Welcome to the new 8mm Forum!
The forum you are looking at is entirely new software. Because there was no good way to import all of the old archived data from the last 20 years on the old software, everyone will need to register for a new account to participate.
To access the original forums from 2003-2019 which are now a "read only" status, click on the "FORUM ARCHIVE" link above.
Please remember registering with your first and last REAL name is mandatory. This forum is for professionals and fake names are not permitted. To get to the registration page click here.
Once the registration has been approved, you will be able to login via the link in the upper right corner of this page.
Also, please remember while it is highly encouraged to upload an avatar image to your profile, is not a requirement. If you choose to upload an avatar image, please remember that it IS a requirement that the image must be a clear photo of your face.
Thank you!
Last night I watched my copy of "Witness". I haven't been watching a lot of film the past year, but I've taught my son to work my Elmo 16mm CL projector. I get to just sit back and enjoy the show.
I also found out this week that Danny Glover's sister Connie graduated with my class of '65 at George Washington High School in San Francisco. Small world 🤩.
Watched my son's favorite movie "The Graduate". It's a classic with a great soundtrack. I love towards the end when a very young Richard Dreyfuss pops his head into the camera view and says, "Do you want me to call the cops... I'll call the cops! "
There was a a story I heard, but never found any confirmation, that Mike Nichols told the cameraman to keep rolling after Ross and Hoffman sit down in back of the bus. Nichols did not tell Ross and Hoffman about it, because he wanted to get a confused reaction from the two actors when they kept expecting someone to yell, "cut!".
Ed, that actually sounds like something that a director would do.
Stranger things have happened. In an interview with Ellen Burstyn, the subject of odd things happening on the set while making a movie, she recalled a story that Robert Surtees (cinematographer) told her:
I want to tell you a story he told me. It's a show biz story. He was making some movie. I don't know what the movie was, and the leading man completed his last scene. They did a close up and he died, but they hadn't shot the person he was talking to the reverse of her close up, so they propped him up and shot over his shoulder. Is it even legal? No? Oh god, I can't even believe that.
This is a NASA release, with the official looking "NASA, Washington DC" label on the can and all! I'd say it was meant for public-relations purposes as everything is an overview.
'67 was a big year For NASA since they were preparing to send manned-flights to the moon. It wasn't a good year since that January there was a fire on the launch pad and three Astronauts died. They commented on the fire and discussed how the Command Module was being redesigned to prevent this happening again. Because of this, the manned portion of the program was on hold that year while they regrouped.
They showed some of the very earliest Apollo flights, which went no further than Earth orbit just to test new equipment. These are ones we don't often talk about these days since nothing glamorous happened. They showed the launch of Apollo 4: still unmanned, but meant to test the ability of the Saturn V launch vehicle to achieve Earth orbit and the Command Module to safely splash down.
It wouldn't be for another year that Apollo 8 would take a crew all the way out to the moon and return. Apollo 10 actually had Astronauts aboard the LEM descending towards the lunar surface. Still about 50 miles up, they basically said "Nnnnnope!" and went back up to rendezvous with the Command Module and return home. Apollo 11 actually did the deed! (NASA was very deliberate, and very patient!)
They talked about the Surveyor program: how unmanned landers were being sent to potential Apollo landing sites to assess the viability of their plans for manned landings. One of the neat things about seeing a film like this from a fixed moment in time is the viewer knows things that the people in the film don't just yet and can tell even more of the story that within the film is only beginning. Apollo 11 missed its planned landing site by over a mile (the area was much rougher than they expected), so NASA planned to make a test of their real ability to land at a chosen site. Apollo 12 landed well within walking distance of the now dormant Surveyor 3 lander and the Astronauts removed several pieces of equipment off the lander for return to Earth and analysis of the effects of their exposure to the Lunar environment.
They mentioned that NASA had launched an Earth satellite that would allow aircraft to fly all the way across the Atlantic without any period of radio silence for the first time. They also mentioned a fly-by of Venus to measure its atmosphere. A few years later, the Soviets made a series of landings there and got the whole story.
I enjoyed this film a lot: I was a little kid when all this was going on and I just loved watching it happen back then. I made a point of looking up at the moon when there were Astronauts there, just to think about that fact.
This is a nice print: sharp black and white in really good shape with excellent sound. It's natural to imagine how it could be used in shows.
A few CineSeas ago, the Thursday Night Theme was "space". It's a shame it arrived maybe a year too late, but I think the Crowd would love it, so it's going to be there next time!
I do shows at home with mixed formats and an audience and this one is just perfect to be a short for my Apollo 13 DVD feature. That could happen too!
It runs a little more than 15 minutes (-from a pretty full 600 Foot Reel). It didn’t go very deep into details, just enough to show the Public that NASA was making progress! I wonder if it was meant to be televised.
What's interesting is the Narrator's opening line begins "Just ten years after Sputnik...".
Black and white is an asset here: the color NASA films I passed up on were all quite red. .
Commander Pete Conrad visits Surveyor 3 after a long trip from Florida.
The camera by his right shoulder is now in the Smithsonian.
(Apollo 12's LEM stands in the upper right.)
Last edited by Steve Klare; July 01, 2025, 01:49 PM.
This is a NASA release, with the official looking "NASA, Washington DC" label on the can and all! I'd say it was meant for public-relations purposes as everything is an overview.
'67 was a big year For NASA since they were preparing to send manned-flights to the moon. It wasn't a good year since that January there was a fire on the launch pad and three Astronauts died. They commented on the fire and discussed how the Command Module was being redesigned to prevent this happening again. Because of this, the manned portion of the program was on hold that year while they regrouped.
...
Steve, is this video from youtube the film you recommend?
Comment