I have to start by confessing that I have not handled super 8 film for about 25 years since selling most of my collection and machines in the mid 90s but also hanging on to the feature films I owned in which I have no idea of their origins or who distributed or printed them.
So last year in the lockdown I decided through boredom to make some changes to my projection room where my super 8 and 16mm collection has been stored for many years. The room has a constant cold temperature with no humidity perfect for film storage.
After Christmas I purchased a decent replacement projector as I thought it would be fun to run these films again after such a long time.
Over the past few months time permitting I have been running through these reels remembering that they had such beautiful colour, but to my horror and in the words of Peter Sellers as inspector clouseau ( not anymore! ).
Why and more so How did Eastman Kodak get away with selling their crappy film stock to the world knowing from day one that it was not up to much and would never last, this has cost the industry a fortune over the years, and has endangered so many great films that were unfortunately shot on it, let alone collectors that have invested money in these prints over the years.
The only upside to this is that I can say I own some very Special Editions
Close Encounters of the Red kind,
2001 a sepia odyssey,
Lawrence of pinkabia.
I just want to cry !!!
So last year in the lockdown I decided through boredom to make some changes to my projection room where my super 8 and 16mm collection has been stored for many years. The room has a constant cold temperature with no humidity perfect for film storage.
After Christmas I purchased a decent replacement projector as I thought it would be fun to run these films again after such a long time.
Over the past few months time permitting I have been running through these reels remembering that they had such beautiful colour, but to my horror and in the words of Peter Sellers as inspector clouseau ( not anymore! ).
Why and more so How did Eastman Kodak get away with selling their crappy film stock to the world knowing from day one that it was not up to much and would never last, this has cost the industry a fortune over the years, and has endangered so many great films that were unfortunately shot on it, let alone collectors that have invested money in these prints over the years.
The only upside to this is that I can say I own some very Special Editions
Close Encounters of the Red kind,
2001 a sepia odyssey,
Lawrence of pinkabia.
I just want to cry !!!
Comment