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Author Topic: Early TV Videoed programs
Chris Quinn
Master Film Handler

Posts: 372
From: England, Bedfordshire.
Registered: Nov 2003


 - posted March 05, 2006 01:34 PM      Profile for Chris Quinn     Send New Private Message       Edit/Delete Post 
Hi Guy’s

I have been collecting recently some early episodes of Steptoe & Son and other early episodes of different programs from the 60s on DVD. I have noticed that these have been filmed with 16/35mm but have been videoed after, which is a shame as early video is pretty awful to say the least. Can any one tell me why this was done; I expect it may have something to do with storage space.

Also some of these videoed episodes have lines that are clearly something to do with screen resolution, there is also alot of motion blur. Could anyone help on this, I know that there are some ex TV guy’s on here that may know the answers.

All the best,

Chris.

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Kenneth Horan
Film Handler

Posts: 51
From: San Francisco, CA
Registered: Jun 2003


 - posted March 05, 2006 03:22 PM      Profile for Kenneth Horan   Email Kenneth Horan   Send New Private Message       Edit/Delete Post 
Hi Chris,

I've worked in video and film for years. I hope this answers your questions.

What you have on DVD is a kinescope recording (in the UK it is called a telerecording). The program was either broadcast live or originally shot on videotape and then archived on 16mm or 35mm film. A kinescope recording is made when a motion picture film camera photographs the image from a high quality video monitor made for this purpose. The picture tube or CRT of the monitor was traditionally called a kinescope. Thus the term 'kinescope recording'. In the US the 30 fps video frame rate was synchronized mechanically or electronically with the 24 fps rate of film. In the UK the film camera simply ran at 25 fps to sync with the 25 fps video frame rate. The video lines are noticable because usually only every other field was actually photographed on film. (2 video fields make up 1 video frame). So early UK television was 400 lines. The kinescope recording which photographed every other field was then only 200 lines. A lot of early kinescope recordings are of poor quality. There seemed to be difficulty synchronizing the video and film frame rates perfectly, even with electronic interlock of the video scan rate with the film camera motor, thus the motion blur you speak of.

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Ken Horan

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted March 05, 2006 04:30 PM      Profile for Kevin Faulkner         Edit/Delete Post 
Yes Keneth is sopt on. This takes me back again to my early Ilford Film days when the company sold a tremendous amount of Black and White film to the UK TV compnaies.
Yes it was telerecording on the now defunct, long gone 405 line system which we had in the UK back then. Most of those shows went out live and were recorded onto film via special telerecording machines. I still have some 16mm test film which show the lines Chris is talikng of very clearly indeed.
I can still not understand why the film was used for recording and why they didnt shoot onto film first instead of doing the shows live.

Kev.

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Chris Quinn
Master Film Handler

Posts: 372
From: England, Bedfordshire.
Registered: Nov 2003


 - posted March 05, 2006 05:29 PM      Profile for Chris Quinn     Send New Private Message       Edit/Delete Post 
Hi Kenneth,

Thanks for the lesson, excellent. I thought it was the other way round but now i can see it, very strange as Kev has said. I have the first series of Danger man, known in the US as Secret Agent starring Patrick McGoohan. These were done in 16/35mm and are as good as the day they were released.

Thanks again for your posts guy's.

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John Clancy
Phenomenal Film Handler

Posts: 1954
From: Cornwall
Registered: Jun 2003


 - posted March 06, 2006 03:15 AM      Profile for John Clancy   Author's Homepage     Send New Private Message       Edit/Delete Post 
Additionally, many of the older programmes were not kept by the BBC and the recent re-releases on DVD were only made possible by enthusiasts who had early video recording equipment. Dr. Who is the main case in point for this. In a money saving decision the BBC decided to re-use some of the video tape the original broadcast programme recordings were made on. After all, who was ever likely to be interested in the older episodes again? What a mistake. Thankfully many of the 'lost' early episodes were recorded and kept by enthusiasts and that is the only reason they have ever seen the light of day again; albeit on significantly reduced picture quality.

