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» 8mm Forum   » 16mm Forum   » Elmo 16 CL ETC Ghosting at top of frame

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Author Topic: Elmo 16 CL ETC Ghosting at top of frame
Max McCarty
Junior
Posts: 3
From: Eugene, Oregon USA
Registered: Jun 2011


 - posted October 30, 2019 01:30 PM      Profile for Max McCarty   Author's Homepage   Email Max McCarty   Send New Private Message       Edit/Delete Post 
Many years ago I picked up a used Elmo 16-CL ETC24 to do film transfers. The motor would squeal and the projector would jump whenever I tried to use it, so I put it on the shelf and forgot about it. The other transfer projector I use (a Telex) was having some issues, so I decided to dig out the old Elmo and see if I could fix it. Turns out it just need a set screw on the main drive pulley. Once I replaced that it works great! The only problem I'm still having is that on some films there will be a little ghosting in light areas at the top of the frame. If there are no light areas, you can't really see any ghosting. Is this the shutter claw or a matter of timing the shutter? Thanks!

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Janice Glesser
Film Goddess

Posts: 3468
From: Sunnyvale, CA USA
Registered: Sep 2011


 - posted October 30, 2019 03:11 PM      Profile for Janice Glesser     Send New Private Message       Edit/Delete Post 
Hi Max and welcome to the forum. I'm not sure what you mean by ghosting at the top of the frame. Ghosting usualy occurs through out the entire frame when the camera captures combined frames as the film moves thru the gate. This creates a super imposed trailing image captured by the camera. If you are only getting ghosting at the top then try adjusting the framer to see if that helps. I tried for a very long time to eliminate the ghosting using my Elmo 16CL 3 blade and 5 blade shutters when transferring 16fps films. No dice. If the film is 24fps and your camera is set for 24fps there shouldn't be any ghosting or at least only minimal with a 3-blade or 5 blade shutter. After a lot of research mathematically for 16fps films it would take a 4 blade shutter to fix the ghosting. I ended up going with a frame by frame projector which did the trick.

You can read about it in this thread:

http://8mmforum.film-tech.com/cgi-bin/ubb/ultimatebb.cgi?ubb=get_topic;f=5;t=001763

[ October 30, 2019, 07:02 PM: Message edited by: Janice Glesser ]

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Janice

"I'm having a very good day!"
Richard Dreyfuss - Let It Ride (1989).

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Nantawat Kittiwarakul
Master Film Handler

Posts: 280
From: Rajburana, Bangkok, Thailand
Registered: Aug 2017


 - posted October 30, 2019 08:09 PM      Profile for Nantawat Kittiwarakul   Email Nantawat Kittiwarakul   Send New Private Message       Edit/Delete Post 
That's possible that the shutter timing is only off by a fraction, making it barely noticeable.
If it's mechanically the same as standard 16-CL, there will be just 2 grub screws locking the shutter pulley to the main shaft. Loosening it a bit and nudge it down a millimeter or two would help (yes, it's that critical). [Roll Eyes]

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Just a lone collector from a faraway land...

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Maurice Leakey
Film God

Posts: 5895
From: Bristol. United Kingdom
Registered: Oct 2007


 - posted October 31, 2019 03:59 AM      Profile for Maurice Leakey   Email Maurice Leakey   Send New Private Message       Edit/Delete Post 
Ghosting is often caused by the shutter not being in timing with the claw, it needs to be either advanced or retarded.
It's wise to remember BRAT in these circumstances.
Below Retard, Advance Top.

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Maurice

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Janice Glesser
Film Goddess

Posts: 3468
From: Sunnyvale, CA USA
Registered: Sep 2011


 - posted October 31, 2019 02:07 PM      Profile for Janice Glesser     Send New Private Message       Edit/Delete Post 
Max can I assume you are telecining by recording the realtime projected image with your video camera? Also... is the film you are trying to telecine 16fps or 24fps? If it's 16fps even if your shutter timing is perfect you will still get ghosting in the recorded image. Maybe you could clearify. What settings are you using on you camcorder?

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Janice

"I'm having a very good day!"
Richard Dreyfuss - Let It Ride (1989).

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Max McCarty
Junior
Posts: 3
From: Eugene, Oregon USA
Registered: Jun 2011


 - posted October 31, 2019 02:08 PM      Profile for Max McCarty   Author's Homepage   Email Max McCarty   Send New Private Message       Edit/Delete Post 
Many thanks for all help. I tested this film on a standard Elmo 16-CL and didn't see the problem. My transfer projector is an Elmo 24 ETC that has the synchronous motor and tooth belt to keep the speed constant. I'm using it with a Buhl bi-plexer to convert to digital. With all my 8mm Elmo ETC projectors the video camera is set at 30 frames per second (1080i 30P). My video capture camera is a Panasonic HPX170 with a variable frame rate. Just for fun, I set the frame rate to 1080i 24P. The ghosting effect disappears! I'm not sure why this works, but for now I'm happy it does.

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Janice Glesser
Film Goddess

Posts: 3468
From: Sunnyvale, CA USA
Registered: Sep 2011


 - posted October 31, 2019 02:43 PM      Profile for Janice Glesser     Send New Private Message       Edit/Delete Post 
Max...what is the framerate of the film you are transferring?

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Janice

"I'm having a very good day!"
Richard Dreyfuss - Let It Ride (1989).

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Max McCarty
Junior
Posts: 3
From: Eugene, Oregon USA
Registered: Jun 2011


 - posted October 31, 2019 02:59 PM      Profile for Max McCarty   Author's Homepage   Email Max McCarty   Send New Private Message       Edit/Delete Post 
The film is 24 fps. It's the same frame rate as the video camera, but I thought with the special 5 bladed shutter, the projector was designed to be used with video cameras set to 30 frames per second.

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Janice Glesser
Film Goddess

Posts: 3468
From: Sunnyvale, CA USA
Registered: Sep 2011


 - posted October 31, 2019 07:13 PM      Profile for Janice Glesser     Send New Private Message       Edit/Delete Post 
OK Max...then yes you are fine. With film at 24fps and your camera at 24fps you will not get ghosting. It's only on old silent 16fps home movie films you can eliminate flicker...but not the ghosting with realtime capture.

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Janice

"I'm having a very good day!"
Richard Dreyfuss - Let It Ride (1989).

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Nantawat Kittiwarakul
Master Film Handler

Posts: 280
From: Rajburana, Bangkok, Thailand
Registered: Aug 2017


 - posted October 31, 2019 08:12 PM      Profile for Nantawat Kittiwarakul   Email Nantawat Kittiwarakul   Send New Private Message       Edit/Delete Post 
Ah...that sounds fun to me. Let's do a math. [Wink]

- Assuming that both projector&camcorder runs at (more or less) the same 24 fps. Not a perfect sync, but darn close.
- The projector is 5-blade, so the frequency is 24*5=120 Hz.
- Then set the camcorder to 24p mode, shutter speed 1/120 sec and voila, flicker-free&almost frame-accurate transfer. [Big Grin]

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Just a lone collector from a faraway land...

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