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Author Topic: Reelistic thoughts on Super 8 ...
Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted October 12, 2007 10:22 AM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
I was thinking about a few thoughts I was having with the Faulkner, and it leads me to the conclusion that our films fading isn't the biggest problem we face as Super 8 collectors ...

No, the reel problem is with the projectors. Especially in the case of the L.P.P. and Agfa prints, our films will have a shelf life that's the envy of any celluloid handler. Our projectors are another story.

I note that i am having problems a plenty with my projectors. Though they have tended to be in relatively good running order, they are getting to be like a FORD car

Fix
Or
Repair
Daily

Lets face it, my best units are getting near the 30 year old mark. In fact, at most times, it is actually getting to be more cost effective to buy a good used one off ebay, than to send the broke down machine off to get it repaired.

I don't know how long these projectors were expected to function adequetely, but I'm betting the gentleman of this forum have pushed most of thier projectors WAY PAST thier warrantees.

So, the projectors are the main fear. Personally, when money gets to be a little more free, I am going to invest in a couple of like new Eumig's or ELMO'S and just set them aside with maintenance, so that when, years down the line the ones I use now peter out, at least I'll still have like new projectors to run my beloved films.

Your thoughts?

--------------------
"All these moments will be lost in time, just like ... tears, in the rain. "

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Mark Norton
Master Film Handler

Posts: 330
From: Hampton Hill, Middlesex, U.K.
Registered: Feb 2004


 - posted October 12, 2007 10:59 AM      Profile for Mark Norton   Author's Homepage     Send New Private Message       Edit/Delete Post 
Osi,
I believe, after my experiences with a clapped GS1200, that it is possible to keep one of these machines running indefinatly. Main motor, take up and rewind motors are all servicable and I have made up new brushes for all of these when they have packed up.
The gate and sound heads are very durable, just the sound head holder and guides need modification to prevent scratched films [which have all been covered on an earlier thread]. The only worries are the future availability of the main belt. Odd electrical parts go with age , but are all replacable.

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Gary Crawford
Jedi Master Film Handler

Posts: 979
From: Manassas, VA. USA
Registered: Jun 2003


 - posted October 12, 2007 11:29 AM      Profile for Gary Crawford     Send New Private Message       Edit/Delete Post 
Indeed...in the hands of an expert who knows all the in's and out's of projectors, electronics and motors....then sure, a projector can be kept running ...but most collectors are no where being experts....and many of the folks who claim to be able to repair machines are incapable of it...keep the machines forever and return them with the same problems or worse.

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted October 12, 2007 12:09 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
I look at it this way: the last Model T rolled off the line over 75 years ago, but you still see them driven by hobbyists

The last Lionel Standard Gauge train was built before WWII, ditto.

When was the last tube radio built? The last steam locomotive?

All of these old technologies still thrive because enough people loved them to develop a cottage industry of aftermarket parts and services, and that's where Super-8 will rise or fall.

Fords, Osi? I drive a 1988 Mustang GT that gets me back and forth to work everyday, and even with 162 grand on the clock can still run with the best of 'em.

Oh, and I never have trouble getting parts because if Ford doesn't have it there is a thriving aftermarket of repro and reconditioned parts!

--------------------
All I ask is a wide screen and a projector to light her by...

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted October 12, 2007 02:59 PM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
O.K. O.K. guys...

I hear ya on that. At least on the belts, I have usually been able to use a belt from a completely different machine on my projectors.

Speaking of projectors, has anyone, (besides myself) noticed that the Kodak Ektasound projectors have been going for rather high prices lately? For some reason, these have been rather trendy as of late.

Getting back to the topic, I do find that in most cases, it seems more cost efficent to just buy another projector instead of pouring money into an aging unit.

It's the same way with T.V.s Why take your 25 inch sanyo TV to the repairman, when another 25 inch will cost 145.oo dollars at Walmart?

