8mm Forum


  
my profile | my password | search | faq | register | forum home
  next oldest topic   next newest topic
» 8mm Forum   » 9.5mm Forum   » Future of 9.5 filmstock (Page 0)

 - UBBFriend: Email this page to someone!  
This topic comprises 3 pages: 1  2  3 
 
Author Topic: Future of 9.5 filmstock
Simon Wyss
Film Handler

Posts: 78
From: Äsch, Switzerland
Registered: Apr 2009


 - posted February 25, 2019 09:56 AM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
To use chemicals in my Basel laboratory I had to attend a poison course as it was called then and pass an exam taken by the state. Then I was given a written permission and a number that I had to pass to every supplier but basically I was free to buy and use every substance. My lab for black-and-white film was open November, 1999 to July, 2008. Of course, that is long gone and laws have changed since then. There is number of labs in France that do black and white film treatment. I don’t understand Color-City.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted February 25, 2019 11:19 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
I don't know any French lab that process reversal black and white cinefilmstock otherwise I'm sure it would have been contacted. Maybe there has been a misunderstanding with or from Color City. When I have the opportunity, I ask again.

--------------------
Dominique

 |  IP: Logged

Luigi Castellitto
Jedi Master Film Handler

Posts: 715
From: Campobasso, Italy
Registered: Jun 2013


 - posted February 26, 2019 04:59 PM      Profile for Luigi Castellitto   Email Luigi Castellitto   Send New Private Message       Edit/Delete Post 
I took a tour on French lab sites, it seems that some who were developing b/w now don't do it anymore.
Dom, I didn't remember the machine was of the club, true...
Simon, but you could be a reference point for process 9.5mm? I have not understood well if you have the means to do it. Would you do it for "amateur" users?

 |  IP: Logged

Lee Mannering
Film God

Posts: 3216
From: The Projection Box
Registered: Nov 2006


 - posted February 27, 2019 05:35 PM      Profile for Lee Mannering     Send New Private Message       Edit/Delete Post 
Working in media for oh a very long time I need perfection. Regretfully Roys Reels as we called them didn't come an where near. Try and 2K scan it and you will see the sprocket holes are all over the place. What we need is a professional 9.5mm film Base.

We shot some frozen 9.5 B&W a few years ago and registration was perfect.9-5 is a wonderful format and second best will not do.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted February 28, 2019 01:17 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
Mister Otte, in Germany, achieves perfect reperforing. Sadly, he cannot, as an amateur, make large amounts of films.

--------------------
Dominique

 |  IP: Logged

Simon Wyss
Film Handler

Posts: 78
From: Äsch, Switzerland
Registered: Apr 2009


 - posted February 28, 2019 11:48 AM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
My specialty is manual treatment of films in spiral reels and in large open trays in the dark. Closed tanks are fine for onesies and twosies but technically nothing that I could stand by.

Hand development is so much better than machine development, I can enumerate a handful of points. The most important advantage is best evenness across or along portions that go into the baths at one blow. The irregular moves one can do with the reel account for perfect constancy.

I have reels that take 100 feet (30 m) of 9.5mm film. Basically I can set up baths after any formula plus C-41 and E-6. The question of feasability has to do with the mileage. Filmers have become picky to the extent that a commercial lab cannot survive. I have only little experience with Ninefivers as they were the rarest among the rare but I fear that gratitude is not to be expected even if fantastic microfilms were made available and processed. I have lived such a fiasco with Gigabitfilm which was a 16mm microfilm together with specially adapted chemistry.

Amateur filmers want colour stocks, they want back Kodachrome. I do understand them all, to stop Kodachrome was a big mistake of Kodak. Kodachrome was the product of the Eastman-Kodak Company. Now with Ektachrome back up Kodak does not like the idea of offering it in 16mm. Unbelievable.

There must be several dozen, if not a few hundred active filmers for endeavours in this format. I don’t hear their voice. Clubs should make omnibus orders.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted February 28, 2019 01:26 PM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
There is no doubt that the 9.5 market is small and cannot, alone, make a lab live. It has to be regarded as an extra. Simon, out of topic but Kodak has announced Ektachrome in 16 mm. Probably coming soon.

--------------------
Dominique

 |  IP: Logged

Simon Wyss
Film Handler

Posts: 78
From: Äsch, Switzerland
Registered: Apr 2009


 - posted March 01, 2019 12:24 AM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
That is good news. I hope, they will offer it in lengths up to 1200 feet. To think of cameras such as the Mitchell 16, Auricon Pro-600 and Super 1200, Kodak Reflex Special, and the many others with 400-ft. magazines . . .

And then one might hope Kodak will sell Ektachrome as unperforated 35mm to us Ninefivers. I have a Beaulieu R 95, a GIC 9.5, 9.5mm projectors, splicer. A precision printer is planned. 16mm step contact printer with RGB lights control ready.

