I was watching my Super 8 print of Hitchcock's Spellbound last night for the first time in a few years and had forgotten the intricacies of the plot which felt like I was watching it for the first time again - a good thing for once!
I really enjoyed the film and read up on it afterwards. I was surprised to discover that there were just two red frames in the original theatrical prints at the end of the film when a gun is fired. It got me thinking - is this something I could recreate with my print, which being on black and white stock, does not have these two frames in colour? I appreciate it's not something us collectors want to do very often - voluntarily make our films turn red - but if it worked, it could be authentic to the film. Or is this a big no-no?
I might experiment on a piece of scrap film with a red Sharpie to try and put me off the idea.
I really enjoyed the film and read up on it afterwards. I was surprised to discover that there were just two red frames in the original theatrical prints at the end of the film when a gun is fired. It got me thinking - is this something I could recreate with my print, which being on black and white stock, does not have these two frames in colour? I appreciate it's not something us collectors want to do very often - voluntarily make our films turn red - but if it worked, it could be authentic to the film. Or is this a big no-no?
I might experiment on a piece of scrap film with a red Sharpie to try and put me off the idea.
Comment