Author
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Topic: Film scratching problem ... help!!!
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Osi Osgood
Film God
Posts: 10204
From: Mountian Home, ID.
Registered: Jul 2005
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posted January 01, 2008 12:02 AM
I think this topic had been discussed a number of times, but I'm flustered.
I was just screening a couple 400ft reels of Woody Woodpecker, and on one of the reels I had a prized very early [print of "Termites From mars" (one of the classics) and a beautifully unfaded pint to. I have only ran it twice ever, and I bought it brand new.
I was concerned when I saw a scratch on ther print as it projected from the last time I watched it, which was on the same projector, my EUMIG 926, which is the most gentle scratch free projector I have ever owned.
There were a number of fresh lines on the print!!! No green ones, but for a person who tries to keep his prints scratch free, it was heart breaking!!
Is it a habit of earlier prints that they scratch easily?
I have never had my Derann prints scfratching at all as they sail through my 926, but I have noticed this habit in some of my earlier Disney 400ft films as well.
Is it just certain prints made on certian stocks that are highly susceptible? If so, what can I do? Is it possible to film guard them somehow to avoid scratches?
HELP!!!!!
-------------------- "All these moments will be lost in time, just like ... tears, in the rain. "
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Paul Adsett
Film God
Posts: 5003
From: USA
Registered: Jun 2003
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posted January 02, 2008 10:19 AM
Hi Osi, I also have a 926 and I will pass on what I have found out about this machine. As you know, the 926 utilizes a co-axial reel system and does not have a feed sprocket, instead the film passes through a very small film chute fitted with tiny rollers which twist and displace the film to line up with the top entrance of the film gate. Isolation of the jerk on the film from the claw to the feed spool is accomplished by a tiny roller on a leaf spring. This sytem introduces several areas of concern for film scratching:
1. The large length of film between the film feed spool and the top entrance roller, can flap up and down and thrash about quite dramatically, particularly towards the end of a 600ft reel. The film can possibly touch the top of the lamp house. To prevent this, I have fitted two extra rollers along the top of the lamp house. This also seems to smooth out the film motion quite a bit. Photo to follow
2. The little clear plastic cover to the top feed black film chute has some really sharp pointed ends on it that seem to come really close to the film. I was very concerned about the possibility of film scratching at this point, so I filed it back at these edges and smoothed it off.
3. Keep all the little rollers (particularly that flapper roller) and film path in the top and bottom film chutes meticulously clean and polished with Pledge or Favor furniture polish before every show. Same thing for the gate and sound head. As Lee has already said, remove the sound head pressure pad assembly before every show, and blow it out with an air duster. Also clean the little pressure pads (very carefully) with a q-tip and furniture polish.
4. If you are re-winding the film on the 926, make sure that you clean and polish the top rear film chute on the lamp house, and the rewind roller.
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
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