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Author Topic: Star Wars, early printing on Kodak LPP question.
Alan Gouger
Master Film Handler

Posts: 451
From: Florida
Registered: Jun 2003


 - posted March 29, 2004 02:44 PM      Profile for Alan Gouger     Send New Private Message       Edit/Delete Post 
Hi guys. I just bought this title from Paul Foster. Ive always wanted to add this to my collection.
He mentioned the later printings were on Agfa which would have had more negative damage on it.
I am asking because I paid a premium for this on LPP sight unseen. Anyone have any knowledge of this or own a copy they can share the quality of.

Thanks!

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Mike Peckham
Phenomenal Film Handler

Posts: 1461
From: West Sussex, UK.
Registered: Jun 2003


 - posted March 29, 2004 03:07 PM      Profile for Mike Peckham   Email Mike Peckham   Send New Private Message       Edit/Delete Post 
Hello Alan

I remember Derek saying on this forum [ in its previous life] that the early prints of Star Wars were far superior to the later ones, mostly I think because of the condition of the neg.

I have a copy, I'm not sure from what period of production it was from [ or how to tell ] but can confirm that it is a cracking print with good stereo sound. If yours is as good you will be well pleased with it! [Smile]

Mike.

--------------------
Auntie Em must have stopped wondering where I am by now...

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Mark Todd
Film God

Posts: 3846
From: UK
Registered: Aug 2003


 - posted March 29, 2004 03:33 PM      Profile for Mark Todd     Send New Private Message       Edit/Delete Post 
Hi Alan in my experiance Paul really knows what he is talking about and he`s right on this one, its worth shelling out a few extra bob for the early LPP version, less neg wear and also much better sound stripe especially if you may re-record it yourself.
Mikes right about what Derek said and it applies to a fair few features.
Its one of the best things about paul at Foster films that he will suss out a stock type for you and give you the best info he can on description, very good dealer.
Can`t beat kodak LPP pre-stripe stock prints, I` d love to own a copy of this as well, great stuff, I bet you are chuffed when it lands. Fingers crossed.
best Mark.

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Alan Gouger
Master Film Handler

Posts: 451
From: Florida
Registered: Jun 2003


 - posted March 29, 2004 03:41 PM      Profile for Alan Gouger     Send New Private Message       Edit/Delete Post 
Thanks Mike. Now Im even more excitted to get this after reading your post.
This title is getting harder to find so I did not want to pass it up.

Mark
I have done business with Paul in the past and have found him very honest to deal with. I was looking for some reassurance I was making the right move at the wrong time with our weak economy. I look forward to getting this.

Thanks again.

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Colin Preston
Film Handler

Posts: 77
From: Northwich, Cheshire, United Kingdom
Registered: Jun 2003


 - posted March 29, 2004 03:59 PM      Profile for Colin Preston   Author's Homepage     Send New Private Message       Edit/Delete Post 
Hi guys

Does anyone know roughly (year)when they changed over to the Agfa. Is there any way you can tell the diff between the two?

Col

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Mark Todd
Film God

Posts: 3846
From: UK
Registered: Aug 2003


 - posted March 29, 2004 04:44 PM      Profile for Mark Todd     Send New Private Message       Edit/Delete Post 
Hi Colin I think it was the early nineties they went to agfa.
I`m pretty sure the last LPP I`ve seen was 89 going by the datecodes but I expect that lasted for a year or two, most stock seems to be a year or two old when printed.
Lpp is easy to tell as the stripe appears light rusty coloured from the side with the sound on and jet black from the reverse and of course polyester, you can also just a say make out eastmean LPP and the date code etc, very small near the balance track and sometimes a little under it.
Agfa is usually marked 1s or 2s etc and easily visable near to the sprockt holes, the stripe usually looks a bit darker too on the sound side but you can se it through the film unlike the kodak.
Also afga stripe often has flaws and bits in it and looks less even, and sometimes these bits are knocked out by the soundhead so you get holes too, though often it is OK.
best Mark.

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Steven Sigel
Jedi Master Film Handler

Posts: 701
From: Massachusetts
Registered: Jun 2003


 - posted March 29, 2004 04:46 PM      Profile for Steven Sigel   Email Steven Sigel   Send New Private Message       Edit/Delete Post 
Colin --

I'm not sure when they changed over, but it's easy to tell the difference --

Look in the area between the sprocket holes, you should see some printing there --
LPP prints say "Eastman Safety Film LPP"
AGFA prints say "AG 1S" or "AG 2S"

You might also see just "Eastman Safety Film" -- if you see this, you need to check the date code on the print (see www.16mmfilms.com for the date code chart) -- Eastman prints from before 1983 are all on fading color stock. Prints after 1983 (actually late 1982) are LPP low-fade prints....

Other things you might see --
Fuji Safety (Fuji stock)
Kodak SP (an inbetween stock, it still fades, but not as badly as normal Eastman)...

