This will teach them!
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when people complain because prices of used 8mm gear are too high.....
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the trick is to find gear that was designed to be easily repaired/restored. As a proud 709 owner, I think it is perhaps Eumig's best designed projector. Unfortunately, Eumig changed the design of their projectors at the same rate that Apple drops iOS versions--new one every year. But I'm confident that the one I bought from Shane Collins (who did the restoration) is essentially as good as new.
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Originally posted by Todd Kitchen View Postthe trick is to find gear that was designed to be easily repaired/restored. As a proud 709 owner, I think it is perhaps Eumig's best designed projector. Unfortunately, Eumig changed the design of their projectors at the same rate that Apple drops iOS versions--new one every year. But I'm confident that the one I bought from Shane Collins (who did the restoration) is essentially as good as new.
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Originally posted by Shane C. Collins View Post
I couldn't agree more! The 709 is such a classic, and does all the things one would want in a sound/silent dual 8 projector! I was very OCD in the restoration of your splendid machine! I wanted it to match the performance of my "mint" and possibly never used 709! it's unfortunate Eumig continued on the path they did, by offering those full auto-loading machines after the 700 series. I once had a 810D and it never loaded properly and ate film quite a bit. I was so displeased it went in the parts bin. Then I was introduced to the early Eumigs, thanks to Joseph Banfield, and never looked back.
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Switching to ridiculous prices for super 8 films ...on ebay, used, with no photos to show the color integrity of the print, 375.00 pounds (approximately 500.00 US), for Empire Strikes Back part 1. Sheesh. You can get a BRAND NEW PRINT made, to your specifications, for 275.00 dollars. Go think!! 🤨
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Originally posted by Douglas Meltzer View PostJoseph,
Is that payment at 1968 rates?!Last edited by Joseph Banfield; October 24, 2024, 11:34 AM.
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Originally posted by Dave Bickford View PostI bought a B&H Filmosound Super 8mm projector brand new from K-Mart for $150USD in 1981. Not the nest machine. It broke a few years later. I love my Elmo ST100 I bought last year for $100.
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Originally posted by Shane C. Collins View Post
I couldn't agree more! The 709 is such a classic, and does all the things one would want in a sound/silent dual 8 projector! I was very OCD in the restoration of your splendid machine! I wanted it to match the performance of my "mint" and possibly never used 709! it's unfortunate Eumig continued on the path they did, by offering those full auto-loading machines after the 700 series. I once had a 810D and it never loaded properly and ate film quite a bit. I was so displeased it went in the parts bin. Then I was introduced to the early Eumigs, thanks to Joseph Banfield, and never looked back.
Eumig apparently didn't stick with that design (the 709) for very long since there are many more Eumigs in the 800 series for sale on a given day than a 709. And most 700 series actually have the 800 series threading design. You can't win. I guess it was too much trouble for people to slide the film into the slot for the sound heads and hook the film on the take-up reel by hand. At least that's probably what the slick-talking salesmen, with the double-knit, wash-and-wear, polyester suits, and the blow-dried 'do, told customers back in the early 70s.
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Regarding the OP, I think 8mm and Super 8 gear is relatively inexpensive today, in the year 2024. You can get a really nice Super 8 sound machine for less than 2 bills, and usually closer to 1 bill. Couldn't get that around 20 years ago.
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Originally posted by Brian Harrington View Post
I agree that the Eumig 810D can be finicky at times, but with pristine leader it does a great job. (But I'll be the first to say I don't always have pristine leader on my films!) But then again my Elmo ST-1200HD can also be finicky with auto-load.
Eumig apparently didn't stick with that design (the 709) for very long since there are many more Eumigs in the 800 series for sale on a given day than a 709. And most 700 series actually have the 800 series threading design. You can't win. I guess it was too much trouble for people to slide the film into the slot for the sound heads and hook the film on the take-up reel by hand. At least that's probably what the slick-talking salesmen, with the double-knit, wash-and-wear, polyester suits, and the blow-dried 'do, told customers back in the early 70s.
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Regarding the OP, I think 8mm and Super 8 gear is relatively inexpensive today, in the year 2024. You can get a really nice Super 8 sound machine for less than 2 bills, and usually closer to 1 bill. Couldn't get that around 20 years ago.
The number of 709's for sale online is very low. However, this model was produced from about 1968 to 1972. They certainly produced enough to keep a healthy stock on the shelves. I have to wonder if many original owners simply liked them so much, they held onto them, or these machines are still sitting in closets waiting to be discovered.
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I do see the Mark S with that threading available a lot, and other 700s like the 800s.
I'm still bummed that I can't get the screw out of the Bolex/Eumig I recently talked about since it would be a terrific machine.
The 709 had semi-auto threading and tubes -- the 800 was solid state and full-auto threading -- big buzzwords by the mid 70s. People were lazy then -- they didn't get haircuts, and most didn't even comb their hair! I got *&^*&^*& from the other kids since my mother used to make me get a short haircut like every 2 weeks!
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As someone who has always gone the Elmo way fixing up and running Eumig projectors has been fun. Never a fan of Eumig I have got to like them more the last few years, with the exception of the models with a rotating focus knob that being the only downside I can really think of, anyway I made this short video of one a while back
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