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Chris Quinn
Master Film Handler

Posts: 372
From: England, Bedfordshire.
Registered: Nov 2003


 - posted March 06, 2006 03:31 PM      Profile for Chris Quinn     Send New Private Message       Edit/Delete Post 
Thanks John,

I am on a bit of a quest to gather early episodes from various programs from the 60's. Many of these are lost gems that have not been repeated because they are in B/W, for instance i have 4 series of Steptoe & Son to get through that i have never seen before, because only the colour episodes have primarily been repeated. These early episodes are proving to be just as good, if not better than the later ones. [Smile]

Chris.

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The other half thinks i'm up to something. Shes right of course.

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Jonathan Sanders
Film Handler

Posts: 82
From: Bath, England
Registered: Oct 2005


 - posted March 07, 2006 01:36 AM      Profile for Jonathan Sanders   Email Jonathan Sanders   Send New Private Message       Edit/Delete Post 
I seem to recall reading that some of the early Steptoes were copies that Galton & Simpson found they had retained on very early videotape, but that they had been stored incorrectly and were in poor condition, needing much restoration.

I think live performances were preferred in early TV mainly because it was cheaper than shooting onto film (which was often used only used for "inserts" of outdoor scenes that couldn't be done in a studio). If a repeat was required they just re-staged the whole thing live!

But also I think many actors and directors preferred to work live - it was more like theatre than film. Even such an experienced film actor/director as Buster Keaton refused to continue with his TV show when the producers insisted it all had to be shot on film - though it would have better for us if it had!

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted March 07, 2006 03:45 AM      Profile for Kevin Faulkner         Edit/Delete Post 
But in the early days before Video became the norm, why record the live show onto 16mm? Why not film the show and then use the 16mm for broadcast. Seems the wrong way round to me unless telecine was not the norm back then!

Kev.

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GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Jonathan Sanders
Film Handler

Posts: 82
From: Bath, England
Registered: Oct 2005


 - posted March 07, 2006 07:37 AM      Profile for Jonathan Sanders   Email Jonathan Sanders   Send New Private Message       Edit/Delete Post 
I'm speculating here, but apart from the frisson of the shows being watched (as well as performed) live, it would probably have been too costly and difficult to film them live directly onto 16mm, due to the multiple cameras involved. There would be a danger of cameras running out of film at crucial moments (though of course kinescopes had to be made with two cameras filming side by side) and the whole thing would have to be edited together at the end (the kinescopes would only require simple joins, though these sometimes occurred in mid-shot!)

Re. my earlier comment about repeats, I should have said that of course kinescopes would be used where possible but I'm pretty sure I've read about cases where entire shows were re-staged live as in the theatre, especially if there was an unexpected hit (so no kinescope had been made of the first performance) or if the kinescope was too poor quality to use.

The latter was the case with the original 1953 Quatermass serial, where they used 35mm Mechau film recorders for the first two episodes, but even on 35mm the result was so bad (an insect got stuck on the cathode ray during the second episode!) they didn't continue, which is why the last four episodes of that serial don't exist today. That series was such an unexpected hit they did consider an omnibus repeat, using a mixture of kinescope and re-staging, but the idea was dropped. It was certainly a process fraught with difficulties!

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Chris Quinn
Master Film Handler

Posts: 372
From: England, Bedfordshire.
Registered: Nov 2003


 - posted March 07, 2006 12:02 PM      Profile for Chris Quinn     Send New Private Message       Edit/Delete Post 
It seems to me that we have a lot to thank early collectors, who had the initiative to hold on to these videos otherwise we would not be able to enjoy these wonderful early TV programs.

