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Author Topic: WOW & FLUTTER
Chip Gelmini
Phenomenal Film Handler

Posts: 1733
From: Brooksville, FL
Registered: Jun 2003


 - posted October 16, 2009 11:42 AM      Profile for Chip Gelmini     Send New Private Message       Edit/Delete Post 
What I found below is one of the best descriptions of this problem.

Can anyone tell us how playback in the Elmo line of super 8 machines and related print variations causes the problem. I can play some features perfectly, while others have horrible pitch problems.....

Googled (audio flutter) and came up with this:

"Wow and flutter are particularly audible on music with oboe or piano solo playing. While wow is perceived clearly as pitch variation, flutter can alter the sound of the music differently, making it sound ‘cracked’. There is an interesting reason for this. A recorded 1 kHz tone with a small amount of flutter (around 0.1%) can sound fine in a ‘dead’ listening room, but in a reverberant room constant fluctuations will often be clearly heard. These are the result of the current tone ‘beating’ with its echo, which since it originated slightly earlier, has a slightly different pitch. What is heard is quite pronounced amplitude variation, which the ear is very sensitive to. This probably explains why piano notes sound ‘cracked’. Because they start loud and then gradually tail off, piano notes leave an echo that can be as loud as the dying note that it beats with, resulting in a level that varies from complete cancellation to double-amplitude at a rate of a few Hz: instead of a smoothly dying note we hear a heavily modulated one. Oboe notes may be particularly affected because of their harmonic structure. Another way that flutter manifests is as a truncation of reverb tags. This may be due to the persistence of memory with regard to spatial location based on early reflections and comparison of Doppler effects over time. The auditory system may become distracted by pitch shifts in the reverberation of a signal that should be of fixed and solid pitch."

Chip G

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Claus Harding
Phenomenal Film Handler

Posts: 1149
From: Washington DC
Registered: Oct 2006


 - posted October 17, 2009 09:20 AM      Profile for Claus Harding   Email Claus Harding   Send New Private Message       Edit/Delete Post 
Chip,

Wow and flutter certainly are the two old bug-a-boos of hi-fi as it pertains to records and tape and Super-8 too.

The only thing I can offer from the Elmo projector perspective is that I never run a sound film without letting the ST1200 run for at least 5-6 minutes by itself if I am just starting it. This is to get the internal flywheel up to speed which helps greatly in stabilizing the speed of the machine and minimizing w & f. Starting it cold does not make for pretty listening...

That said, I would never expect my 1200 to perform like my turntable or reel-to-reel in terms of speed stability, but just 'running it up to speed' and getting the mass of the flywheel going prior to screening makes it as good as possible.

As for the prints, I can only imagine poor production can cause it. My 400 of Disney's "The Black Hole" has noticeable wow on it, while a 1940es Roy Rogers western sounds solid, so I think it must come down to bad pre-print material or sloppy maintenance at the dubbing stage. But I am guessing on this [Big Grin]

Claus.

--------------------
"Why are there shots of deserts in a scene that's supposed to take place in Belgium during the winter?" (Review of 'Battle of the Bulge'.)

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Chip Gelmini
Phenomenal Film Handler

Posts: 1733
From: Brooksville, FL
Registered: Jun 2003


 - posted October 17, 2009 09:42 AM      Profile for Chip Gelmini     Send New Private Message       Edit/Delete Post 
Hi Claus

Thank you for that information. I often warm up my projectors as you say before threading with film. First I'll run just the cooling fan for about 2 minutes. Then I run it forward with out film for the same amount of time. I might even extend it a little more during the colder months of the winter.

I assume therefore, running as above is great for this. But it is my understanding the sound drum assembly won't turn unless film is moving through. If you warm up the rest of the machine beforehand, I can see the theory working as you suggest.

And yes folks, this DOES make a difference.

CG

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Chip Gelmini
Phenomenal Film Handler

Posts: 1733
From: Brooksville, FL
Registered: Jun 2003


 - posted October 17, 2009 09:50 AM      Profile for Chip Gelmini     Send New Private Message       Edit/Delete Post 
Have no idea how this message got here. Honest

[Big Grin]

(Above comment was posted twice. The double text was removed here)

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted October 17, 2009 05:41 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
In my experience, Elmo machines are susceptible to WOW. It seems to be associated with the small diameter of the brass sound capstan and variations in the wind-up tension on the rear spool. Both my GS 1200'S will exhibit wow on certain sections of certain films, other films being seemingly wow free. This is one reason I like Eumigs. I have never heard wow on any Eumig projector, be it series 800 or series 900. If you look at the Eumigs, the sound capstan diameter is much bigger than the Elmo's and the rubber roller is much larger and is really sprung down hard, very effectively clamping the film agains slippage. I think the Elmo's are really susceptible to variations in the coefficient of friction of the film, which of course is really influenced by film lubrication products.

--------------------
The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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