posted April 03, 2014 12:40 PM
I saw this auction for a 16MM print of XANADU, and my attention was drawn to the optical sound track, which seems to have TWO white stripes to it!
Does this mean that the print is stereo optical sound? I don't know enough about optical sound in general (beyond super 8 optical prints) do judge.
Posts: 346
From: Milano, Italy
Registered: Jan 2004
posted April 03, 2014 12:49 PM
From the first picture it seems a mono print (both tracks are equal). I have some doubts on the second picture, but it's too out of focus to understand if it's a stereo one (the two tracks should be different in size and shape)
Posts: 1060
From: Cottage Grove OR
Registered: Dec 2010
posted April 04, 2014 12:02 AM
Hi Osi,
And that 's right Martin, that's also called a Dual Variable Area soundtrack, it's the most common type of soundtrack on Eastman stock, both tracks are identical, and not stereo. Here is a link to Paul Ivester's guide to Identifying film stock and soundtracks.
Posts: 5895
From: Bristol. United Kingdom
Registered: Oct 2007
posted April 04, 2014 09:40 AM
There is talk on other Forums that the American Army used to have 16mm films printed for their sole use with stereo sound tracks. Does anybody have any more information on this?
Posts: 977
From: Ortona, Italy
Registered: Jan 2004
posted April 04, 2014 10:48 AM
Of course it can be stereo: the twin track makes it possible, provided you use the proper audio master material, to strike stereo sound 16 mm prints; in fact the became quite common in Italy during the 1980's.
Posts: 977
From: Ortona, Italy
Registered: Jan 2004
posted April 04, 2014 05:19 PM
There should be some models from Eiki, included (at least) a xenon model. Sampaolofilm, the major Italian 16 mm print distributor, used to list and sell these along with some other models from Cinemec. I recall at some point I got a brochure with some models many years ago but I should find it in my files now because I don't remember the actual numbers. Actually I've never collected 16, but back in those times, I found it exciting the fact an Italian company was still dealing with 16 mm and some warehouse Super 8 prints to clear.
posted April 06, 2014 04:18 PM
Its interesting that Super 8 leaped over 16mm in the sound department, with high fideleity magnetic stereo sound. Although not always realised to its full potential, this too me is the great advantage that super 8 has over 16mm, as stereo sound adds tremendous impact to film presentations, particularly musicals.
-------------------- The best of all worlds- 8mm, super 8mm, 9.5mm, and HD Digital Projection, Elmo GS1200 f1.0 2-blade Eumig S938 Stereo f1.0 Ektar Panasonic PT-AE4000U digital pj
posted April 06, 2014 05:21 PM
Except perhaps in its very early days, 16mm was never primarily for the home-viewing market. TV was the primary use and stereo sound would not have made much sense.
Super 8, on the other hand, was intended for the hobbyist and it made sense to develop sound capabilities as it did.
Posts: 4486
From: Brussels, Belgium
Registered: Jun 2013
posted April 06, 2014 06:12 PM
Michael, 16mm has indeed always been a gauge difficult to classified. Its cost, the quality and the weight of the machines makes it a semi-professionnal gauge but the availability of black and white silent digests of colour sound films and some "small" projectors shows us that amateurs used also 16mm. Tv widely used 16mm but there was (and still is ?) another market for it.
quote: ...but the availability of black and white silent digests of colour sound films and some "small" projectors shows us that amateurs used also 16mm.
Yes, definitely. I know there were all those Blackhawk releases for example. You are correct Dominique. But it was never as big a home movie format as Super 8, maybe due to it's expense. I don't know for sure but I would say that once Super 8 took off, 16mm home sales dropped off. Anyone know any more on this.
Posts: 540
From: Aldershot, Hampshire, UK
Registered: Nov 2013
posted April 08, 2014 09:55 AM
I don't know about outside the UK but in January 1963 Amateur Movie Maker magazines said in its annual projector guide that film libraries were reporting a steep decline in non-sound 16mm film hire. At the same time there were only three 16mm silent projectors on the market- B & H 613H, Specto 8/16mm and the Specto Analysing projector. It seems the decline in 16mm for home use predates the arrival of Super 8.