By the way, 500-ft. spiral reels feasible at short notice, taking film widths up to 105 mm. Business partners are invited.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted March 01, 2019 09:31 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
Simon, Kodak will not produce 35 mm since they need a large market to consider this. Two extracts of an answer from Kodak about 35 mm unperfored film : "Lack of commercial E-6 processors capable of handling long roll lengths of 35mm film make commercialization of an EKTACHROME product as a standard catalog item not practical at this time. Any requests for such a non-standard product would only be investigated after completion of the development of the 16mm format and would have to be of significant volume to justify any development and testing expense." and "While I cannot promise anything, please watch for the release of KODAK EKTACHROME 7294 Color Reversal Film in 16mm format."

--------------------
Dominique

 |  IP: Logged

Simon Wyss
Film Handler

Posts: 78
From: Äsch, Switzerland
Registered: Apr 2009


 - posted March 01, 2019 11:54 AM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
Thank you for that

It’s another cheap excuse. Ektachrome is present as unperforated 35mm stock in long rolls during the workflow to 135 cartridges. Kodak could deviate a roll or two and sell it just like that. But like I’ve read somewhere they collapse bureaucratically at such a move. The hens start laughing around the house.

Same with DS-8. Kodak simply keeps the market dry to justify bold prices.

 |  IP: Logged

Luigi Castellitto
Jedi Master Film Handler

Posts: 715
From: Campobasso, Italy
Registered: Jun 2013


 - posted March 02, 2019 03:13 PM      Profile for Luigi Castellitto   Email Luigi Castellitto   Send New Private Message       Edit/Delete Post 
Meanwhile, on the internet there are several videos of people who have self-built a machine that cuts films. There are also some that cut in 9.5mm; I tried to contact them, but they replied that they don't do that job anymore.
Being small machines, they don't need large quantities of film to be cut, accessing and switching off the machine would be simple, they could therefore do it for small quantities.
I'm sure, if in the trade, it would not be difficult to find small quantities of stocks in b/w (color I don't think, too difficult) for cut.
If someone listening is able to build it, I would advise him to enter this business.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted March 02, 2019 05:17 PM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
I hope someone does, Luigi. Keep in mind, however that you're using a camera that takes cartridges. For cameras that accept 15 mt and 30 mt spools, you need empty camera spools to put the film on it (otherwise less costumers would buy as not everybody is ready to load films on spools) and not many filmmakers have empty spools. Then, if you sell the films but not process them, the spools don't come back to you. If you process the films, then you need empty projector spools. Color City provides all that. I hope they can keep on the business as long as possible since it's not se easy to take over.

--------------------
Dominique

 |  IP: Logged

Luigi Castellitto
Jedi Master Film Handler

Posts: 715
From: Campobasso, Italy
Registered: Jun 2013


 - posted March 02, 2019 06:23 PM      Profile for Luigi Castellitto   Email Luigi Castellitto   Send New Private Message       Edit/Delete Post 
Sometimes I'm too "easy", Dom, I don't think about these events. It's true that the spools 9.5mm 30 meters are equal to 16mm and very available, even at 2,3 euros, it's also true that the above spools are bought together with the cameras, even two at a time, but it's also true that I think style equipped user, there are many users who need those reels. As we said, of 15mt, compared to 30m, they are also rare. Let's say that what I look like is better than nothing, but the return of Color City would be magnificent! What do you know, are they completely closed or do they do some work? Examples, scans and similes.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted March 02, 2019 07:08 PM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
Luigi, the 16 mm spools have the same central hole as the 9.5 camera spools but not the same width (so you could not close the camera). 30 mt 9.5 camera spools are advertised on EBay but without can, so if someone wish to use them, he will have to find cans (16 mm ones for example but then you must probably also buy spools together and that's if you can find them). All this has a cost. Not easy for an individual. Color City is still in activity, they has a last minute contract for a specific work (I don't know which one) with a well known company but I think until the end of March. I don't know what will happen after that. Last time I spoke with someone from Color City (in January), they were still looking for a 35 mm stock. There should be a 9.5 projection on the 19th March so I may learn more from the club but there are still works on electrical safety in the place we project. These works should end on the 15 th but if there is a delay, the projection will be cancelled. If I learn anything about Color City or film availability, I will post it.

--------------------
Dominique

 |  IP: Logged

Simon Wyss
Film Handler

Posts: 78
From: Äsch, Switzerland
Registered: Apr 2009


 - posted March 03, 2019 01:13 AM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
There are 35mm unperforated stocks available. Why is everyone so fixated on colours?

  • All ORWO films,
  • all FOMA films,
  • all microfilms and microfilm duplicating films,
  • x-ray stocks,
  • special graphic stocks
9mm½, to put it the French way, had begun with black-and-white film only and it was a success. Le Ciné-Club 9,5 de France should preserve its connection to the origins. As is stated on the club’s website:
Après la défection des fabricants internationaux dans les années 1970, le Ciné-Club 9,5 s’est occupé en priorité de trouver du film au format 9,5 mm pour que les cinéastes de notre format puissent continuer à se livrer à leur passe-temps favori. Pour cela des machines à découper et à perforer le film ont été acquises, ce qui nous assure de pouvoir continuer à filmer sans être tributaire d’un fabricant particulier.

