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Topic: Stereo Re-Recording
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Paul Adsett
Film God
Posts: 5003
From: USA
Registered: Jun 2003
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posted July 08, 2011 06:40 PM
Yes, many people on this forum do stereo re-recording of their film prints. I have done this on many of my feature films, but mainly on musical films where the stereo adds so much to the enjoyment of the film. Re-recording, mono or stereo, almost invariably gives you a quantum leap in sound quality over what you get from the manufacturer of the film print. The best method to re-record film prints is to use a GS1200 with a sync box, but I have had good success using the 'wild' sync method of employing a precision variable speed projector (in my case a Eumig 938) and making minor speed adjustments to the projector to maintain sync while recording. It takes patience this way, but it can definately be done and the results are usually awesome.
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
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Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
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posted July 09, 2011 12:31 PM
I can also vouch for his very reasonable prices, which i don't think have went up, but I'm sad to say, I have forgotten what he charges.
The neat thing about Lance is before he records for you, he first tests your mag stripe to see what the EQ is, as mag stripes do differ in recording quality, levels and playback.
Then, he takes the specific audio to record and adjusts the sound quality to give that mag stripe the best sound you can get. Needless to say, he does this out of a love for film!
Oh, and I believe he uses a ELMO GS1200 as well, which we all know to be one of the best recording units, (though I do prefer the EUMIG'S for recording).
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
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