Some nice examples here. Kodak says it was all shot on their new camera, but I would also like to know how they transferred, graded, etc. Did they run the bits thru some sort of image stabilization?
This showreel looks better than the one they had posted earlier--I can't find it now but had footage of the SF cable cars...
After reading the spec sheet for Kodak's new product (does it have a name yet other than "Super Eight Camera?"), I'm starting to reconsider. Too bad you can't go to a camera shop and see it in person.
To get some perspective on price, in 1977 a Beaulieu 4008 ZM II body only listed for $1,600. That's almost 9K in today's dollars. I'm sure that dealers discounted that price and nobody probably paid that much. But in light of that figure, the price for the new Kodak isn't that far off line.
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This showreel looks better than the one they had posted earlier--I can't find it now but had footage of the SF cable cars...
After reading the spec sheet for Kodak's new product (does it have a name yet other than "Super Eight Camera?"), I'm starting to reconsider. Too bad you can't go to a camera shop and see it in person.
To get some perspective on price, in 1977 a Beaulieu 4008 ZM II body only listed for $1,600. That's almost 9K in today's dollars. I'm sure that dealers discounted that price and nobody probably paid that much. But in light of that figure, the price for the new Kodak isn't that far off line.
d
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