Author
|
Topic: Perplexing Problem
|
|
|
|
Steve Klare
Film Guy
Posts: 7016
From: Long Island, NY, USA
Registered: Jun 2003
|
posted March 16, 2018 10:59 AM
In reverse, your rear spindle freewheels and the film tension on its own pulls the rear reel around. (In forward it is powered.)
Since you can't push on a string, in reverse projection and rewind the front spindle has to be powered to pull the film onto the supply reel, so then the front clutch is active.
I think what's happening to you is something like this:
In rear projection, your machine is shooting film out the front at 4 Inches per second. At the rate the front reel can turn, the film would go on the reel at let's say 8 inches per second. If the clutch was OK it would slip and allow for this difference.
-but it's locked, so the film is very tight going onto the supply reel and that's stalling the reel and the motor that's now hard-geared to it.
When you take the reel off the spindle, it is free to turn, so the motor un-stalls.
Now, you should be able to rewind just fine. What's the difference?
-There is no film inside the film path, so no speed conflict and binding.
Try this: Without film put it in reverse and (briefly) grab the front spindle (put an empty reel on for emphasis if you need it).
If the clutch is OK you should be able to stop the spindle while motor stays turning.
If the clutch is locked, the motor will stall (do this for as short a time as you can: it's not good for the machine!)
-------------------- All I ask is a wide screen and a projector to light her by...
| IP: Logged
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|