Author
|
Topic: Letter to the Editor
|
Paul Adsett
Film God
Posts: 5003
From: USA
Registered: Jun 2003
|
posted June 14, 2007 07:28 PM
Yesterday, 'The Orlando Sentinel' had a huge front page article on the forthcoming conversion of Orlando's Cinema's to digital projection. It was a well written and informative article, complete with diagrams of DLP projectors, expounding the many advantages of digital over film. I felt some counterbalance was necessary so I wrote the following letter to the Sentinel, which hopefully they will print. Overstated? Perhaps, but a little controversy makes people think............
Letter to the Editor June 13 2007
Dear Editor,
I read with great interest Roger Moore’s excellent article on the conversion of Orlando’s cinemas to digital video. Unfortunately, the article was not objective enough in terms of what this technological revolution means to the cinema audience. Clearly, digital projection is a huge cost cutting benefit to the movie studios who will eliminate the expense of mass producing 35mm prints for worldwide distribution. And the theater owners will presumably be able to eliminate a few projectionists, and automate all their film presentation on multiple screens. All well and good. Except for the minor problem of picture quality. The scientific fact is that digital video projection is not even close to achieving the stunning definition of 70mm and 35mm motion picture film, there are just not enough pixels to go around! And the texture and richness of 35mm color film is in a class by itself. In other words, with digital, the audience is going to get an inferior picture experience, which may not matter at all to the typical teenage crowd that the studios and theater owners pander to, but will not be acceptable to many people like myself who expect something really special when they go the cinema. The fact is that the magic of the movies is intimately connected to that big roll of film being jerked thru the projector at 24 frames per second. There is a unique film look and feel which no digital system can replicate. If the theaters are all going digital then there is really no reason to go to the movies anymore. You may as well wait till it comes out on DVD and watch it at home on your TV. But this is really just one more nail in the coffin of cinemas, who have totally lost the art of showmanship and presentation. Remember how the movie palaces used to look, with beautifully decorated prosceniums, walls and carpeting, and how they rolled back those plush red velvet curtains to the opening fanfare of 20th Century Fox Cinemascope films like 'The Robe". Those were the days! Now they are asking us to sit inside a cold black tomb to watch movies on a big TV! No thank you.
Paul Adsett
Orlando
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
| IP: Logged
|
|
|
|
|
|
|
Robert Wales
Expert Film Handler
Posts: 100
From: Toronto
Registered: Nov 2005
|
posted June 15, 2007 11:15 PM
At the risk of being run out of town like the Frankenstein monster, may I point out a few things in the interest of a balanced discussion ?
People go to see content, not technology. The differences between film and digital are just not that dramatic that it will affect even 1% of the audience's decision if the content they want to see is playing in their local cinema. Digital can duplicate the film grain structure if the original program is shot on film, and the digital master will closer reflect the color balance and timing of the cinematography than a 3rd generation release print made from a copy of the original negative duplicated on high-speed printers turning out hundreds of prints an hour. Every copy of the digital master will look exactly like the first, unlike film. Because most 35mm prints today are sourced from negatives which are copies of copies, the resolution lost with each generation removed means the so-called difference between the two formats is not nearly as great as you state. The age of the single screen movie palace is over and if the cinema is to survive it must change with the times or face extinction. Between outrageous film rentals, operational costs and the extraordinarily fast playoff of today's films a complex must offer new content virtually every week in order to keep traffic flow at a level that allows at least a break-even level. Home video, piracy and the internet are only a few of the new challenges that will permanently prevent the age of the year-long runs of films to ever happen again, unlike the roadshow runs of the past. Virtually every time a stadium-seating multiplex is built anywhere in North America the public votes with their dollars and these complexes kill off the old-style cinemas within a ten-mile radius, no matter how lovely, how ornate or how good the films are at the older locations. Speak to anyone in the industry and they will verify this. And finally, with the studios releasing two or three wide releases every week on print runs of 2500 to 3000 prints for each title, has anyone ever considered the huge waste of resources used to manufacture these prints and the chemicals used when 75 % of these prints will be off-screen after 4 or 5 weeks, never to be used again ?
| IP: Logged
|
|
|
|
Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
|
posted June 16, 2007 10:13 AM
Robert needs a "Good Thrashing" (as John Cleese would say)
("Faulty Towers" for uninitiated, he beats his car, aw c'mon you guys!)