Now the films? In most cases, irreplaceable! It's interesting to note the reactions of the audience when I screen my films. There is something wonderful to film. A big screen TV
(projected) while beautiful, is video and we know it. An actual projected image, even with the occasional scratches, is still a wonderful expereince

--------------------
"All these moments will be lost in time, just like ... tears, in the rain. "

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Mark Todd
Film God

Posts: 3846
From: UK
Registered: Aug 2003


 - posted October 12, 2007 04:10 PM      Profile for Mark Todd     Send New Private Message       Edit/Delete Post 
I wouldn`t worry Osi there are so many machines around and so few running them heavily for film watching now there will be cheap back up little used machines around for a good bit yet.
Put 2 like new elmo st180`s etc in your cupboard out of the local free adds and you will be set for the next 30 years I bet.

Best Mark.

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted October 12, 2007 04:23 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
The funky part of it all is I've had the same 8mm projectors for years, but DVD players I go through like they're disposables. Since broken ones are never fixed, I guess they are! One day they don't work: out to the can, then over to the store and buy a new one. (Maybe cut the power cord off for a spare.)

I have a certain fondness for some of my projectors, with DVD players getting attached would just be inviting rejection!

25 years from now, there won't be a bunch of guys on a DVD forum like this, because not only will the format be obsolete ten times over, the gear will be dead and long gone.

--------------------
All I ask is a wide screen and a projector to light her by...

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Graham Ritchie
Film God

Posts: 4001
From: New Zealand
Registered: Feb 2006


 - posted October 12, 2007 04:50 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
Now.... if Super8 projectors were built like "Vauxhall cars" [Eek!] I would have given it up long ago [Big Grin] I served my apprentiship as a mechanic mostly on american cars, we had the "Holy Loch" nuclear submarine base on our door step in the 60s, my favourite car was the "Ford Mustang" still is [Smile] anyway back to projectors lasting, I would like to think they would, but the reality is, "nothing lasts forever" and as many collectors are not technical people, can they afford the cost of fixing them,? plus will there still be films released in the future,? I am sure Super8 will survive but fewer people will use it, well I hope I am wrong time will tell [Roll Eyes] .

Anyone got a cheap "60s Ford Mustang" to sell [Wink]

Graham.

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted October 13, 2007 01:34 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
I agree with Steve, Super 8 projectors will outlive video gear many times over. For example here is the condition of my collection of 8mm projectors:

Projector, Purchase Date, Condition,
Bolex 18/5 silent, 1963, Mint
Eumig S802, 1973, Worn drive disc
Eumig S820 Sonomatic, 1986, Mint
Eumig S926 GL Stereo, 1991, Mint
Eumig S938 Stereo, 2003, Mint
Elmo GS1200 Stereo, 2001, no optical playback
Elmo GS1200 Stero, 2004, Mint

With the exception of the Eumig 820, all these projectors were used when I purchased them!

In comparison, I will probably have to replace my Panasonic AE700 video projector after five years of use, if it lasts that long (already been back to the factory for repair after 2 years). If it fails at all in the next 3 years it will have to be trashed as the cost of repair is so high.

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted October 13, 2007 04:13 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
...and as Paul can rightfully testify, 9.5mm is still alive and kicking, why can't Super-8 be just as long lived?

--------------------
All I ask is a wide screen and a projector to light her by...

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Mark Todd
Film God

Posts: 3846
From: UK
Registered: Aug 2003


 - posted October 13, 2007 04:37 PM      Profile for Mark Todd     Send New Private Message       Edit/Delete Post 
I think the answer is in whats the alternative and re 9.5 when 8mm then super 8 came along 9.5 still looked better than they did and home cine projectors were still the norm.
We are in an increaingly fast changing media enviroment watching films wise at the mo its all blue ray Hd DVD, soon it will all be massive hard disk, though I think people will still want at least a disk to collect at least really. Especially for a film you love.
By all accounts you can`t now make a comparrison between film and say blue ray projected on up to date preojectors, its not a fair comparrison for film and not what watching real film is all about.
We on here are all seriously addicted film/projector nuts and there will always be a core of us into film.
Lets face it, its another technowledgey, the internet that is actually helping to keep it going much longer than I think it would ironically.
Imagine this lack of connection and buying and selling etc, or a newbie trying to find out about it without the internet.Or someone wanting to find a fixer etc just a Kevin F online is a help.
I think we have to accept theres going to be a shrinking of the hobby and wain in hobbyists interest but the fascination people will feel when we daft lot trundle out our treasures I`m sure will not diminish.
My kids love the old rattly things going along and the reels going round.
Theres nothing quite like it, they are here to stay but more as curios lovingly kept, enjoyed and shared by those of us who just can`t shift it.
Best Mark.