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John Clancy
Phenomenal Film Handler

Posts: 1954
From: Cornwall
Registered: Jun 2003


 - posted March 30, 2004 01:20 AM      Profile for John Clancy   Author's Homepage     Send New Private Message       Edit/Delete Post 
The early prints of Star Wars are superior to the later ones. They're still not very good though.

Keith Wilton has one of the first prints and it is okay but not great. This is because the original master was from a dupe of a dupe of a dupe (or something like that) and nothing to do with any failings in the Super 8 production system.

I have two prints of Star Wars - one is poor the other is poorer. Between the two though I've made up a print I can enjoy but I'd be adverse to showing it to anyone else as it's just not up to it. Having said that it's probably better than anything from the mass produced era of the early 80's so I'm probably just a bit too picky. Mike Peckham's print sounds better than mine (sod it!!!) Perhaps I should sneakily swap the prints one day.

The stripe on the Agfa stock was applied by Uncle Derek hence the occasional lumps and bumps. He had a devil of a job getting paste stripe to stick but cracked it eventually. Nowadays the process is better and we are getting better soundtracks to boot.

--------------------
British Film Collectors Convention home page www.bfcc.biz. The site is for the whole of the film collecting hobby and not just the BFCC.

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Tony Milman
Phenomenal Film Handler

Posts: 1336
From: United Kingdom
Registered: Jun 2003


 - posted March 30, 2004 02:25 AM      Profile for Tony Milman   Author's Homepage   Email Tony Milman   Send New Private Message       Edit/Delete Post 
Well, you have me wondering what my copy is and how good it is as I have not watched it in a good while. The edge markings are very faint and I am not sure but think it may be an Agfa stock.

Can't be certain but I seem to remember the print to be a little soft and grainy compared to modern day releases but still a very acceptable print. Must run a reel over the weekend to check it out.

Tony

--------------------
Tony

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Rob Young.
Phenomenal Film Handler

Posts: 1633
From: Cheshire, U.K.
Registered: Dec 2003


 - posted March 30, 2004 12:57 PM      Profile for Rob Young.     Send New Private Message       Edit/Delete Post 
My copy of Star Wars was one of the first print runs on Kodak stock, back in 1989. Bought it at the fantastic convention that Keith Wilton did at the Waterman's Art Centre (anyone remember that?) where I saw and heard some of the best 8mm presentation I have ever seen before or since. It really was 8mm in a proper cinema!

Anyway, straying from the point a bit! The print isn't quite as good as the best prints available, being a little soft, but the colour is lovely and a real reflection of the original theatrical release. Many audiences have really enjoyed this print time and time again. There is occasional neg. wear, but nothing to worry about. I remember one reel of my copy suffered from lots of white sparkles, almost like neg. dust, but Derann at the time told me to send it back as it was a "lab fault". Sure enough, the replacement didn't suffer this "fault". I wonder if some people just put up with it? (and what caused it?)

I also recall that Derek wrote a few years later that the printing methods were changing from wet gate to dry gate, resulting in sharper prints, but revealing more neg. damage on the final print. Can anyone clarify this technical change?

Also the sound is fine; nice and clear. Had mine re-recorded by Derann into stereo from the original mono a few years back and this improved the presentation no end! The sound master does have a couple of seconds of "drop-out" on it at one point, about ten minutes into Pt. 2 as I recall, but all original sound versions have this.

The picture is nice and steady; a steady neg. in the first place, I presume, but also helped by the consistency of a smooth Kodak sound stripe going through the gate. I know the heart-ache that went into producing stripe in the early nineties and am nothing but grateful, but do others think that sometimes the picture steadiness suffers a little from a "bumpy" stripe???

Alan, if your print is one of these early ones (and it sounds like it is) then you're really in for a treat! Every video system I have ever seen really gives itself away as those yellow opening titles scrawl up the screen and reveal nasty line structure!!! A good 8mm really is like seeing it in the cinema again!

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James N. Savage 3
Phenomenal Film Handler

Posts: 1375
From: Washington, DC
Registered: Jul 2003


 - posted March 30, 2004 03:20 PM      Profile for James N. Savage 3     Send New Private Message       Edit/Delete Post 
Well, this may explain a few things for me.

Back in the early 90's, I opted to by Star Wars one reel at a time (a service Derann used to offer). I got the first and second reel about two months apart, but then had to wait about a year to buy reels 3 and 4.

The first two reels had very good colors, but there is notable difference in the colors on reels 3 and 4. This is most notable on the scenes in the death star in that big meeting room with all the chairs. In the first two reels, the room is blue (the proper color), in reels 3 and four, the room is green.

The stereo sound on all four reels is good, though not fantastic.

All in all, the quality on Derann's release is better than the Ken digests (especially Ken's second extract) and the scope effect is so great, you probably wont notice the little flaws.

Still one of my favorites in my collection.

Nick.