I am not as technical as you guy's, what i did not mention though is that i managed to replicate these early videos on the PC by chance. I Had recorded a film on TV via my dvd recorder, i then ripped the dvd using my pc to the hard drive, when i played it back on the pc the results were almost identical, there was lines and motion blur, very strange.

Chris.

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The other half thinks i'm up to something. Shes right of course.

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted March 07, 2006 04:42 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Here in the USA, 'The Jackie Gleason Show ' and 'I Love Lucy' were all live performances in front of a theater audience, which were simultaneously filmed with three 35mm film cameras. (The very early Gleason shows were Kinescope recordings)So today we are blessed with pristine quality material of all these great shows.

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
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Mike Peckham
Phenomenal Film Handler

Posts: 1461
From: West Sussex, UK.
Registered: Jun 2003


 - posted March 08, 2006 03:54 PM      Profile for Mike Peckham   Email Mike Peckham   Send New Private Message       Edit/Delete Post 
Paul,

Strangely I had never seen an episode of I Love Lucy until this week, the Hotel we were staying in in Panama had cable in the bedrooms and I got to see an episode there. I was stunned at the quality, especially as our old episodes of Dr Who and Steptoe & Son are such poor quality by comparison!

I seem to remember that Sergant Bilko was excellant quality too, would this have been filmed the same way?

Mike

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted March 08, 2006 04:02 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Hi Mike,
Welcome to the Western Hemishere! Are you passing thru Orlando Florida? If so let me know and you are welcome for dinner and a movie at our house.
I am sure that 'Bilko' was also a filmed series. Were'nt they great- Phil Silvers at the top of his form. Other 'live' filmed shows were 'Burn's and Allen' and 'The Dick Van Dyke Show'

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
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Mike Peckham
Phenomenal Film Handler

Posts: 1461
From: West Sussex, UK.
Registered: Jun 2003


 - posted March 08, 2006 04:18 PM      Profile for Mike Peckham   Email Mike Peckham   Send New Private Message       Edit/Delete Post 
Hi Paul

Thanks for the invite, it would have been good to meet you and Betty again, but sadly our route as planned doesn´t take us through Florida - you never know though I might make a detour...

Will you be coming over to any more shows in the UK? We could always catch up again there.

Mike [Smile]

ps. Yep, Seargant Bilko - Phil Silvers at his best, fantasic shows that you can watvh over and over again.

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Auntie Em must have stopped wondering where I am by now...

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Paul Adsett
Film God

Posts: 5003
From: USA
Registered: Jun 2003


 - posted March 08, 2006 04:39 PM      Profile for Paul Adsett     Send New Private Message       Edit/Delete Post 
Hi Mike,
Yes I am hoping to get to the May 20th BFCC, and also possibly to Geoff Wheeler's Tadley convention in October. If you decide to come thru Orlando, send me an email.

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The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection,
Elmo GS1200 f1.0 2-blade
Eumig S938 Stereo f1.0 Ektar
Panasonic PT-AE4000U digital pj

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Mike Peckham
Phenomenal Film Handler

Posts: 1461
From: West Sussex, UK.
Registered: Jun 2003


 - posted March 09, 2006 12:12 PM      Profile for Mike Peckham   Email Mike Peckham   Send New Private Message       Edit/Delete Post 
Hello Paul

I probably shan't be in the UK for the May BFCC, which is a shame. But am certainly hoping to be at the October event and at Tadley too.

I might see if there would be any mileage in getting a mini cine tour together in the Autumn for forum members to perhaps go to Classic, Derann and one of the shows?

Maybe start another thread on this, it's doubtful that it would come off but no harm in seeing if there's any interest. It has been great to meet Jean-Marc, yourself, Alan and Doug ( and others of course!) at the BFCC and the trip to Derann and Perrys with Doug made a great day out, it could be interesting to arrange something for a crowd and get you all over together?! [Smile]

Mike

ps. sorry Chris for taking this off topic! [Roll Eyes]

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Auntie Em must have stopped wondering where I am by now...

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