Welcome to the new 8mm Forum!
The forum you are looking at is entirely new software. Because there was no good way to import all of the old archived data from the last 20 years on the old software, everyone will need to register for a new account to participate.
To access the original forums from 2003-2019 which are now a "read only" status, click on the "FORUM ARCHIVE" link above.
Please remember registering with your first and last REAL name is mandatory. This forum is for professionals and fake names are not permitted. To get to the registration page click here.
Once the registration has been approved, you will be able to login via the link in the upper right corner of this page.
Also, please remember while it is highly encouraged to upload an avatar image to your profile, is not a requirement. If you choose to upload an avatar image, please remember that it IS a requirement that the image must be a clear photo of your face.
Thank you!
Just came across this on Youtube - a new video tour of The Curzon Collection of Cinema Technology by the late curator of the collection Maurice Thornton:
So glad that I visited before the closure. Pure magic for any enthusiast and I will always remember the late great Grahame Newnham giving a live 9.5 show there. The staff running the Curzon were fantastic and knowledgeable also. Such a pity it had to close.
I also visited it some years ago. It is so sad that it closed. Fortunately we still have The Projected Picture Trust and The Cinema Theatre Association but it does appear that most of the younger generations are not interested. Most amateur film making clubs are struggling to keep going due to lack of new members. Ken Finch.
The video ends with with Maurice saying "Sadly, the collection is no longer with us". More sadly, nor is Maurice who died a couple of years ago aged 90 after a short illness.
I was able to buy the 16mm Bolex (which was briefly shown), and two Pathescope Son sound projectors and the silent Pathescope Gem which is seen working.
Members may be interested in the following on Maurice's life.
Comment