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Topic: pics of sync devices
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Pedro Santos
Junior
Posts: 15
From: Germany
Registered: Feb 2004
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posted March 10, 2004 03:30 PM
Hi guys,
I would like to point out some of my original ideas for the sync units I showed to you.
Most of them (besides the Elmo devices) I had basicly developed in the beginning 1990ies, to avoid buying the expensive sound film cardriges to shoot sound film. Then is became more actual in the end of the 1990ies, when there was no sound film anymore.
The basic idea is to create a type of "virtual sound cardrige". You shoot the film, using the R1008MD interface and any standard stereo recoreder, just like tape deck, walkman, MD etc. The microfone is connected to the box, the camera is connected to the box (P.C. contact) and the box itself connects to the stereo mic input of the recorder of your choice.
Now your audio result will be a stereo recording with the dialog sound on the right track and the sync signal on the left track.
For easyest resolving, you need the Elmo GS projector with P1008GS-P or -U interface (-Q wontīt work!), or a Bauer studio class projector or Braun Visacustic projector with the P1008 synchronizer.
You stripe your developed film with magnetic tape, load the film and foreward the first frame of the sound scene into the gate. The rest is automatic. You start the audio and the synchronizer starts to scan the left sync track. When it detects a sync signal, it automatically starts your projector, that immediately records the audio in perfect sync to the sound stripe. And ready is your K40S direct sound film.
When using the R1008AVS interface for shooting and a special AV audio recorder, like the great Sony WM-D6CAV, the Uher synchro models or the Philips AV tape decks, things become even easyer. The AVS interface takes advantage of the in-built sync head and the remote control connector of the recorders. Every time when you press the camera trigger, the tape starts recording sound, even in stereo, and records a sync track to the B-side of the tape cardrige. At the end of the film roll, you have an exact image of the roll on the tape. If you donīt wish any separate editing, you can stripe the film and record the sound in one run and get your K40S roll, even in year 2004.
Pedro
| IP: Logged
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Pedro Santos
Junior
Posts: 15
From: Germany
Registered: Feb 2004
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posted March 10, 2004 03:33 PM
Hi guys,
I would like to point out some of my original ideas for the sync units I showed to you.
Most of them (besides the Elmo devices) I had basicly developed in the beginning 1990ies, to avoid buying the expensive sound film cardriges to shoot sound film. Then is became more actual in the end of the 1990ies, when there was no sound film anymore.
The basic idea is to create a type of "virtual sound cardrige". You shoot the film, using the R1008MD interface and any standard stereo recoreder, just like tape deck, walkman, MD etc. The microfone is connected to the box, the camera is connected to the box (P.C. contact) and the box itself connects to the stereo mic input of the recorder of your choice.
Now your audio result will be a stereo recording with the dialog sound on the right track and the sync signal on the left track.
For easyest resolving, you need the Elmo GS projector with P1008GS-P or -U interface (-Q wontīt work!), or a Bauer studio class projector or Braun Visacustic projector with the P1008 synchronizer.
You stripe your developed film with magnetic tape, load the film and foreward the first frame of the sound scene into the gate. The rest is automatic. You start the audio and the synchronizer starts to scan the left sync track. When it detects a sync signal, it automatically starts your projector, that immediately records the audio in perfect sync to the sound stripe. And ready is your K40S direct sound film.
When using the R1008AVS interface for shooting and a special AV audio recorder, like the great Sony WM-D6CAV, the Uher synchro models or the Philips AV tape decks, things become even easyer. The AVS interface takes advantage of the in-built sync head and the remote control connector of the recorders. Every time when you press the camera trigger, the tape starts recording sound, even in stereo, and records a sync track to the B-side of the tape cardrige. At the end of the film roll, you have an exact image of the roll on the tape. If you donīt wish any separate editing, you can stripe the film and record the sound in one run and get your K40S roll, even in year 2004.
Pedro
| IP: Logged
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