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Author Topic: What IS IT about SUPER 8 ?!
Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted November 23, 2006 11:30 PM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
I've written many a post about our little film fettishes here, I'd love to hear, form all of you what is it REALLY about super 8, that makes us stay with it?

Think about it, even with film guages, there are other higher better guages of film, and yet we stick with.

I could give my quickie answer, "The mystique of film", but that would cover all film guages. What is it about this particular film guage (and standard 8mm) that grabs us and won't let go, (that is, WE won't let go.)

So, I'll give it a little thought before I give a serious answer, and I would love to hear from all of you, (especially the recently illusive Kevin Faulkner, I haven't seen many posts from you, film bro!)

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"All these moments will be lost in time, just like ... tears, in the rain. "

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Jean-Marc Toussaint
Film God

Posts: 2392
From: France
Registered: Oct 2004


 - posted November 24, 2006 03:34 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
I think I used that sentence before but it's really "playing cinema at home".
Standard 8, super 8, 9.5, 16mm and VP coexist in my little home theatre (and planning to venture into 35mm asap).
But no matter what, it's always back to super 8. It's a childhood thing, I guess. I have a preference for cutdowns and short subject, small format, small films...

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The Grindcave Cinema Website

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Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted November 24, 2006 05:03 AM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
Osi,

I have some particular reasons why I did not shift to 16mm or bigger gauge. The reasons are:

1. To store 8mm it only needs little place than the other gauges
2. The 8mm mostly comes with the artwork boxes which I consider it also as a side of collecting films
3. I don't really have time to watch full features (which mostly 16 mm are) again and again, while 8mm provides me with 2-3 parter which cover most of the stories
4. The 8mm films are relatively not that expensive as 16mm are
5. For me, screening 16mm projector and 8mm in a very small room will not be significantly different in result consider the max screen size we could have.
6. Availability of the titles

that's it,

[ November 25, 2006, 11:39 AM: Message edited by: Winbert Hutahaean ]

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Winbert

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted November 24, 2006 09:08 AM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
Those were interesting reasons, (and very practical).

It depends on the film, but I do like the idea of watching, for instance, "Ben Hur" on the 1X400ft. version, as I get the scenes I really wanted to see, without struggling to make the time to watch a 4 hour film.

I'm still thinking about why, but nolstalgia is definitely one of the reasons. I remember those, well, simpler times, watching, for instance, "Cinderella's Cinders" (Silent movie) on my Dad's Eumig P8, (A magnificent little standard 8mm projector) with him. I miss those times. Putting that screen up and watching those films again is wonderful. I have noted that one of the first things I did was to find most of gthe films I once had years ago.

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"All these moments will be lost in time, just like ... tears, in the rain. "

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Douglas Meltzer
Moderator

Posts: 4554
From: New York, NY, USA
Registered: Jun 2003


 - posted November 24, 2006 10:51 AM      Profile for Douglas Meltzer   Email Douglas Meltzer   Send New Private Message       Edit/Delete Post 
The first two replies hit the nail right on the head. Winbert's points about how compact the format is in both media and equipment are a huge factor. I'm enjoying features more than digests now, though. I also have a small 16mm collection, but that's only for titles not available on Super 8mm.
I believe the main thing (for me) is Jean-Marc's point about childhood. Just like Osi wrote, 8mm takes me back to a very enjoyable part of my life. It was so nice to have those screenings with my folks in that cozy living room.....

Doug

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I think there's room for just one more film.....

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Andrew Wilson
Jedi Master Film Handler

Posts: 784
From: dundonald,belfast,co.antrim,northern ireland.
Registered: Jan 2006


 - posted November 24, 2006 11:13 AM      Profile for Andrew Wilson   Author's Homepage         Edit/Delete Post 
That's excactly what it is.It is a childhood thing.Andy.

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Joe Taffis
Phenomenal Film Handler

Posts: 1592
From: United States
Registered: Jun 2003


 - posted November 24, 2006 06:03 PM      Profile for Joe Taffis   Email Joe Taffis   Send New Private Message       Edit/Delete Post 
and for me too. I remember hand winding and shooting that first 25 feet of 8mm film, then opening the camera and flipping the reel over to shoot the other half...then the joy of using the new super 8 50' cartridge [Smile]

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Joe Taffis

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Graham Sinden
Phenomenal Film Handler

Posts: 1131
From: Kent, UK
Registered: Aug 2005


 - posted November 24, 2006 06:38 PM      Profile for Graham Sinden   Email Graham Sinden   Send New Private Message       Edit/Delete Post 
Osi,
I was thinking about this during my trip to blackpool. And I agree with Winbert about the boxes. One of the reasons I was initially put off by 16mm was all those boring brown boxes the dealers had. They didnt even have stuck on artwork, like some super 8 collectors/dealers do. Just the brown box with the name of the film in marker pen along the side.

But for me the main reason is simply because I get more of a buzz using my super 8 projectors than my 16mm ones. I only have a smallish 16mm collection due to lack of space (another reason) and my main 16mm projector is an eiki slimline optical only. Its a big clunkier projector with an unappealing brown finish, but very reliable.

My super 8 projectors not only sound but look better with lots of nice shiny controls and a nice paint finish. On top of that my GS has a lot of features that the 16mm dosent have like Stereo, Mag/Opt, Pulse sync, level meters, frame counter, Piano key controls, Nice charcoal grey finish, the list goes on. My ST HD also looks good with its silver finish and looks nice on the projector stand. Overall I just prefer my Super 8 projectors in use and looks. However I do find that super 8 projectore require a bit more TLC than 16mm ones.