A need for forum members to be realistic about things is just talking nonsense! If we were realistic (and financially sound) we would have given up film years ago. Digital, while sharper in most regards, and more "color perfect", does not have the same effect, even on friends who come over to watch an occasional feature with me. TV is TV. Film is an experience in itself.
For me, honestly, my experience is spoiled by the people around me in the theater. Though I'm not going to go on and on about the downfall of society in general, the degrading of societal norms and manners can be seen in every public place, including the movie theater. It can be narrowed down to respect for others and having a care for the concerns of others, a more self-less mentality.
While you will always have a few that will talk during a movie theater experience, people are brought up with so little respect for others that we have a generation today that thinks of no one but themselves. Therefore, the concerns of others are thrown aside. If I say "shhh" in a movie theater, I'M looked at as the bad guy, (and then there's the overwhelming desire to beat the living (@#%$!) out of those wretched brats AND the assinine parents who won't lift a finger to stop thier brats bad behavior publicly!! ARGGGH!
All of which completely takes my mind off of the lovely flickering image that I thought I went to the movie theater to enjoy.
I don't mind the ear deafening trailers and such. The onlt time I truly thought the sound was too high was in the Bruce Willis film "Armegeddon", which was a little too high.
I wonder if they do this too drown out them there brats!!
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
| IP: Logged
|
|
|
Chip Gelmini
Phenomenal Film Handler
Posts: 1733
From: Brooksville, FL
Registered: Jun 2003
|
posted June 16, 2007 12:44 PM
For me, all the theaters here in this area are not digital projection. For years, Hoyt's cinemas dominated the local market. They came in with the big bucks to take over the former Interstate Theaters. They bought them out, closed the single screen main street movies houses, and stayed with the local multiplexes. It wasn't until recently that Hoyt's pulled out, and Regal moved into the area. Regal spent alot of money upgrading most screens to digital. The few screens that aren't digital (sound) are atleast Dolby Stereo. So in one sense, the theaters here are much better than they used to be 10 years ago. We probably only have less than 10 original mono houses on Cape Cod.
Last November I recall going to the movies when I saw Beerfest. And not until last week did I go again when I saw Surf's Up. The movie was OK. But I was not in the mood to go that night.
Strange thing is, I can't figure this out. When I go to the movies locally, I can't stop thinking on how sloppy the presentation is. Like a person who loves to cook at home and the one night they go out to eat all they do is critque the way the carrots are overcooked, maybe should have been stir fried instead of steamed, and so on. Then there's the messages of turning off the cell phones and pagers. regal bombards us with this message several times. And why are there 6 to 8 blasting trailers. When I worked, we had 3 trailers and then the feature, period.
Point is, I much prefer running super 8 at home. I seem to enjoy doing things my own way so much more and the satisfaction of it I simply can't describe. With over 160 features in my library, I have so much to choose. I mean at this rate I watch super 8 once every 6 weeks when I finally fit it into my schedule. The older films I choose are always great to watch. And time flies. I have both versions of Fantasia in full length, haven't seen them since 2005, yet it seems like only last week I did watch them.
I rarely go to the movies in public anymore. So here's my question, do I miss the work in theaters - would I enjoy the big movie theaters more had I not retired from it? Would I go more on my nights off if I could get in for free? Or am I sick of the trash they are throwing at us?
I really do not know about the big theaters.
But I simply adore it at home.
