Posts: 823
From: The Netherlands
Registered: Mar 2008
posted May 15, 2009 03:54 PM
Hello everybody,
Which screenformat is the best for cinemascope(16:9)and also for flat(4:3) I don't want a screen with a motor,but one with a tripod. who has the best advise. It is for super8 movies!
-------------------- Super8 that's the greatest hobby in my life,i was 9 to have my first viewer from GAF.
posted May 15, 2009 04:44 PM
Jeroen, originally cinemascope was 2.66:1, nowadays it is 2.39:1 (it was 2.35:1 until recently). It is a wider image than 16:9 which is 1.78, and 16:9 is a tad smaller than US "Flat" (1.85:1).
So get a larger screen (or build one to cinemascope size) as if you project scope on a 4:3 academic screen, you will have a much smaller letterboxed image.
posted May 15, 2009 05:37 PM
I suppose it just depends what ratio you like. I prefer 4/3 for large screen watching. My Video projector is 4/3 so I even watch 16/9 anamorphic prints in 4/3 not pulled out each way if you will so full screen.
On my cine films, the scope prints I have on super 8 ( trailers) I have always watched 4/3 and really like the look of them that way.
Posts: 873
From: Southern England
Registered: Apr 2008
posted May 15, 2009 06:25 PM
I have a screen set to 16:9 and this what I will paint on the final version. Then have boards top and bottom for scope and on the sides for 4:3. Not perfect and purists may quibble but it works.
Posts: 963
From: Melbourne, Victoria, Australia
Registered: Feb 2006
posted May 16, 2009 01:11 AM
I am dealing with this dilemma right now too. I am repalcing the tripod screens with ceiling mounted retracables. I have decided on a classic 1.37:1 and another in front of it for 2.39:1.
The other formats (1.85:1 2.66:1) will just have to comply with these. My difficulty is that I run 8mm, Super 8, 9.5mm, 16mm flat and scope and most 35mm aspect rations. Short of having movable side masking, that I can't have due to the screen needing to retact, I can come up with no other solution.
I have never understood why widescreen TV was formatted at 16 x 9 or 1.78:1 as Jean-Marc points out. It is neither theatrical widescreen 1.85:1 or scope 2.39:1. If it was made at one or the other there would not be the need to letterbox scope and crop widescreen on 16 x 9 TV.