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted October 13, 2007 08:53 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
My point is that 9.5 is basically without commercial support and has been for decades, yet people who are into it keep going. The same logic that states Super-8 is dieing should also have 9.5 dead by the 1990s, yet it lives on.

-where there's a will, there's a way.

What really kills these things is not so much lack of supplies but a lack of enthusiasts.

I agree that the 'net is a big factor. I wouldn't even be aware that there was Super-8 anymore without it.

My first contact was a 'net query to find out when the format died, and the rush I got when I found out it hadn't. The same day I ordered five rolls of film and a meter battery for my camera and I was back in business.

--------------------
All I ask is a wide screen and a projector to light her by...

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Graham Ritchie
Film God

Posts: 4001
From: New Zealand
Registered: Feb 2006


 - posted October 13, 2007 11:45 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
I think for anyone who is in for the long haul with Super8, really needs to have a couple of back up projectors in good condition. There is no doubt in my mind that projectors in particular the GS1200 will give problems in the future, eg the take up/rewind motors, although you can fit brushes you cant fix the wear on the commutator segments, "the two brushes run on it" in my case the wear is bad, although the projector is running fine at the moment its only a matter of time, might be years before they fail, when that happens those motors are finished and unless there is an alternative motor that you can fit in its place, what are you to do.? for myself having back up projectors is the only thing I can think of at the moment.

Years ago, long before video and DVD, watching your home movies and bringing a bit of Hollywood in your home was something special, today so much has changed, people now use digital cameras etc, and with Hi-Def LCD TV, etc.. etc.. things are changing again, where does this leave Super8, well the thing I find of concern are the number of people selling off there Super8 for video, the problem here is that companys like Derann need "numbers" to make money out of a release and if to many people give it up, then what? and for those who have sold there gear for video they themselves might come unstuck in the long run, as I understand that VP sales have been dropping in favour of large LCD, Plasma TV so..what if the manafactures give up on producing video projectors [Roll Eyes] .

Well the best bet is to buy up as many Super8 projectors that you can afford. [Smile] and hope. [Wink]

Graham.

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted October 14, 2007 02:15 PM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
It really does depend on how you maintain everything.

I still have my first DVD player, from the very first year they came out, (Phillips/Magnavox) and it still works great, though slightly sluggish. My video projector, (200 inch screen capability) still works just fine, having had some maintenance, and on it's second bulb, as well as having one of the LCD "plates" replaced, (just loved that parts warranty that i got when i bought it, paid 250.00, and got easily over 2000.00 in repairs on it!) It's bulky, compared to the modern projectors, but still, though one step under Hi-definition, I can't complain.

I'm hoping that i can learn more about projectors over time, which reminds me, what are the leading books I can buy about projectors and thier maintenance?

--------------------
"All these moments will be lost in time, just like ... tears, in the rain. "

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted October 14, 2007 03:18 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
I think Graham has made a good point here, namely that very complex machines like the GS1200 are going to give much more long term problems than some of the simpler machines. If it were not for the long term issue of sound head wear I would suspect that my various Eumig's would run forever - they are built that good and are totally reliable. Of course there is one projector that definately will run forever - the 9.5mm hand- cranked Pathe Baby (or Ace). Not much to go wrong there! [Big Grin]

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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John Hourigan
Master Film Handler

Posts: 301
From: Colorado U.S.A.
Registered: Sep 2003


 - posted October 14, 2007 08:40 PM      Profile for John Hourigan   Email John Hourigan       Edit/Delete Post 
I totally agree and share the exact same concerns that Osi expressed in his first post in this thread.

My own (unpopular) view is as long as collectors overly "romanticize" their 30-year-plus projectors, we are essentially contributing to the eventual death of our hobby. No matter how well cared for, these old projectors are going to eventually give up the ghost. I'd like to enjoy our hobby well into my old age, but I'm concerned that the obsession to keep these old projectors running at all costs has overshadowed any efforts to introduce new equipment to the marketplace.

I've recently acquired another "old" projector as a back-up, but I fully realize that I'm just replacing one old projector with another old projector. I think we collectors should focus more on the betterment of our hobby rather than obsessing with the mechanics of keeping old projectors running.