CG
| IP: Logged
|
|
|
|
|
|
|
Graham Ritchie
Film God
Posts: 4001
From: New Zealand
Registered: Feb 2006
|
posted June 17, 2007 09:11 PM
Paul Well done on your article hope you get feed back from readers as to there thoughts. I have just completed two flat out 16hr days running 35mm over this weekend and will share, what I think an amusing story. Early on Sunday morning just prior to screening "Bridge To Terabithia" a very good film by the way, I invited a family if they wanted to have a quick look around, anyway as they did so they mentioned that they thought it was all Digital video projection these days, and were fascinated by the 35mm projectors, I once again gave the kids strips of film "those boxes of old trls are getting smaller" and got them to start the projector for "Bridge" they thought doing this was great, anyway the point to the story is that one of so called benefit's that is stated for the push to video, is that it will increase interest for people to return to the cinema, and yet the very thing they want to get rid of is also what people find so interesting. There has already been complaints in the paper of a cinema running a film festival using video, one person wrote to the paper stating that he may as well stayed at home and watched the TV he had expected a "Film" festival to be just that, Film!. The hard sell is already in place and in time video projection will become the norm, the people who have invested a lot of money in this stuff will make sure of that, and at present are pushing there product hard, they dont understand the "Magic of the Movies" never will, and I doubt they really care, cinema's will go digital and many will go under, people like me will be history, but before that happens I will have given away heaps of film for the kids to remember of what it was once like.
Graham.
PS Paul, I will quickly mention that we ran a fully booked out cinema last night of "Pirates" on our large screen for the Scouts, they have a big event here at the moment, and if the response from the parents in anything to go by, not only did they enjoy the movie but thought picture and sound was really good, not bad for an almost 40yr old projector and a 20yr sound system incidentally the power amps we use for each of the Digital channels are capable of 750watts each "we dont run them at that" good quality sound though anyway they have made another booking for next weekend so I guess there aint anything wrong with 35mm.
| IP: Logged
|
|
Joerg Polzfusz
Jedi Master Film Handler
Posts: 815
From: Berlin, Germany, Europe, Earth, Solar System
Registered: Apr 2006
|
posted June 18, 2007 04:34 AM
Hi,
I wonder if it would have made sense to state some facts like this: * 35mm film is equivalent to an 8k resolution (under best conditions), whereas digital projection will be done at a 2k resolution in most cases * Even at 4k the digital projection would use a lossy compression, hence the picture will be inferior even to a 35mm-print made from a (normally uncompressed) 4k video source * There's still a slight colour-shift due to a digital projector (black will turn into dark gray, ...), not to mention that normal film holds more colours than the current digital projectors can show * ...
Jörg
| IP: Logged
|
|
Michael De Angelis
Phenomenal Film Handler
Posts: 1261
From: USA
Registered: Jul 2003
|
posted June 18, 2007 01:37 PM
Paul,
Very articulate and well written. Thank you for pushing forward to write this very interesting treatment.
All I can say is for anyone to watch the RKO Paul Henreid and Maureen O' Hara in 1945's The Spanish Main. Wow is her hair so vibrant, and all of those shadowy scenes in the dungeons are full of atmosphere. I am convinced that Walt Disney used this set direction when he conceived The attraction at his Parks: The Pirates of the Caribbean, for it's almost identical to each other.
In my collection I have a 16mm IB Tech Print of the first 3 strip technicolor short La Cucaracha, and let me tell you about color and texture that leaps off the screen. It is so vibrant, that you notice the threads of the fabric in the costumes.
I also have an 16mm IB Tech print of Pal Joey. There is a scene where Sinatra is wearing this uniform and you can see the wool texture in the fabric.
It's simply amazing!
When Lucas released Star Wars Episode 2 Attack of the Clones, I went to see it with digital projection and mentioned to my cousin: "ah yes, is it not great to go to the theatre and watch a video."
