posted March 12, 2018 01:50 AM
Id like to build up some features for uninterrupted viewing on one large reel. What is the best way to see the tiny frame to make accurate splices? I tried a flashlight behind the film but the dark scene makes it impossible to see where to make the cut. Very easy with 35mm, not so easy with S8 and my aging eyes:(
posted March 12, 2018 12:34 PM
Thank you, Graham & Maurice. I just ordered the Magni-Loupe from Amazon. The eyes are not what they use to be due to the aging process:(
posted March 12, 2018 01:23 PM
Lately it's like all the staircases have two more steps!
-and everybody's mumbling!
The saddest thing: years ago I had a film I wanted to finish to show our company Christmas night. The film took an extra week at the lab and the deadline was tight.
All day on the 24th I was fighting my editor, it was dim and it wouldn't focus anymore. I stuck to it and finished up just around dinner time.
-opened up our presents the next morning: my wife bought me a new editor!
-------------------- All I ask is a wide screen and a projector to light her by...
posted March 13, 2018 05:17 PM
Maurice, my MagniLoupe Eye Loupe arrived today. Wow I should have had one of these years ago. I now have a bionic eye, thank you!
Posts: 715
From: Campobasso, Italy
Registered: Jun 2013
posted March 19, 2018 04:25 AM
Fujica produced a "Deluxe" version of tape splicer, with light and a magnifying glass integrate. A jewel! http://www.filmkorn.org/super8data/database/splicers_list/splicers_image/fuji_deluxe.j pg But I have the other two versions produced by Fujica, the normal one (excellent) and the one for leave space for both magnetic stripes (also balancing), which is a pleasure to see in operation.