I actually joined last week, but I've been reading through various message threads (including the archives) to try and get somewhat up-to-speed and avoid asking questions that have been answered a thousand times before. So far, I've learned that my journey to finding this forum is hardly unique...
While helping to clean out my late aunt & uncle’s house recently, I discovered a cache of 8mm movies, including a few commercial short films (Disney, Charlie Chaplin, etc.), plus what appeared to be several home movies, along with a 1951-vintage DeJUR Model 1000 projector (with good bulb), a Radiant screen, and a Baia Mark II viewer/editor. Thankfully, all of these have spent the past 70 years in an interior closet instead of the attic or garage, so they haven’t been subjected to temperature or humidity extremes. I ran one of the Disney cartoons to verify proper operation of the projector and just enough of one home movie to confirm that it indeed contains irreplaceable family memories. I immediately packed everything up and began scouring YouTube and web forums for guidance on preserving and digitizing these films.
Although I have no experience the 8mm hobby, I suppose it was inevitable that I’d get sucked into it eventually. As the unofficial family archivist, I’ve been digitizing relatives’ reel-to-reel tapes, cassettes, vinyl record albums, and photos/slides for years, so I’m familiar with the importance of careful handling, cleaning, and preservation of the original media. Since one of the films is a Super 8, I picked up a Vernon Dual-8 viewer/editor on eBay, along with a Kodak Presstape Universal Splicer. I ordered some extra plastic reels and fresh Presstapes in both sizes from MomentCatcher Productions. I’m also an amateur astronomer and keep an ample supply of Pec Pads on hand for cleaning eyepieces and other optics, so that’s covered. Now, I'm just waiting for a response to the email I sent to Steve Osborne regarding purchase of a 16 oz. bottle of Filmguard.
My plan is not to touch anything until I'm able to clean & lube all the films with FG, then let them rest for a few weeks while I decide whether to buy a Wolverine or try a different approach. As such, I expect to do quite a bit of posting in the "Film to Digital Conversion" forum. I'll likely be spending a fair amount of time here, as well, especially if my cousins (the rightful heirs of all this stuff) decide they don't want it and let me keep all of it. If that should happen, I definitely see at least one new(er) projector in my future, to go along with my three turntables & multiple tape decks!
While helping to clean out my late aunt & uncle’s house recently, I discovered a cache of 8mm movies, including a few commercial short films (Disney, Charlie Chaplin, etc.), plus what appeared to be several home movies, along with a 1951-vintage DeJUR Model 1000 projector (with good bulb), a Radiant screen, and a Baia Mark II viewer/editor. Thankfully, all of these have spent the past 70 years in an interior closet instead of the attic or garage, so they haven’t been subjected to temperature or humidity extremes. I ran one of the Disney cartoons to verify proper operation of the projector and just enough of one home movie to confirm that it indeed contains irreplaceable family memories. I immediately packed everything up and began scouring YouTube and web forums for guidance on preserving and digitizing these films.
Although I have no experience the 8mm hobby, I suppose it was inevitable that I’d get sucked into it eventually. As the unofficial family archivist, I’ve been digitizing relatives’ reel-to-reel tapes, cassettes, vinyl record albums, and photos/slides for years, so I’m familiar with the importance of careful handling, cleaning, and preservation of the original media. Since one of the films is a Super 8, I picked up a Vernon Dual-8 viewer/editor on eBay, along with a Kodak Presstape Universal Splicer. I ordered some extra plastic reels and fresh Presstapes in both sizes from MomentCatcher Productions. I’m also an amateur astronomer and keep an ample supply of Pec Pads on hand for cleaning eyepieces and other optics, so that’s covered. Now, I'm just waiting for a response to the email I sent to Steve Osborne regarding purchase of a 16 oz. bottle of Filmguard.
My plan is not to touch anything until I'm able to clean & lube all the films with FG, then let them rest for a few weeks while I decide whether to buy a Wolverine or try a different approach. As such, I expect to do quite a bit of posting in the "Film to Digital Conversion" forum. I'll likely be spending a fair amount of time here, as well, especially if my cousins (the rightful heirs of all this stuff) decide they don't want it and let me keep all of it. If that should happen, I definitely see at least one new(er) projector in my future, to go along with my three turntables & multiple tape decks!
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