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Author Topic: b/w movies in color stock
Luis Caramelo
Master Film Handler

Posts: 494
From: Funchal
Registered: Feb 2011


 - posted September 10, 2012 11:52 AM      Profile for Luis Caramelo     Send New Private Message       Edit/Delete Post 
hi! fellas,i would like to read some opinions about black and whites movies printedin color stock...

regards:
luis caramelo

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Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted September 10, 2012 12:03 PM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
It won't good because it will have color tint, eg greenish, bluish, brownish etc

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Winbert

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted September 10, 2012 12:24 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
It's better than having no black and white movies at all.

Later on as volume shrank printing everything on color was a cost cutting measure. It was either switch black and white to color or print color films only.

-but,

Everything else being equal a B&W film on B&W stock would be my first choice.

I have quite a few old B&W prints that have become R&W (red and white) from this compromise.

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All I ask is a wide screen and a projector to light her by...

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Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted September 10, 2012 12:29 PM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
Luis further good readings you can find here:

3 Stooges B/W in color print, what is this?

DCR print quality

(ps: DCR released many B/W films on color stock)

cheers,

--------------------
Winbert

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Bill Brandenstein
Phenomenal Film Handler

Posts: 1632
From: California
Registered: Aug 2007


 - posted September 10, 2012 12:36 PM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
I finally sold off a R&W print last year, because between the red color and poor pre-print and dupey condition, I thought I'd never use it again.

The only other example I have is a newsreel from Derann printed on LPP, so it won't ever develop that issue, and it has such little tint nobody will ever think twice of it. Definitely a keeper.

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Steve Klare
Film Guy

Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003


 - posted September 10, 2012 12:56 PM      Profile for Steve Klare   Email Steve Klare   Send New Private Message       Edit/Delete Post 
I have a later Derann "Steamboat Willy" that I bought new that has the tiniest hint of blue to it.

-then again if it wasn't for this I probably wouldn't have "Steamboat Willie" at all...

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All I ask is a wide screen and a projector to light her by...

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Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted September 10, 2012 01:57 PM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
As you rightly say Steve,if not for the colour print,then no print
at all.I have a couple of B/W features on colour stock,and quite
happily accept them as a tinted print.Remember the photo
annuals that had various photographs that had blue or green
tints,I don't recall anyone passing comment that the pictures
had a tint to them.The drawback is that sometimes details can
be lost in darker scenes or if the print gets a mark,it's then in
colour!

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Winbert Hutahaean
Film God

Posts: 5468
From: Nouméa, New Caledonia
Registered: Jun 2003


 - posted September 10, 2012 02:11 PM      Profile for Winbert Hutahaean     Send New Private Message       Edit/Delete Post 
BTW, I am now curios to know how did they make for film that was originally shot by both B/W and Color such as "That's Entertainment" and "Wizard of Oz".

Did they use two kind of stock when releasing them, both for domestic use and cinema purposes?

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Winbert

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Graham Sinden
Phenomenal Film Handler

Posts: 1131
From: Kent, UK
Registered: Aug 2005


 - posted September 10, 2012 03:35 PM      Profile for Graham Sinden   Email Graham Sinden   Send New Private Message       Edit/Delete Post 
Not sure about the cinema prints Winbert, but my super 8 copy of TE2 has a blue tint on the b/w scenes.

Graham S

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Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted September 10, 2012 04:16 PM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
Incidentaly.someone in Winbert's thread on DCR mentioned that
they had a print of "In Which We Serve", which was actually a
Movieland release and not DCR.Regarding colour features from
Dave West,his "Thirty Nine Steps" is a beautiful print, I understand
he also did the film "Dance Little Lady" in colour.

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Tom Photiou
Film God

Posts: 4837
From: Plymouth U.K
Registered: Dec 2003


 - posted September 10, 2012 04:43 PM      Profile for Tom Photiou     Send New Private Message       Edit/Delete Post 
one film i wish i had bought on super 8 in scope was the elephant man, i understand all prints of this film were printed on colour stock. I do have a couple of b/w films on colour stock but so far so good, no fade. I to, always try and buy b/w films on b/w stock where possible.
The elephant man never seems to pop up these days. i didnt realise how rare this title would be as i think it was availible for a good number of years. [Wink]

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Hugh Thompson Scott
Film God

Posts: 3063
From: Gt. Clifton,Cumbria,England
Registered: Jan 2012


 - posted September 10, 2012 05:17 PM      Profile for Hugh Thompson Scott   Email Hugh Thompson Scott       Edit/Delete Post 
Don't worry Tom,if there's one thing I've learned in this hobby is
that films lie low for a time,then suddenly like buses,two come
at once.I'm still keeping a look out for your "Rebels on the Loose"
and sooner or later it'll be there.

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Yanis Tzortzis
Jedi Master Film Handler

Posts: 531
From: Greece
Registered: Aug 2005


 - posted September 10, 2012 06:28 PM      Profile for Yanis Tzortzis   Author's Homepage   Email Yanis Tzortzis   Send New Private Message       Edit/Delete Post 
.....speaking historically, were the first movies NOT black & white
but rather with a tint? That's what I had read somewhere quite awhile ago; is it true?

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Yannis

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted September 10, 2012 06:46 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
I have seen plenty of really hideous black and white super 8mm prints on black and white film stock. Usually, such prints are not black and white at all, but more like GREY AND WHITE, with terrible definition and washed out highlights. At least Black and white prints on color stock usually have great contrast, with deep rich 'Blacks', and excellent resolution. But it is very hard for the labs to get a true black, usually there is a bluish, greenish, or redish cast to the image. But, I do have one black and white on color stock print from Derann called The Engine Driver and the blacks are perfect.
In general though, black and white on black and white stock, done properly, as in many of the Blackhawk prints, is unbeatable - and you know they will last forever!

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
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Bill Phelps
Phenomenal Film Handler

Posts: 1482
From: USA
Registered: Jan 2009


 - posted September 10, 2012 07:08 PM      Profile for Bill Phelps     Send New Private Message       Edit/Delete Post 
Tom...see the thread here on the forum (Elephant Man question)

THE ELEPHANT MAN scope feature was printed on both color and B&W stock. Within the last year I have seen 2 prints for sale but was unable to buy at the time. This is one film I would love to have. I have the scope trailer and it is on color stock and it does have a blue tint.

Bill [Smile]

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