posted August 09, 2011 12:34 PM
Hello from across the pond.
This is the full resolution over-scanned 2080x870 pixels x 24bit depth sequential jpegs source file converted to MPEG4 for viewing purposes regarding the inaugural UltranPan8 test film roll recently uploaded.
This newest upload removes an additional level of compression, i.e.
1. original upload conversion/compression path: UltraPan8 film -> 2080x870 pixels x 24bit depth sequential jpegs -> DIVX (mpeg4) 2.8:1 extraction -> YouTube/Vimeo compression
2. New upload conversion/compression path: UltraPan8 film -> 2080x870 pixels x 24bit depth sequential jpegs -> YouTube/Vimeo compression
Bolex hybrid H8/H16 camera mod provided by Jean-Louis Seguin. The scan was delivered by John Gledhill of bitworks.org utilizing his sprocketless 16mm transfer bay. Note that the ultra-wide native frame dimensions of UltraPan8 = 10.52mm x 3.75mm w/ AR = 2.8:1
Posts: 4554
From: New York, NY, USA
Registered: Jun 2003
posted August 09, 2011 01:14 PM
Nicholas,
Beautiful! And to think I traded away my Bolex H-8 Rex 3.....
I never thought of Canada being "across the pond" from the US, but then again, there are those great ponds Huron, Erie, Ontario, Michigan and Superior.
Doug
-------------------- I think there's room for just one more film.....
posted August 09, 2011 03:18 PM
Very impressive. However you call the Ektachrome 100D stock 'minimal latitude' stock. I think this is true in relation to negative stock. But it's my impression that Ektachrome 100D boasts a surprising latitude for a reversal stock. In 'run and gun' situations with automatic metering, it is a lot more forgiving than Kodachrome and most of the time results in decently exposed footage. This was the biggest surprise for me when starting to use 100D.
Indeed. In contrast to the increased latitude of specific Vision 2/3 200T Super 8 negative stock of which I have shot many rolls. I am looking forward to reperfing this negative stock to the UltraPan8 format.
But I concur that when one hits the sweet spot with E100D on a bright sunny day ..it can be quite impressive. Reminds of Kodachrome 40's classic and almost identical response to similar shooting conditions.