On top of that there is a much greater range of modern films available on super 8 which are also cheaper and most come in nice boxes. There is also something in watching a top super 8 print that is equal or better than some 16mm prints. Its like your watching the impossible from a very small frame size.

I would admit that 16mm is generally better quality but I just prefer Super 8, that gives me the real buzz.

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted November 25, 2006 10:35 AM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
I agree. The prints being struck these days are magnificent, milkes above even some of the best quality of the 70's. My Derann prints I wouldn't part with.

I hope that, if any of us forum members have had time in-between movie reels to have a kid or two (haha), I hjope we pass on this love to them and it sticks with the next generation.

Otherwise, this wonderful film fetish will die with our generation, and that would be a shame.

Yeah, DVD is easier to buy and watch, BUT, once again, you've lost something in translation!

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"All these moments will be lost in time, just like ... tears, in the rain. "

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Graham Ritchie
Film God

Posts: 4001
From: New Zealand
Registered: Feb 2006


 - posted November 25, 2006 02:07 PM      Profile for Graham Ritchie   Email Graham Ritchie   Send New Private Message       Edit/Delete Post 
Osi
Your comments regarding the future of film collecting as we no it are very important ones, Osi you are absolutely right, for it to have any future there has to be something in it to encourage the young ones to get involved. If we can get them interested even in a small way threading a projector, showing films etc all of this helps.
I sincerely hope it doesn't die with our generation but I guess in the end it comes down to us to really make the effort to keep it alive.
Graham.

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Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted November 26, 2006 12:14 AM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
Graham,

Please note that I am one of "that" new generation. [Wink]

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Winbert

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James N. Savage 3
Phenomenal Film Handler

Posts: 1375
From: Washington, DC
Registered: Jul 2003


 - posted November 30, 2006 08:12 AM      Profile for James N. Savage 3     Send New Private Message       Edit/Delete Post 
This hobby does seem to cast a spell on people. As frustrating as it can be at times, I can't seem to stay away for long.

Since I got my first projector in the early 70's, I have had many years of enjoyment. Even with all the modern electronics, which I do use for entertainment as well, it still doesn't give me that thrill that I get when I spool up a reel of movie film and project it. There's just something magic about it.

Nick.

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted November 30, 2006 10:17 AM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
Part of this hobby that fascinates me is the very invention of film, how the quick progression of images creates the illusion of movement. While you can see that by going frame by frame with a DVD, I love just handling film, looking a seperate frames, that and even the challenge of finding good prints.

I think I went through three prints of "Island of Dr. Moreauh" before I found a print with good colour, (though it does have one irritating line ... still looking for the ultimate print!)

It's a fun challenge to search for the "good print" and then the wonderful satisfaction of finding a vintage mint print of a title that you've craved for years. Getting a "restored" print on DVD takes all that fun out of it!

That and, as others have stated, the cost for super 8 tends to be somewhat affordable!

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"All these moments will be lost in time, just like ... tears, in the rain. "

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Lee Mannering
Film God

Posts: 3216
From: The Projection Box
Registered: Nov 2006


 - posted December 18, 2006 04:40 PM      Profile for Lee Mannering     Send New Private Message       Edit/Delete Post 
16mm is good, but the prints are so old now....And the ex library thing is an issue... The super 8 prints from the likes of Derann are outstanding and we have much to thank them for. Derann bring out so many great modern titles we are spoilt for choice, and my DLP video projector has not been on here for 12 months!! Give me a Derann feature on my Elmo anytime. A real Cinema in the home, now that's for me!

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Keith Ashfield
Jedi Master Film Handler

Posts: 997
From: U.K.
Registered: Dec 2006


 - posted December 19, 2006 09:20 AM      Profile for Keith Ashfield     Send New Private Message       Edit/Delete Post 
My love for this addictive hobby of ours started as a very young child when attending the Saturday afternoon matinees at our local “fleapit”. I was lucky enough to gain access to the “magic booth”. For a long time, I sat in the auditorium with the other minions who stamped their feet and shouted when the film broke and I always wondered what happened where that beam of light that transported these magic images came from. Images that took our young minds to “open plains with redskins behind every hill, or to distant planets where you battled with Mole Men or to a world where a cat and a mouse could batter each other to a pulp and still survive”.
I always found sympathy for the poor old projectionist when things went wrong and complete admiration at the showmanship when it was fine.
I suppose, when I put on my film shows, I see myself as “Old Quill – the projectionist from Smallest Show on Earth, played by Peter Sellers (but without the “drink problem” I hasten to say).
I do not know of many hobbies that are as friendly as ours. We have one goal, it appears – to preserve the origins of cinema and the medium it uses, to provide a service, be it to others, or merely to ourselves, by showing our films and most of all maintaining a camaraderie, second to non amongst ourselves.
Long may it continue?
Keith

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"We'll find 'em in the end, I promise you. We'll find 'em. Just as sure as a turnin' of the earth".

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Osi Osgood
Film God

Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005


 - posted December 19, 2006 10:12 AM      Profile for Osi Osgood   Author's Homepage     Send New Private Message       Edit/Delete Post 
You know, Lee had a good point. He has a Digital projector, and so do I. It's a "Sharpvision" 200 inch projector, and it was one of the best around about 5 years ago, (and still is good).

and yet ... I haven't taken it out in two years.

So what does this say? Even with all the modern technology, even with all the big bucks spent on it and all the advances, it immediately takes a back seat to that actual celluloid image being projected!

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"All these moments will be lost in time, just like ... tears, in the rain. "

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