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Alan Gouger
Master Film Handler

Posts: 451
From: Florida
Registered: Jun 2003


 - posted March 30, 2004 03:49 PM      Profile for Alan Gouger     Send New Private Message       Edit/Delete Post 
Rob

Thanks for your in depth reply. I was told it was from the earlier vintage:
I will definetely let everyone know once it comes in and I get a chance to screen it. I dont expect this to be of the quality of some of the latest but it was one of those titles Ive always wanted to own.

James

A friend of mine also has this but I never asked what vintage. I remember watching part of it with him years ago. It did have a lot grain. Ill have to see when and where he bought his.

Thanks again guys.

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Kevin Faulkner
Film God

Posts: 4071
From: Essex UK
Registered: Jun 2003


 - posted March 30, 2004 04:21 PM      Profile for Kevin Faulkner         Edit/Delete Post 
My Copy is on Agfa and I have to say that the colour is good and I am not aware of neg damage. My copy of Empire strikes back is on Kodak LPP and Jedi is again on Agfa. I am just thankful to have all three features and happy with the prints. [Smile]

Kev.

--------------------
GS1200 Xenon with Elmo 1.0...great combo along with a 16-CL Xenon for that super bright white light.

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Heinz-Juergen Schachner
Film Handler

Posts: 86
From: Germany
Registered: Jun 2003


 - posted March 31, 2004 06:33 AM      Profile for Heinz-Juergen Schachner     Send New Private Message       Edit/Delete Post 
Hello,

I have had several prints of the "Star Wars" full feature on super8mm. Generally the KODAK prestriped early prints are the best. The later AGFA film prints with the liquid sound stripe applied, have been made from a slightly damaged negative and thus the prints normally have some negative wear which ended in Derann not offering this title an more. There has been a period in which the KODAK prints had not been done properly. This can be seen in many white dots over the picture and the colours being distorted. I have heard that the reason of these sub standard prints was that near the end of the copying process the liquid is removed by some sort of wipers. These wipers were worn an thus parts of the fluid was left on the prints. Before this was discovered Derann had made many prints. I have bought such a print from Paul Foster once and returned it.

Go for an early print on KODAK filmstock and ask Paul Foster if the quality is really excellent. Some movie dealers are stating "A"-condition very quickly, though the prints are often "B" or worse.

Best Wishes

Heinz-Juergen Schachner

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Tom Photiou
Film God

Posts: 4837
From: Plymouth U.K
Registered: Dec 2003


 - posted April 03, 2004 02:14 AM      Profile for Tom Photiou     Send New Private Message       Edit/Delete Post 
Hello there. We are also lucky to own this feature and our fisrt copy was on the 2nd hand list and because we returned it as the dishonest previous owner told derann it was mint when in fact it was a mono white box special with different faults on each reel Derek Himself unbelivably returned to us a brand new sealed stereo print,(typical of that companys superior customer service), the print is as most say a little soft in some places mainly the desert sequence with C3PO & R2 walking across the open apart from that the print is pretty good but not as good as some of todays releases. However it is probably one of the best films to own on 8 as the cry out for the DVD is for this film to be re released on disc in its original 1979 format which is something they will never have as George Lucas has always said he will not do it, they will only getthe later 90's tweaked version. I understand he is going to tweak this film further for yey another re-release!!!
On my copy when han Solo is in the cafe and is talking to one of the occupents,(just before he blasts him under the table) i notice that there is no subtitles as per the original does anyone else notice this, and no my framing is fine! [Big Grin]
All in all its a winner on the super 8 widescreen and this more than compensates for any minor flaws.

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Ricky Daniels
Jedi Master Film Handler

Posts: 587
From: London & Kent UK
Registered: Jul 2003


 - posted April 03, 2004 03:22 AM      Profile for Ricky Daniels     Send New Private Message       Edit/Delete Post 
Tom,

My Derann print of STAR WARS doesn't have subtitles on the Mos Eisley Cantina sequence either. I guess a textless version neg' was supplied to Derann a long time ago, far, far away in an 8mm department in Dudley!

However, a couple of years back I was fortunate enough to acquire an Super 8mm Scope feature length print from the USA which was released before the Derann 'official' 8mm release, this does have subtitles on said sequence. Also of interest, this USA print is presented in the original 2.35:1 ratio, there are black bars either side of the frame to allow the full height of the original 35mm frame to be accommodated (rather like the Kempski 'Scope prints of the 80's).

ATB.
Rick.

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Tom Photiou
Film God

Posts: 4837
From: Plymouth U.K
Registered: Dec 2003


 - posted April 03, 2004 09:45 AM      Profile for Tom Photiou     Send New Private Message       Edit/Delete Post 
Thats a rare one, what is the quality like, wonder if there are any more of those around, oddly enough the subtitles were on the duff i had before from Derann.

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Ricky Daniels
Jedi Master Film Handler

Posts: 587
From: London & Kent UK
Registered: Jul 2003


 - posted April 03, 2004 01:01 PM      Profile for Ricky Daniels     Send New Private Message       Edit/Delete Post 
Tom,
Considering it's an optical reduction from a 'theatrical', it's very good!
Rick.

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