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Author Topic: Universal 8 fading: Flat Vs Scope
Adrian Winchester
Film God

Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004


 - posted September 04, 2004 10:48 AM      Profile for Adrian Winchester     Send New Private Message       Edit/Delete Post 
As everyone knows, if you run a colour Universal 8 film and it's not faded, it probably will be before long! However, I've just examined a few of my Universal 8 Animex scope releases and the colour on all, except possibly one, seems fine. I guess these titles were licensed to Animex, who used their own plastic boxes in addition to the Universal sleeves for 400' releases, and I wondered if they might have used different labs and perhaps film stock less prone to fading. Does anyone know? I'd also be interested if anyone could offer some information on the business relationship that Animex had with Universal and MGM. I recall hearing that the Dr Van Tetering (possibly wrong spelling) behaind Animex did it more for love than money.
Adrian

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Adrian Winchester

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James N. Savage 3
Phenomenal Film Handler

Posts: 1375
From: Washington, DC
Registered: Jul 2003


 - posted September 04, 2004 02:47 PM      Profile for James N. Savage 3     Send New Private Message       Edit/Delete Post 
Hi Adrian. I have also noticed on a few of my U-8's there is very little fading. My print of "Silent Running" still looks great, as well as "The Blues Brothers", while all of my other excellent U-8 digests have terrible fading (Jaws, Airport, etc.)

I am getting ready to purchase a brand new sealed print of U-8's digest "The Car" in cinemascope. I am glad to hear that the fading problem is not bad on these scope prints. I'll let you know how the print looks when I get it.

Nick.

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Adrian Winchester
Film God

Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004


 - posted September 04, 2004 04:50 PM      Profile for Adrian Winchester     Send New Private Message       Edit/Delete Post 
Hi Nick,
I've got 'The Car' so I just examined the start, which seemed OK in terms of colour, although a bit on the light side - which I've heard it said is a characteristic of Animex prints. I can't completely rule out the lack of fade on my scope prints being a coincidence, so it would be interesting to hear if others have found the same thing.
Adrian

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Adrian Winchester

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Douglas Meltzer
Moderator

Posts: 4554
From: New York, NY, USA
Registered: Jun 2003


 - posted September 04, 2004 08:27 PM      Profile for Douglas Meltzer   Email Douglas Meltzer   Send New Private Message       Edit/Delete Post 
Adrian & Nick,

My 3 Animex scope prints, "Jaws 2", "Airport 75", and "Two Minute Warning" all show just a touch of fading. They are also three of Universal's better edit jobs.

Doug

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I think there's room for just one more film.....

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted September 05, 2004 05:38 AM      Profile for Kevin Faulkner         Edit/Delete Post 
I think the point about these releases is that the different sources used differing film stocks. Any late runs could be on the LPP stocks or the very late SP stock which also seems to hold up fairly well. I think Kodak were using the new emulsions etc on the older film base before going over to poly base.

Kev.

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GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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John Clancy
Phenomenal Film Handler

Posts: 1954
From: Cornwall
Registered: Jun 2003


 - posted September 06, 2004 02:43 AM      Profile for John Clancy   Author's Homepage     Send New Private Message       Edit/Delete Post 
I've had the 'Scope "Two-Minute Warning" from new. It looked awful then and looks just as bad now. It was printed faded so don't be too fooled that they're all fading - some prints were just rubbish to begin with. That's not to say they're not getting worse but it's hard to judge with such a poor print.

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British Film Collectors Convention home page www.bfcc.biz. The site is for the whole of the film collecting hobby and not just the BFCC.

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Adrian Winchester
Film God

Posts: 2941
From: Croydon, London, UK
Registered: Aug 2004


 - posted September 07, 2004 05:32 PM      Profile for Adrian Winchester     Send New Private Message       Edit/Delete Post 
That's a good point - I expect all of us who have been collecting for 20 years or more recall viewing films, particularly 200' and 400' versions, that had that 'warm' look on the very first screening! Some of the Ken titles come to mind in this respect.

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Adrian Winchester

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