Chris
I've seen telecines that are using sprocket holes for registration and have no claw.
http://8mmforum.film-tech.com/vbb/fo...=3875#post3875
The link above will give you dimensions, use the long pitch, it was for reversal film. I have R8 films that have an image across the whole width, except for the sprocket holes.
With S8, the frame lines can be thick and black or crazy thin. It's the camera used that determines thickness.
Bruce
I am using the DFM72BUC02-ML sensor spec'd by Stan with a 16mm lens.
https://www.aico-lens.com/?s=ACH1656MAC
1piece ACH1656MAC f5.6 with IR cut filter will be 3 weeks after receiving payment. The total cost for 1piece ACH1656MAC is $115($85+$30 by Fedex/UPS to United States).
These are 20mm brass standoffs. I have other sizes that are too large to shorten just a little. The Wolverine cutout limits the total lens drop with out modifying the face plate.
I was capturing with the full size of the sensor 2792x1944. It is not useful to do that. I had hoped for a little less FOV from the lens. In the end the final crop will be more like 1600x1200. There can be fine tuning with the partial scan when less than full sensor size.
I have read an account comparing Kodachrome to Ektar negative film in the 90's. Kodak was advertising Ektar to be 200lp/mm, and better than Kodachrome. Someone who shot both stocks on the same equipment and has access to high end microscopes, claimed that they were equal.
One reason film resolution is hard to calculate is because there is no information on the lens used. If the lens can't resolve 200lp/mm the film can't record it. I don't remember anyone comparing Super8 lens quality except thru reputation of the manufacturer.
Brian I think the LP/mm is not used much anymore. The pixel dimensions of a sensor or crop don't tell you the pixel pitch which more closely matches the LP/mm.
Now lenses have MTF charts or a megapixel ratings to match with the sensor.
It says right on this card "for reference only". I though it might be useful.
This is literally 1 line pair per mm. Try to imagine 100 or 200 LP/mm !!!
Stan I have more time to spend on this lens thing. It's been a few minutes here and there. I'll try to remember the standoff size for 12mm.
I would much rather have used a long 2mm bolt and hollow spacers. These are threaded at both ends. Very cumbersome.
I've seen telecines that are using sprocket holes for registration and have no claw.
http://8mmforum.film-tech.com/vbb/fo...=3875#post3875
The link above will give you dimensions, use the long pitch, it was for reversal film. I have R8 films that have an image across the whole width, except for the sprocket holes.
With S8, the frame lines can be thick and black or crazy thin. It's the camera used that determines thickness.
Bruce
I am using the DFM72BUC02-ML sensor spec'd by Stan with a 16mm lens.
https://www.aico-lens.com/?s=ACH1656MAC
1piece ACH1656MAC f5.6 with IR cut filter will be 3 weeks after receiving payment. The total cost for 1piece ACH1656MAC is $115($85+$30 by Fedex/UPS to United States).
These are 20mm brass standoffs. I have other sizes that are too large to shorten just a little. The Wolverine cutout limits the total lens drop with out modifying the face plate.
I was capturing with the full size of the sensor 2792x1944. It is not useful to do that. I had hoped for a little less FOV from the lens. In the end the final crop will be more like 1600x1200. There can be fine tuning with the partial scan when less than full sensor size.
I have read an account comparing Kodachrome to Ektar negative film in the 90's. Kodak was advertising Ektar to be 200lp/mm, and better than Kodachrome. Someone who shot both stocks on the same equipment and has access to high end microscopes, claimed that they were equal.
One reason film resolution is hard to calculate is because there is no information on the lens used. If the lens can't resolve 200lp/mm the film can't record it. I don't remember anyone comparing Super8 lens quality except thru reputation of the manufacturer.
Brian I think the LP/mm is not used much anymore. The pixel dimensions of a sensor or crop don't tell you the pixel pitch which more closely matches the LP/mm.
Now lenses have MTF charts or a megapixel ratings to match with the sensor.
It says right on this card "for reference only". I though it might be useful.
This is literally 1 line pair per mm. Try to imagine 100 or 200 LP/mm !!!
Stan I have more time to spend on this lens thing. It's been a few minutes here and there. I'll try to remember the standoff size for 12mm.
I would much rather have used a long 2mm bolt and hollow spacers. These are threaded at both ends. Very cumbersome.
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