Just my humble opinion. . .

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted October 14, 2007 10:15 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
I don't actually see there being a new super-8 projector (or camera) ever again. Back in the day, the cost of tooling up production for one of these was covered by runs of many tens of thousand units. Volume these days couldn't run higher than hundreds, and the prices would be steep.

However, the opportunity could be there to take in a commonly available old projector and rebuild in on a production line basis replacing all the known trouble parts with new items.

Electronic systems could be upgraded and modernised since electronic design and PCB fab and stuffing is not really that bad, even at low volume. (I'm picturing an Elmo projector with a USB port right now!)

My example for this is Movie Stuff's line of Telecine units. Each of them is built around a rebuilt GAF dual-8 projector. I've heard they sell very well.

My example to the opposite is the new Fumeo projector CHC tried to bring out a few years ago. At the stated price there simply wasn't the business to make it a go.

--------------------
All I ask is a wide screen and a projector to light her by...

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Lee Mannering
Film God

Posts: 3216
From: The Projection Box
Registered: Nov 2006


 - posted October 15, 2007 03:20 AM      Profile for Lee Mannering     Send New Private Message       Edit/Delete Post 
Osi.
If its any consolation my Pathe 9.5mm projector was made in the 20’s, myself and other users in the past of said machine have kept it going to-date and it still runs both regular 9.5 films along with notched type. Yes it has had repairs and conversions over the years including QI lamp upgrade and new shutter blade, but it’s still going strong. Similarly my 9.5mm Pathe Vox sound projector is still projecting film well and was made in 1938. Converted and upgrade to modern lighting and sound these are good machines. I think the key to a long life for any machine is firstly how many owners it has had and who has tried to gorilla them or not. Perhaps comparing 8mm projectors to vintage 9-5 machines is a good comparison as clearly 9-5 projectors are simple in design and construction. My own feeling is that the downfall of 8mm projection equipment is that the started making them with many bells and whistles and the finest example is perhaps the GS1200 which is completely overloaded with flash gimmickry, after all, it is just for projecting film isn’t it? Any self respecting film maker would not construct a soundtrack on such a machine but use a multitrack to build sound with at that time which is indeed what I used to do on the Fostex.

I feel you have a good point and my own feeling is that it may well be the simply designed machines such as the Sankyo 702 or even the basic Chinon projectors which may have the last laugh. Don’t get me wrong, I love my GS1200, 800 and even my Sankyo Stereo 800, but being so tarted up with gadgetry in the long run I am sure they will not stand the test of time.

Another good comparison is with 35mm projectors perhaps. Forget the larger film gauge just look at the simplicity of the mechanism and design. My own 35mm Philips is very basic and has a simple design for guaranteed longevity. It projects and also reads a sound track, that’s it.

On another tack, one thing which does amaze me is the amount of cine enthusiasts who spout endlessly about film but hardy ever show the blinkin stuff let along buy a new film! Even some of my mates who read this forum take some pushing to give a film show one evening. I expect this has much to do with living a busy life, or is it just basically bad time management? Sadly we have a situation now where some so called cine dealers are now ditching 8mm on ebay as quickly as possible, so much for the love they had for 8mm eigh. Personally I love film and the experience of playing cine and sincerely have done so since the early 70’s. Ill try to keep my machines going as long as possible but do feel it will be the simpler designed machines that will last the longest…

I hang onto one thing which always inspires me to give a show. I showed a 9.5mm sound film to a group of some 40 Children some time ago and after watching it they asked to see it again. Some of them were also given the chance to have a go of the projector. This is the real pleasure of the hobby for me, to entertain.

Happy film show day.

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted October 16, 2007 07:46 AM      Profile for Kevin Faulkner         Edit/Delete Post 
Lee, I thought the statement "where some so called cine dealers are now ditching 8mm on ebay as quickly as possible" was a bit harsh.
These dealers have been selling on eBay for years. Selling on eBay is no different to putting out a list or having a table at conventions like you did.
It doesnt mean that they are pulling out cine.

I believe that you were selling super8 and 16mm at the last convention you attended but it didnt mean you were pulling out from the hobby.

I sold a lot of my films recently because I needed the cash but I'm not leaving the hobby. The truth of the matter for me these days is that I spend more time repairing the Elmos that I just dont get the time to play cinemas.

