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Author
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Topic: Of vinyl records and Black Boxes...
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Mike Peckham
Phenomenal Film Handler
Posts: 1461
From: West Sussex, UK.
Registered: Jun 2003
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posted July 17, 2014 04:06 PM
I have a 1954 Pye Black Box, I’m not sure if these ever made it to America and elsewhere but in the UK they were very highly regarded and considered to be amongst the first true HiFi record players released after the second world war. They have a compact wooden cabinet, beautifully crafted with a typical fifties and yet strangely timeless bow front, a bullet proof BSR Monarch record deck and a four valve (E series) push pull amp. Unusually for the time, and for a compact record player, they have two built in speakers, one on each side. The early literature supplied with them recommended that they were positioned in the corner of the room so that the sound would reflect off the walls!
Mine hadn’t been operational for many years and then, on a whim, I had it reconditioned by a local Black Box specialist, it cost me £95 and I can honestly say it’s the best £95 I’ve spent in a long time. It has led me back into music. I have a modest (no more than 150) collection of Mono Jazz and Blues records, plus a selection of Classical and a little easy listening stuff.
My BB has been back in service since mid-April and there has hardly been a day when I haven’t played at least a couple of records. I have rediscovered records that I have on cd that I concede sound better on cd through my Denon Sound System, and yet I sit mesmerised in wonder listening to every crackle and bump on my old records and appreciating the rich, warm sound of the old valve amp.
Tonight has been Grieg and Count Basie, tomorrow who knows. I don’t remember the last time I played a cd, and as for downloads…
Mike ![[Cool]](cool.gif)
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Auntie Em must have stopped wondering where I am by now...
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Clay Smith
Expert Film Handler
Posts: 144
From: El Cerrito, CA, USA
Registered: Jan 2014
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posted July 17, 2014 04:41 PM
Yes Mike, I don't think they were ever marketed here in the US but they should have been. A friend of mine from London had one and I remember it quite well, beautifully designed and all self-contained like you said. The sound was pretty full too. We have a newer Audio-Technica and also play vinyl almost everyday. Our taste run the gamut from rock, psych, folk, blues, jazz. I still buy an occasional CD but mostly now buy my music on vinyl. The analog recording is far superior to my ears. There are some wonderful re-issues coming out on vinyl, also in jazz and classical. But as you mention, I certainly don't mind the occasional crackle or pop on our older albums and 45's.
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Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
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posted August 16, 2014 11:56 AM
The UK gets the best of everything .... (grrrr) ![[Smile]](smile.gif)
I'm still amazed at just how good of recordings were actually made way back then. I have a bunch of restored "Suspense" radio shows that were done in the mid to late 1940's, and they truly sound as if you are actually in the recording studio with the actors. The fidelity is that good on these restorations!
I wonder if some of these were actually done on early tape, instead of on record (as most of these transcriptions were).
I know that's a little off topic, but were talking about early fidelity, so I thought I'd mention it.
By the way, what was the earliest stereo record production? I know that Disney already had "Fanta-sound" for his release of Fantasia in 1941 (? is that right on the date?) ...
So it seems that stereo recording was already possible no doubt before that? I know that there were what was called "accidental stereo" recordings where, being pressed for 78 rpm, two mikes were used and the "back-up" would sometimes be in a different position and therefore, picking up a different sound. There is a 1929 recording of "The Rite of Spring" that, while the stereo separation isn't perfect, does appear to have a slight stereo sound.
Anybody know?
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"All these moments will be lost in time, just like ... tears, in the rain. "
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