21 AM
Although I find the ex-collector rants depressing, I find the psychology behind them interesting. As Tony says, it seems to be something that happens with regard to film, although the 'knockers' may just as well pick on vinyl collectors, people that own vintage cars or anyone that enjoys hobbies which are not 'cutting edge' technology. I'm supplying an article for the next FFTC which will put forward some theories with regard to what's happening in the minds of ex-collectors, and I'll keep Mark's points in mind.
One of the ways in which I feel they are seriously misguided is their obsession with 'them and us' thinking, when the fact is that virtually all 8mm collectors own DVD players, and a substantial proportion are keen VP users. If the moaners had actually come to Blackpool, they would have seen all types of collectors interacting without any need for the sort of sarcasm that they seem to enjoy.
I agree that we have obviously seen a decline in 8mm collecting but I get the impression that it has stabilised. There seems to be more releases than about 3-4 years ago and attendances at the latest Blackpool and Ealing events were good. Let's face it, people have been claiming that 8mm is on its last legs for years, and maybe part of the fun is proving them wrong!
As for eBay, it's a complex issue and I'm not sure about it being a bad thing overall. You can get good money sometimes (like the 50' Smash Robots ad reel that went for over £70 recently) but a lot of routine titles sell for low prices, if at all. Overall, I can't really complain about it as it has enabled me to get some great features on 16mm that would have been almost impossible to find in the pre-eBay days. [ February 25, 2006, 11:54 AM: Message edited by: Adrian Winchester ]
-------------------- Adrian Winchester
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Adrian Winchester
Film God
Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004
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posted February 25, 2006 12:12 PM
Tony said: "I have no problem with the opinions that people on the Sylvester forum have but I just find it sad to think they somehow want to take great pleasure in proving they made the right choice. Of course they are right..."
They are obviously right in terms of the mass market, the availability of features, price, etc. But I think the fundamental question is: are THEY really sure that they made the right choice, not in embracing DVD projection, but in selling off their films. If they are genuinely enjoying themselves more as a result, why can't they just 'move on' and stop talking about 8mm!
As for buying on eBay, I've been reasonably lucky, but I sympathise as I have on-going problems with a couple of people (long story). I can only recommend checking the return policy of sellers you don't know, and not just checking feedback but seeing if the feedback relates to film sales. I'd be very wary of anyone with feedback below 99%. Also, people sometimes use the 16mm Forum to see if other collectors will recommend particular sellers. Finally, if someone does not offer a fair deal, perhaps we should expose them here and/or the 16mm Forum.
-------------------- Adrian Winchester
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