Kev.

--------------------
GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Lee Mannering
Film God

Posts: 3216
From: The Projection Box
Registered: Nov 2006


 - posted October 16, 2007 08:12 AM      Profile for Lee Mannering     Send New Private Message       Edit/Delete Post 
Hello young fella.

My little comment with regard to a dealer was based on fact and this particular person is certainly throwing in the 8mm towel which is a great shame.

Yes I was manning a stall at Farnworth, but it was for someone else who was unable to stand all day at the stall he had booked so I was helping out a friend and supporting the event which otherwise would have been one less dealer table. We made the trip to collect the lad’s films & equipment, did the day at Farnworth and then returned his items not sold. Always a pleasure to help someone in the hobby who loves it as much as I do.

Sorry to hear you don’t see many film shows due to repairing Elmo’s. Tell all your customers to buy a Chinon instead. EE.

Take care my friend and the very best of health to you.
Happy Elmo day!

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted October 16, 2007 04:46 PM      Profile for Kevin Faulkner         Edit/Delete Post 
So we were talking about ONE dealer. I know the dealer you are talking of and he's NOT coming out of cine hence my reply to you.

BTW I think I'm a lot older than you Young Man [Big Grin]

Kev.

--------------------
GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted October 16, 2007 06:19 PM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
I must be a young pup at 42. Hee hee, lots of years of collecting ahead!

--------------------
"All these moments will be lost in time, just like ... tears, in the rain. "

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Alan Rik
Film God

Posts: 2211
From: New York City, NY, USA
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 - posted October 16, 2007 07:33 PM      Profile for Alan Rik   Email Alan Rik   Send New Private Message       Edit/Delete Post 
I have to say that I have had my share of bad projectors in the past. The first one was a Chinon SP300. Oh god how i hated that machine. It ate so many of my films. Hated it!
Then I had an Elmo GS1200.. the original one from 1985. The only problem it has was the left channel went out but in 1985..I sent it directly to Elmo and they fixed it under warranty. [Smile]
Than a string of bad GS1200's. One very good Xenon machine. One so so. And one that use to run in a porn theatre and was noisy, scratched films..ugh.
But now I have a Mint GS that I got from a forum member here. Quiet as can be. A Beaulieu 708 Stereo...no problem since the $700 overhaul (new motor, new claw, etc.) and now a mint Eumig S940. I figure..one of those machines is going to outlast me! I know it!

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Lee Mannering
Film God

Posts: 3216
From: The Projection Box
Registered: Nov 2006


 - posted October 17, 2007 05:05 AM      Profile for Lee Mannering     Send New Private Message       Edit/Delete Post 
Kevin. Your picture does not do you justice matey..

Please do not misinterpret my comments above. This I understand to be a Forum about 8mm and we have free speech I think still going strong. My observations are valid and I certainly don’t want to get drawn into some sort of slanging match as to who is right as I have nothing to prove. Let’s hope some sort of freedom continues on an open forum rather than your wrists will be slapped if you say something we don’t like.

Osi. I am 46 so already I am felling old. That blasted GS1200 is starting to get heavy lifting on and off the stand! Why does Kevin only look 30 in that picture?

[Roll Eyes]

Happy 8mm day!

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Gary Crawford
Jedi Master Film Handler

Posts: 979
From: Manassas, VA. USA
Registered: Jun 2003


 - posted October 17, 2007 08:20 AM      Profile for Gary Crawford     Send New Private Message       Edit/Delete Post 
Great points being made in this thread. Yes...I imagine machines can be kept running indefinitly....look at the 9.5 machines....BUT ...what good will it do, if ....as in the case of 9.5..there is no new product to buy...simply the old stuff sold and resold...shown and reshown...?
The noble attempt a few years back to produce a new super 8 machine met with almost total rejection by collectors. Cost too high. We had our chance for new equipment and didnt' support it. Now Derann and Classic and some others are valiently trying to keep pumping out product.....but if we don't support them...don't bite the financial bullet and buy the films, we are digging our own Super 8 graves....or at least sentencing ourselves to cine purgatory.....where there are only old resold , reshown prints being shuffled off between fewer and fewer collectors. Just my two cents ....probably not worth that much.

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