Parbleu!

Si nécessaire je peux intervenir. Je parle français.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted March 03, 2019 02:02 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
Simon, I have several black and white 9.5 films I cannot have process because there is no lab in the worlf that provide black and white reversal process for 30 mt lenght at the moment. There is a demand for black and white but not like for colour films. When Ferrania announced their come back, everybody believed them and we (all gauges) probably lost a precious time waiting for that Italian film that has never come instead of looking for other sources (you gave up yourself your black and white 9.5 project at this time, didn't you ?). The Club is trying to find a solution but the answer from big labs or manufacturers is always the same : the market is too small for them to be interested. The machines are still there but without stock they are useless.

--------------------
Dominique

 |  IP: Logged

Luigi Castellitto
Jedi Master Film Handler

Posts: 715
From: Campobasso, Italy
Registered: Jun 2013


 - posted March 06, 2019 04:42 PM      Profile for Luigi Castellitto   Email Luigi Castellitto   Send New Private Message       Edit/Delete Post 
Ops, Dom, I said something wrong about the spools, you're right! And do you know why? I was thinking of my Pathé Webo DS8, that being DS8 has spools equal to 16mm, but the Pathé Webo 9.5mm of course not! Distracted.

Simon, for 9.5mm I would ONLY b/w, the color interests me for other formats, and even in those cases less than the b/n.
I also believe that the national heritage of that format must be saved, but I am very skeptical... [Frown]

 |  IP: Logged

Simon Wyss
Film Handler

Posts: 78
From: Äsch, Switzerland
Registered: Apr 2009


 - posted March 09, 2019 12:26 PM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
The Club 9,5 could invest. Say, a slitter is commissioned and built, an apparatus that allows to cut up 120 mm or 190 mm wide rolls. Some interesting stocks in these widths are on the market. If someone could have a word with Baldini and Pagni to involve Film Ferrania in NINEFIVE . . .
I think they have perforators. They certainly can slit in any width.

New Ektachrome is a terrific stock but way overpriced. I am a Ferrania buyer as soon as there’s a film from Italy.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted March 09, 2019 12:32 PM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
Ferrania already answered (After a very long, wasted, time) that they were not interested in 9,5 and that IF they make reversal film stock, they MAY manufacture 35 mm one, but at the end of the process. Needless to say, Ferrania is big disappointment for ninefivers.

--------------------
Dominique

 |  IP: Logged

Rodney Bourke
Film Handler

Posts: 86
From: Australia
Registered: Jun 2009


 - posted March 12, 2019 07:19 AM      Profile for Rodney Bourke     Send New Private Message       Edit/Delete Post 
I found this interesting site with 35mm to 9.5mm Perforating Machines

https://www.filmvorfuehrer.de/topic/8602-aus-35mm-film-wird-95mm-film/

 |  IP: Logged

Luigi Castellitto
Jedi Master Film Handler

Posts: 715
From: Campobasso, Italy
Registered: Jun 2013


 - posted March 13, 2019 02:53 PM      Profile for Luigi Castellitto   Email Luigi Castellitto   Send New Private Message       Edit/Delete Post 
Thanks, Rodney, unfortunately films are old and some that are there and that I contacted no longer have an interest in 9.5mm machines.

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted March 28, 2019 05:07 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
I've just called Color City and asked what will happening with the change of management. The man I had on the phone told me that there would still be 9.5. Since, I didn't talk to Monsieur Colland, I didn't ask about the machines but that's promising ...

--------------------
Dominique

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted May 05, 2019 06:41 PM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
It seems that Color City is keeping the machines (at least for now) and is waiting for Kodak stock. Meanwhile, Color City is still processing.

--------------------
Dominique

 |  IP: Logged

Luigi Castellitto
Jedi Master Film Handler

Posts: 715
From: Campobasso, Italy
Registered: Jun 2013


 - posted May 07, 2019 12:48 PM      Profile for Luigi Castellitto   Email Luigi Castellitto   Send New Private Message       Edit/Delete Post 
Hopefully, Dom!

 |  IP: Logged

Dominique De Bast
Film God

Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013


 - posted November 08, 2019 05:08 AM      Profile for Dominique De Bast   Email Dominique De Bast   Send New Private Message       Edit/Delete Post 
There has been a big concern about the machines since it was no longer possible to keep them at the Color Films Archives (the new name for Color City) premises as the room is now let to someone (all the lab activities are to continue, only the shop that has been closed for years and the stocking room located above, where the machines are are let for another activity). We were at the same point as last year. The Club could find a solution so if everything goes well it seems that the machines are safe for a while. I would have prefered that the machines stayed at Color Films Archives as it would have been easier to manufacture 9.5 stock again when 35mm is available again but at least the tool is not lost. More details will certainly come within the next weeks.

--------------------
Dominique

 |  IP: Logged



All times are Central
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:

Visit www.film-tech.com for free equipment manual downloads. Copyright 2003-2019 Film-Tech Cinema Systems LLC

Powered by Infopop Corporation
UBB.classicTM 6.3.1.2