I don't think Ektachrome sufers like eastmancolor my colour slides and home movies from 1970's are still all good colour.
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What 16mm Films Did You See Last Night?
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On July 1st I had the opportunity to co-host and help project a 12 hour 16mm Marathon to a sold out crowd of 210 audience members! Lisa Wilcox also joined us and introduced her great contribution to a franchise. Please excuse the random order of the photo dump. I’m still trying to figure out how to rearrange photos from my mobile device!
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Originally posted by Evan Samaras View PostOn July 1st I had the opportunity to co-host and help project a 12 hour 16mm Marathon to a sold out crowd of 210 audience members! Lisa Wilcox also joined us and introduced her great contribution to a franchise. Please excuse the random order of the photo dump. I’m still trying to figure out how to rearrange photos from my mobile device!
That's a nice large screen! What projector did you use?
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Originally posted by Evan Samaras View PostOn July 1st I had the opportunity to co-host and help project a 12 hour 16mm Marathon to a sold out crowd of 210 audience members! Lisa Wilcox also joined us and introduced her great contribution to a franchise. Please excuse the random order of the photo dump. I’m still trying to figure out how to rearrange photos from my mobile device!
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A classical early French talkie : Sous les toits de Paris, Under The Roofs Of Paris (1930) from René Clair. In France, talkies started only in 1929 (and that year, most of the films released were still silent). René Clair's film (his first talkie) has taste of silent film : several dialogues are silent (people away from the camera or behind a glass). It looks even that some scenes were not shot at 24 fps. My copy has English subtitles but they are at a minimum (several dialogues are not "translated", nor are the songs), I'm not sure I would be completely satisfayed with them if I could not understand French, but it seems that the fact that they are few dialogues in the film helped it to be exported in its time. Albert Préjean, who plays the main male role, started with silent films. He was a big star in the '30s. During the war, he visited Germany, something he was blamed for at the end of the war and he never got his high popularity back after that. He played in a 1921 silent film titled "Les trois mousquetaires" (as you guessed, The Three Musketeers). That film was sonorized for a TV channel in the '90s (if I'm not mistaking) for a TV channel. His son, Patrick Préjean, an artist as well, made the narration. I was lucky to see that film in a cinema in Paris for an avant-première and Patrick Préjean was there. He said that he had been very happy to do this narration because that gave him the unique opportunity to have his name credited in a film his father played in.
Albert Préjean.
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Tonight it was one of three recent purchases I have made. You will find out about the other two in due course.
But tonight was Hitchcock night with The Man Who Knew Too Much on 2x 2200 spools. It was a black and white copy but seem to think it was shot in color. It is also a film I had never seen before so was extra special seeing it on 16mm on the big screen up in the man cave ! Not a bad copy. An obviously "used" copy with sporadic faint lines here and there but nothing serious.
...... Oh.... and I never spotted him ! Had to refer to Google later !
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