Author
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Topic: "How I met this community" or "Red Dawwwwn" (a.k.a. 8mm reloaded)
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Ronald Kwiatkowski
Film Handler
Posts: 67
From: Luxemburg
Registered: Nov 2012
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posted November 19, 2012 06:41 PM
Dear aficionados, after reading many threads I felt I had to introduce myself to this fine community by offering the same warmness and personality so many of you 8mm crazies show. I share the complicity in the matter. So - for those inclined to read - here's my story, and there's even a (mild) punchline. When I was a kid, about age 4, my Dad used to show me Laurel & Hardy stuff on a strange machine. Unfortunately, he passed away, much too soon, and at his prime, leaving me with a faded image and a fascination. So at age 8, I tortured my parents into blackmailing Santa to bring me a Super 8mm projector, a kid's projector, Cinemax, (which you may still find on ebay). as I watched the same three b/w mute 60-feet reels over and over again (one of them was, of course, Kong vs the Rex), I dreamt of a big Bauer projector, something massive, sturdy, professional, with stereo and stuff (I'm European, so Bauer was the word, back in the 70es). Yet, I never got around to it, couldn't afford it. And by the time i could, Super 8 was gone.
So I completely forgot about it, even when I was working for a local cinema company, handling films and projecting in 35mm or 70mm, with a bit of 16mm on the side. Privately, I had switched to VHS, then LD, then DVD. I could collect thousands of nice price DVDs, I never got back to the anxious feeling of handling Super 8 and taking care of a perfect projection.
Cut to present day, when out of the blue, I decided to check for Super 8 on ebay. I wasn't aware of the community of fans, I wasn't aware that there was much going on after Piccolo, Marketing and UFA shut down on Super 8 (I actually wasn't much aware of the American market during the 70s and 80s either, I had only blurry conceptions of Castle and the likes, only rarely would you find one of those in our local shops).
So when my fascination reloaded, a couple of weeks ago, there was a whole new world for me to learn: words like "Derann", "Ken", or "full-feature" for that matter. Words I also learned: Star Wars at 1000$, vinegar syndrome, and cyan dye failure. My mind is full with silly ideas to compensate for the problem. How about a camera on top of the projector that sends the projected image to a laptop that calculates a color-corrected additional picture to be projected by a beamer on top of the damaged super 8 picture? I'm going nuts. Because of the punchline (as promised).
I haven't even got the Bauer T520 duoplay I auctioned on ebay recently yet. But I already got my first film. It's a 200-footer of "The Black Hole". I should call it "The Red Hole". I could just check it against daylight, but it is red as China. I think I may never have seen anything so red. Oh well, I didn't pay a fortune
But I'll be more cautious I guess. I have learned an awful lot about film stock and chemistry through this fine community. And I feel that, as I will boldly go on, I will have many great conversations with you gentlemen and "partners in crime".
Anyway, I hope that the full-feature of "Mighty Joe Young" and the "Psycho"-Trailer I got hold of aren't printed on color stock. Hitchcock never meant it to be red
So cheers to everybody and thanks for letting me in.
Ronny, from Luxembourg
-------------------- Vinegar belongs in the salad...
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Ronald Kwiatkowski
Film Handler
Posts: 67
From: Luxemburg
Registered: Nov 2012
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posted November 21, 2012 07:28 PM
Thanks fellows, so today I received my Bauer T520, fell in love with it immediately. Great picture, great sound, purrs like a puss. Along with it I got a Piccolo "Jungle Book" digest, which looked real great, and the "Psycho" trailer, which looked a bit... well, dark, I suppose. Never mind, I'm on cloud nine.
-------------------- Vinegar belongs in the salad...
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