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Topic: What Films did you show last night?
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Christian Bjorgen
Jedi Master Film Handler
Posts: 996
From: Kvinnherad, Norway
Registered: Oct 2009
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posted February 11, 2013 03:04 AM
Having finally gotten my collection back up, I pretty much run films for a few hours every night now, just to catch up!
Last night I had a healthy amount of film that I screened, most of them films I haven't seen yet, to evaluate their condition:
Psycho - German 400' Piccolo print. Needs clean and English re-record. Helter Skelter - 2x400' Iver Films print, needs cleaning. The Longest Yard - 3x400 on 2x600 Marketing print, looked great! Birth of a Nation - first two 400' reels, saving the rest for tonight and finally Animal House - 2x400 on 1x600 U8 print, one of my favorites.
Grabbed some screenshots during the last film.
-------------------- Well who’s on first? Yeah. Go ahead and tell me. Who. The guy on first. Who. The guy playin’ first base. Who. The guy on first. Who is on first! What are you askin’ me for? I’m askin’ you!
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Richard Bock
Expert Film Handler
Posts: 239
From: El Cerrito,CA,USA
Registered: Jan 2010
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posted February 17, 2013 10:03 AM
Oranges and Lemons (1923)
Why do I like slapstick? Why do I like to see guys beating up on each other, jumping all over and socking and fighting? Because it's all in fun and these actors are very good at it. This film is simply an ensemble juggling act. fists, oranges and lemons, conveyor belts and stomachs are the 'objects' that get juggled. Most of the action is in the warehouse where the crates are moved up to the storage loft via-pain. Stan Laurel is so adept at physical humor, this before his teaming up with Oliver Hardy. The actors make it look simple, but these are gymnasts and comedians at work. This sort of physical humor is by the way perfect for pre schoolers, they love this stuff and so do I.
Interesting looking films Dino. I've never heard of them. A Tour of the Thomas Ince Studio looks just terrific for film historians and film buffs. [ February 17, 2013, 11:08 AM: Message edited by: Richard Bock ]
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