Robert made an interesting point regarding printing from neg to neg may result in a loss of picture quality. I do believe that with great lab work this would not be distinguishable to us.
With that, Lucas stated that he lost quality control with image retention in special effects when using the traditional 19th century photographic methods.
But just read the posts written here about collectors testimonies regarding prints of Master and Commander and Raiders of the Lost Ark. Which is difficult to imagine that it is all on 8mm stock.
My favorite pastime is going to the theatre and watching a film in a multiplex that has been hacked up from a huge palace that has resulted in a small concrete block at the end of a black tunnel.
I guess it all sums up to one conclusion: Entertainment is dead. Dead as in: D.E.A.D.
D.O.A. Dead on Arrival. Not even can Digital, Resurrect the cinema.
Entertainment does not exist anymore.
The stories rot.
The actors can't emote.
Look at George Clooney - He walks through a movie like a walk in the park. - Very Dull - Just another "B" rated matinee idol and there are many more in his very low league. His Batman portrayal in 1997's Batman and Robin could not even be salvaged by using the IB Tech process.
Julia Roberts ? Richard Gere ? Stars? PLEASE, don't get me started!
Years ago, stars had personalities,and movies had entertainment. The early Bond films had action, but they also would take you away to a far off locale that allowed the viewer to feel exotic and sophisticated.
Also let's not think that all of the films made during the '70's were great either. But that's another discussion.
M.
-------------------- Isn't it great that we can all communicate about this great hobby that we love!
| IP: Logged
|
|
Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
|
posted June 18, 2007 07:03 PM
I agree with you Micheal to a great extent. There are a few films that come out that are worth the seeing them. As a rule, you can take or leave them.
I see an example in the three new Star Wars films (episodes 123) While they aren't chopped liver, most of what drives people to see em is the mystique of the first three classic films.
While not all film of the 70's are brilliant, there was a lot more of the re-visioning of many genres. Also, a number of the remakes were far more sucessful. (The 39 Steps is an example) Even what was called bad in the 70's and early 80's almost looks brilliant compared to todays films.
Splash and special effects have only carried films so far. in some ways, the lousy special effects of many a 50's sci-fi film made the actors work harder to make the film work. The actors are so overwhelmed in the modern films that one wonders why they bother to show up in the first place.
Comedy is in the toilet
Sci-fi has drifted back to 30's quality of believeability
Westerns are full of pretty boys that look like they climbed out of a salon onto the Ponderosa
John Wayne could crap better action stars than what we have today,
(Except for Bruce Willis and Harrison Ford and of course steely eyed Clint Eastwood.)
I mean hey, Clint Eastwood could be 100 years old, in a wheelchair, waving his 45 pistol about and grunting ...
"I need someone to change my Diapers ... and none of that huggies shit!"
AND HE'D STILL BE TOUGH AS NAILS!!
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
| IP: Logged
|
|
Lars Pettersson
Master Film Handler
Posts: 282
From: Stockholm, Sweden
Registered: Jan 2007
|
posted June 19, 2007 01:00 PM
Paul, I agree with you 100% Some good points were also made about digital technology, but I take a slightly different view: Digital has brought a great deal of good to movie post production, todays digital master materials allow labs to put out large number of 35mm prints that look better than if they had been Nth generation traditional dupes, but the point here is the end result should be 35mm PRINTS, not digital VP.
Also, I feel an important aspect about all these fields where traditional photographic technology is now taking heavy FLAK, is "if you don´t use it, you lose it." Yes, I can arrange a pleasant screening of a classic film at home, and chances are the presentation in some respects will be better than what you´re offered at the multiplex, but if we all stay away from the cinemas, it´ll only speed up the demise of "cinema as we once knew it." So go to the cinema, shoot some super-8-film, shoot slides and traditional stills film. No company will kill a profitable business, if we buy and use their products, they will produce them.
Cheers, Lars
| IP: Logged
|
|
|
|
|
|