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Author Topic: Anamorphic (film) lenses
Richard Kemp
Film Handler

Posts: 68
From: London
Registered: Jun 2009


 - posted December 24, 2010 01:45 PM      Profile for Richard Kemp   Email Richard Kemp   Send New Private Message       Edit/Delete Post 
Hi,

I have seen several anamorphic lenses suggested for 8mm filming as opposed to projection, Kowa's for example, but most have a severely restricted barrel diameter, usually somewhere between 40-50mm. However, there are 35mm projection anamorphic lenses around which have a much wider barrel diameter, such as might easily fit over many 8mm camera lenses, even if a special attachment were required.

So I was just wondering why no-one (?) has suggested using the larger 35mm anamorphic lenses for 8mm film-making? There may be very good reasons for this of course because I understand the *length* of these lenses can cause vignetting, the recommended Kowa lenses are quite short.

Season's Greetings! [Wink]

Ric

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Oscar Iniesta
Master Film Handler

Posts: 289
From: Madrid
Registered: Aug 2009


 - posted December 24, 2010 02:00 PM      Profile for Oscar Iniesta   Email Oscar Iniesta   Send New Private Message       Edit/Delete Post 
I would like to ask what scope lens do you consider to be the better choice for super 8 projection. I have a 35mm Isco 2x, and a Kowa 8z, but I have read about the Rectimascop in this forum. I have seen the Isco 2x, used in BFCC projections. Thanks.

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Joerg Polzfusz
Jedi Master Film Handler

Posts: 815
From: Berlin, Germany, Europe, Earth, Solar System
Registered: Apr 2006


 - posted January 03, 2011 06:49 AM      Profile for Joerg Polzfusz   Author's Homepage   Email Joerg Polzfusz   Send New Private Message       Edit/Delete Post 
Hi Ric,

most anamorphic lenses for projecting 35mm-film have a minimum distance* of 10 metres or more and are very heavy. This normally isn't what you want in an amateur set-up. And the anamorphic lenses / attachments for 35mm cine-cameras still cost a fortune - even heavily used Lomos are sold for at least 300 EUR on the bay.
When you've got tooooooo much money, the best anamorphics for your camera might be some "Hawk"-lenses (plus an adapter Arri -> C-mount): http://www.vantagefilm.com/

Jörg
* distance = between object and camera when shooting and between projector and screen when projecting.

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Richard Kemp
Film Handler

Posts: 68
From: London
Registered: Jun 2009


 - posted January 03, 2011 11:32 AM      Profile for Richard Kemp   Email Richard Kemp   Send New Private Message       Edit/Delete Post 
Thanks Jorg,

Those Hawk's look great - pricey though? :-o

[Wink]

--------------------
Ric

Paillard Bolex H16 Reflex. Projectors: Elmo GP-E, Eumig S807D; B&H TQIII. Editors: Erno E1201, Prinz Oxford 1200, Muray 16mm.

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